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All posts by : Amalia Spiliakou

La Carmencita by John Singer Sargent

November 10, 2022
by Amalia Spiliakou 19th century ArtAmerican ArtTeaching Resources

Sargent’s monumental La Carmencita — bold, magnetic, breathtakingly alive — immortalized Spain’s sensational dancer in swift brushstrokes so powerful, France purchased it within two years.

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The Palette of Narmer, c. 3200-3000 BC, Siltstone, 64 × 42 cm, Egyptian Museum, Cairo, Egypt

Introduction to Egypt of the Pharaohs

November 6, 2022
by Amalia Spiliakou Ancient Egyptian ArtTeaching Resources

Egypt’s immortal civilization — gift of the Nile, unified under Narmer c. 3000 BC — built an enduring world where pharaohs embodied gods and eternity shaped every human endeavor.

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Simon Bening’s November

October 31, 2022
by Amalia Spiliakou Northern Renaissance ArtRenaissance ArtTeaching Resources

Bening’s luminous November miniature captures aristocratic splendor — a nobleman triumphantly returning, antlered stag in tow, hounds straining — hunting elevated to magnificent courtly theater.

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Smash the Hun

October 27, 2022
by Amalia Spiliakou 20th century ArtAmerican ArtTeaching Resources

Hopper’s raw 1918 propaganda poster Smash the Hun — dismissed by its creator as “pretty awful” — unexpectedly launched his career, winning $300 and captivating thousands of Broadway passersby.

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Mosaic Icon of Saint Demetrios at Sassoferrato, Mosaic Icon: 14th or 15th century, Ampulla: 13th or 14th century, Silver Frame: mid-15th century, Mosaic set into wax on a poplar board, paint, silver-gilt (frame), lead (ampulla), 24.3 X 16 cm, Museo Civico, Sassoferrato, Italy

Miniature Mosaic Icon of Saint Demetrios in Sassoferrato

October 25, 2022
by Amalia Spiliakou Byzantine ArtTeaching Resources

Sassoferrato’s breathtaking micromosaic Saint Demetrios — soldier, miracle-worker, holy oil and all — distills Byzantium’s final glorious artistic flowering into one extraordinary 24cm treasure.

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Autumn by Giuseppe Arcimboldo

October 20, 2022
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Arcimboldo’s gloriously quizzical Autumn — berry-eyed, grape-crowned, emerging from a wine barrel — transforms harvest abundance into portraiture so inventive it astonishes five centuries later.

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Still Life with Peaches and Water Jar, detail of a Fourth Style wall painting from the House of the Deer in Herculaneum, c. 62-69 C.E., fresco, 35.56 x 34.29 cm, Archaeological Museum, Naples, Italy

House of the Deer in Herculaneum

October 15, 2022
by Amalia Spiliakou Roman ArtTeaching Resources

Herculaneum’s luminous Still Life with Peaches and Water Jar — frozen since 79 CE — reminds us on World Food Day that sharing food with others is humanity’s most ancient, generous impulse.

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House of Dionysus, Epiphany of Dionysus, 2nd century BC, Mosaic, Delos Island, Greece

The Epiphany of Dionysus Mosaic in Delos

October 9, 2022
by Amalia Spiliakou Ancient Greek ArtMythologyTeaching Resources

Delos’s breathtaking Epiphany of Dionysus — ivy-crowned, winged, tiger-mounted — captures antiquity’s most electrifying god in one million tiny tesserae of pure Hellenistic genius.

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The Red School House by Winslow Homer

October 4, 2022
by Amalia Spiliakou 19th century ArtAmerican ArtTeaching Resources

Homer’s luminous Red School House — a young teacher, mountain light, children learning — captured post-Civil War America’s tender optimism for simpler times and brighter futures.

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Simon Bening’s October

September 30, 2022
by Amalia Spiliakou Northern Renaissance ArtRenaissance ArtTeaching Resources

Bening’s intoxicating October miniature — nobles tasting, peasants pressing, barrels groaning — distills Renaissance Flemish winemaking into one luminous, grape-soaked masterpiece of observation.

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