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Posts in category: Ancient Greek Art

Floor mosaic from the House of Euripos (2nd–3rd century AD), showing a central youthful sea spirit surrounded by personifications of the Four Seasons, Archaeological Museum of Mytilene, Greece.

Roman Mosaic from the House of Euripos

March 19, 2026
by Amalia Spiliakou Ancient Greek ArtArchaeologyRoman ArtTeaching Resources

A Roman mosaic from Mytilene depicts a central sea spirit encircled by the Four Seasons, symbolizing nature’s cycles, harmony, and renewal in a timeless reflection of life’s rhythms.

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Attic red-figure ceramic pelike showing a lively scene from Greek comedy: a costumed actor in a bird (rooster) outfit with wings, tail, and a raised leg.

Pelike with an Actor Dressed as a Bird

March 9, 2026
by Amalia Spiliakou Ancient Greek ArtArchaeologyTeaching Resources

This Attic red-figure pelike depicts a costumed actor as a bird, offering rare visual evidence of ancient Greek comedy, where theatrical costume, performance, and transformation shaped storytelling and audience experience.

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Attic black-figure volute krater known as the François Vase showing multiple mythological scenes in horizontal friezes, by Kleitias and Ergotimos, c. 570–565 BC.

François Vase

February 13, 2026
by Amalia Spiliakou Ancient Greek ArtArchaeologyMythologyTeaching Resources

The François Vase is a masterful black-figure krater, uniting mythological scenes in intricate friezes, showcasing Archaic Greek storytelling, craftsmanship, and the collaborative brilliance of Kleitias and Ergotimos.

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Floor mosaics in the House of Menander in Mytilene, featuring the Portrait of Menander and figural scenes from his Comedies, preserved within the remains of a Roman-period domestic interior.

The House of Menander

January 19, 2026
by Amalia Spiliakou Ancient Greek ArtArchaeologyRoman ArtTeaching Resources

The House of Menander in Mytilene reveals a luxurious Roman villa adorned with theatrical mosaics, reflecting cultural sophistication, artistic taste, and possibly ties to dramatic performance or Dionysiac associations.

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Wall Paintings from the Mycenaean Palace of Boeotian Orchomenos, Late Bronze Age, 13th century BC, Archaeological Museum of Thebes, Greece

Boat Fresco of Orchomenos

December 3, 2025
by Amalia Spiliakou Ancient Greek ArtArchaeologyMycenaean ArtTeaching Resources

The Orchomenos Boat Fresco reflects Mycenaean ideals of order and power through its disciplined depiction of a rowing vessel, transforming maritime imagery into a symbol of hierarchy, coordination, and Bronze Age kingship.

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Alexibola: Funerary Stele with Scene of Greeting, early 3rd century BC, Marble, Archaeological Museum of Thera, Greece

Funerary Stele of Alexibola

November 13, 2025
by Amalia Spiliakou Ancient Greek ArtArchaeologyTeaching Resources

The Funerary Stele of Alexibola from Thera captures the emotional depth of Classical Greek art, depicting a tender farewell between father and daughter through restrained gesture, dignity, and timeless expressions of love and human connection.

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Poliochne on Lemnos, one of the earliest European settlements (Early Bronze Age, c. 3200–2100 BCE), with its maze-like houses and public squares revealing the social organization and daily life of its inhabitants. – Photo Credit: Amalia Spiliakou, July 2025

Poliochne on Lemnos

October 3, 2025
by Amalia Spiliakou Ancient Greek ArtArchaeologyMycenaean ArtTeaching Resources

Poliochne on Lemnos reveals one of Europe’s earliest cities, where planned streets, communal spaces, and evolving Bronze Age architecture illuminate the rise of complex urban life in the Aegean.

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Head of Aphrodite of the Aspremont-Lynden/Arles type, 1st c. AD copy of an original 4th century BC work by Praxiteles, Marble, possibly Parian (Marathi), Height: 32 cm, National Archaeological Museum, Athens, Greece

Head of Aphrodite of the Aspremont-Lynden/Arles type 

September 22, 2025
by Amalia Spiliakou Ancient Greek ArtArchaeologyEarly Christian ArtRoman ArtTeaching Resources

The Head of Aphrodite of the Aspremont-Lynden/Arles type reflects Praxitelean ideals of serene, idealised femininity, later reinterpreted through Christian reuse and layered histories of adaptation, loss, and classical survival.

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Ancient Greek city of Hephaistia, late 5th to early 4th century BC, Lemnos Island, Greece

Hephaistia on the island of Lemnos

September 18, 2025
by Amalia Spiliakou Ancient Greek ArtArchaeologyTeaching Resources

Hephaistia on Lemnos preserves a layered ancient city where sanctuary, theatre, and domestic life intertwine, offering a tranquil archaeological landscape shaped by myth, civic identity, and centuries of continuous habitation.

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Terracotta kylix (drinking cup), Attributed to the Painter of Munich 2660, ca. 460 BC, Terracotta, Red Figure, 7x20 cm, the MET, NY, USA

Kylix with a School Boy

September 10, 2025
by Amalia Spiliakou Ancient Greek ArtArchaeologyTeaching Resources

The Kylix with a School Boy from early Classical Greece depicts a young student carrying his writing tablet, offering a timeless glimpse into ancient education, where learning, ritual, and youthful anticipation quietly shaped everyday life.

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