Roman Frecoes Archives - Teacher Curator

House of the Deer in Herculaneum

October 15, 2022

by admin Ancient Roman Villas Art Roman Art Roman Frecoes Student Activities Worksheets

**Still Life with Peaches and Water Jar,** detail of a Fourth Style wall painting from the House of the Deer in Herculaneum, c. 62-69 C.E., fresco, 35.56 x 34.29 cm, Archaeological Museum, Naples, Italy https://www.khanacademy.org/humanities/ancient-art-civilizations/roman/wall-painting/a/still-life-with-peaches

According to the Food and Agricultural Organization of the United Nations, a sustainable world is one where everyone counts. Governments, the private sector, academia, and civil society and individuals need to work together in solidarity to prioritize the right of all people to food, nutrition, peace and equality. Indeed, every one of us, including youth, can work towards an inclusive and sustainable future, showing greater empathy and kindness in our actions. On World Food Day, October 16, we need to build a sustainable world where everyone, everywhere has regular access to enough nutritious food. I would like to commemorate this important day by presenting a Still Life painting from the House of Deer in Herculaneum. https://www.fao.org/world-food-day/en

**Panoramic View of the House of the Deer in Herculaneum,** Italy https://sites.google.com/site/ad79eruption/herculaneum-1/insula-iv/house-of-the-deer

The House of the Deer, built during the reign of Emperor Claudius, is one of the most opulent houses in ancient Herculaneum. Its name comes from a set of statues depicting deer attacked by hounds. The marble sculptural decoration of the Villa, discovered in 1930, was part of its landscaped garden. Apart from the two statues of deer attacked by hounds, archaeologists discovered the statue of a Satyr carrying a Wineskin on his back, and a Drunken Hercules. https://brunelleschi.imss.fi.it/giardinoantico/egar.asp?c=24027&k=24013&rif=24021

Discovered in 1930, in the House of the Deer, this **loaf of sourdough bread** was baked on the morning of the 24^th of August, 79 CE. It carries the stamp of Celer, a former slave of Quintus Granius Verus. https://bitesizedancienthistory1.wordpress.com/2020/09/05/the-bread-loaf-from-herculaneum/

Interestingly, we know the name of the owner of this house. This was done after the discovery of a bread cake with the seal of a certain Seler, a former slave of Granius Veria. Shortly before the death of Herculaneum, Celer was released by his master with all the rights of a free citizen. https://ermakvagus.com/Europe/Italy/herculaneum/deer_house_herculaneum.html

**House of the Deer in Herculaneum Plan**
**Garden area** (32), looking north to the central doorway into Cryptoporticus (28)
**Garden area** (32), detail of the mosaic decoration of the Great Portal.
Photo courtesy of Robert Hanson
**Statue of a deer attacked by four hounds,** 1^st century AD, white Luna marble. The original statues are exhibited in Soprintendenza Archeologica di Pompei, in Italy https://herculaneum.uk/Ins%204/Herculaneum%204%2021%20p9.htm and https://twitter.com/planetpompeii/status/1113189803204411399 and https://herculaneum.uk/Ins%204/Herculaneum%204%2021%20plan.htm

The House of the Deer, one of the most luxurious waterfront dwellings so far discovered in Herculaneum, has an interesting layout. It focuses on the axis that runs from the triclinium (5) through the peristyle/garden area (32), and the tablinum (15) to the gazebo (18) set in the center of the panoramic terrace overlooking the Bay of Naples to the south. https://sites.google.com/site/ad79eruption/herculaneum-1/insula-iv/house-of-the-deer

An important part of the House of the Deer was the Cryptoporticus (28-31), a corridor that enclosed the central peristyle/garden (32) area, and opened onto the atrium (24), the triclinium (5), and the tablinum (15). The Cryptoporticus was decorated in the 4^th Pompeian Style, featuring more than sixty individual panels. These panels (partly removed in the 18th century) represent scenes with tiny cupids, still-lifes, and various architectural landscapes. https://sites.google.com/site/ad79eruption/herculaneum-1/insula-iv/house-of-the-deer

**Still Life with Peaches and Water Jar** (left), **Still Life with a Silver Tray with Prunes, Dried figs, Dates,** **and Glass of Wine** (center), and **Still Life with Branch of Peaches** (right)
**Still Life with Hen** (left), **Still Life with Two Cuttlefish, a Silver Jug, Bird, Shells, Snails, and Lobster** (center), and Still-life with a Hare and Grapes (right)
**Still-Life with Chicken and Hare** (left), **Still Life with Partridge, Pomegranate, and Apple** (second from left), **Still Life with Thrushes and Mushrooms** (third from left), **Still-Life with Partridges and Eels** (far right)
Fourth Style wall paintings from the House of Deer in Herculaneum, Italy, c. 62-69 C.E., fresco, 35.56 x 34.29 cm, Archaeological Museum, Naples, Italy
https://www.khanacademy.org/humanities/ancient-art-civilizations/roman/wall-painting/a/still-life-with-peaches

My favorite panel presents Peaches and a transparent glass Water Jar. It was meant to be seen as a group of three Still Life paintings. According to Dr. Lea Cline, all ten Still Life panels discovered in the Villa belong to a category of still life paintings known as xenia, that is as hospitality gifts. It is interesting to know that the ancient Greek and Roman hosts were expected to gift their guests with xenia, tokens of their hospitality, instead of receiving gifts as the tradition is today. https://www.khanacademy.org/humanities/ancient-art-civilizations/roman/wall-painting/a/still-life-with-peaches

For a Student Activity, please… Check HERE!

Painter at Work!

May 13, 2022

by admin Art Roman Art Roman Frecoes

**Painter at Work** from the **House of the Surgeon** in Pompeii, Room L, East Wall, central section, 1^st century AD, Fresco, 45×45.4 cm, National Archaeological Museum of Naples, Italy – Credit: Image © Photographic Archive, National Archaeological Museum of Naples https://isaw.nyu.edu/exhibitions/pompeii-in-color/objects/painter

Pompeii in Color: The Life of Roman Painting Exhibition at the New York University Institute for the Study of the Ancient World (through May 29, 2022) presents thirty-five frescoes from the National Archaeological Museum of Naples. Among these important works, all originally from Roman homes is a favorite painting of mine, titled Painter at Work! It comes from the Pompeian House of the Surgeon, and it is a Gem! https://isaw.nyu.edu/exhibitions/pompeii-in-color

The amazing Pompeian fresco of a female painter immersed in her work… observed and admired… “bathed” in “aubergine” tones, attracts our attention, and captivates our eyes. The Questions and Answers that follow, will hopefully help us solve hidden clues, understand the fresco’s importance, and enjoy its charm!

Where was the Fresco titled Painter at Work discovered?

The fresco was found in the House of the Surgeon, in the ancient city of Pompeii, located in the Bay of Naples, or as Cicero would call it, the “the crater of all delights.” Pompeii was the favorite vacation spot of the Roman elite. Roman Emperors and their wives, members of the old aristocracy, and representatives of the new money elite were all, more than enthusiastic to live or vacation on the Neapolitan coast. The name of the House’s owner may not be known, but a toolkit of bronze and iron surgical instruments discovered during excavations is responsible for its modern name. https://www.smithsonianmag.com/arts-culture/roman-splendor-in-pompeii-59083755/

**House of the Surgeon in Pompeii, City, and House Plan**
https://en.wikipedia.org/wiki/House_of_the_Surgeon
https://sites.google.com/site/ad79eruption/pompeii/regio-vi/reg-vi-ins-1/house-of-the-surgeon

Specific facts about When and Where the House of the Surgeon was built: The House of the Surgeon or Casa del Chirurgo is one of the oldest Italic Houses in the city. It was excavated back in 1771 by the Spanish military architect and archaeologist Francesco La Vega. It is located on the East side of the ancient city (Regio VI, Insula i, Doorway 10), about 50 meters inside the Herculaneum Gate, and dates from the Samnite period, between the 3rd and the early 2nd century BC. At the time of the eruption of 79 AD, the House had fallen into a poor state and was undergoing considerable repair work. https://intarch.ac.uk/journal/issue23/3/case_study.html and https://interactive.archaeology.org/pompeii/field/11.html

**House of the Surgeon in Pompeii, Italy**
https://www.storieparallele.it/la-casa-del-chirurgo-di-pompei/

Where was the fresco of the female Painter at Work discovered? The House of the Surgeon was, once, lavishly decorated with frescoes of the 4^th Pompeian Style. Room L, next to the House’s Hortus (Garden), seems special. This is the Room where the Painter at Work fresco was discovered in 1771. The painting was detached, it was considered a protection procedure at the time, and is now exhibited in the National Archaeological Museum of Naples, as a framed panel.

Engraving of the Frescoed East Wall of Room L in the House of the Surgeon, in Pompeii. The central painted panel depicts the *Painter at Work*
**Le pitture antiche d’Ercolano**, Tomo Setimo, Tabola LXXXII, pag. 365, Napoli : nella regia stamperia, 1757, TH-Bibliothek Zürich https://commons.wikimedia.org/wiki/File:Delle_antichit%C3%A0_di_Ercolano,_1757-1779_(T._I-VII)_70388_(23839904461).jpg

Describe the Composition: Painter at Work is a wall decoration of a seated woman absorbed in the art of painting! It was discovered in 1771, during the early excavations, in Room L of the House of the Surgeon, in Pompeii. The painting was, at the time, removed, and now is exhibited in the Archaeological Museum in Naples. We do not know the name of the artist who created it, nor the name of the depicted female painter… they are both anonymous, but they both strike us as talented and unique! The portrayed artist sits comfortably on a stool, dramatically framed by a window opening to the sky. The window is bordered by two pillars/posts and is decorated with garlands and a Bucranium. In a faint distance, we can discern a Herm and a Vase standing on a pillar, both typical Hellenistic landscape motives.

The portrayed artist is about to finish her painting of a sculpture that stands in front of her. Her hand reaches back with her paintbrush to a box of pigments balancing on a cylindrical stand… is it the drum of a column? She is looking at the statue of a bearded man… is he God Dionysus as some scholars have suggested? Immersed in her work she is about to put the final touches on her painting placed on the floor directly beneath its model, held by a wreathed boy… is he Cupid? Behind the left Pillar, two richly dressed women stand, looking interested… are they friends, admirers, or sponsors? We can only guess…

There is so much I admire in this small painting! The noble theme of a painting dedicated to the Art of Painting, and thee, by a female artist… The idea of a painting within a painting, with the extra addition of a second small painting hanging on the right pillar… The amazing color scheme employed by the artist, muted aubergine tones and soft sky blues…the atmospheric perspective… and the fainted Hellenistic landscape. This is a grand painting in small size! http://www.pompeiiincolor.com/theme/the-fantastic-and-the-familiar

For more Questions and Answers, please… Check HERE!

Villa Arianna’s Dionysus and Ariadne Fresco

January 7, 2022

by admin Art Roman Art Roman Frecoes Student Activities Worksheets

**Ariadne on Naxos, 4^th Pompeian Style Fresco, Villa Arianna grand Triclinium, (fresco and Room No. 3),** 1^st century AD, Stabiae, Italy
https://commons.wikimedia.org/wiki/Category:Triclinio_3_di_Villa_Arianna#/media/File:Affresco_particolare_23.jpg
https://commons.wikimedia.org/wiki/Category:Triclinio_3_di_Villa_Arianna#/media/File:Mito_ri_Arianna.jpg

Lying in the shadow of Mount Vesuvius… Stabiae is home to a group of enormous, sea-edge, Villae Marittimae, which are set on a cliff above the modern town of Castellammare di Stabia. We know of at least six of these villas, built directly next to one another—a sort of Roman high-rent resort district next to the small town of Stabiae. They were beautifully preserved by the eruption of 79 A.D., with standing walls, some of the highest quality frescoes surviving from antiquity, and some of the most innovative garden architecture in the Roman world. On the 13^th of October I presented you with information on Villa Arianna, today, on the 11^th of December… let’s discuss Villa Arianna’s Dionysus and Ariadne Fresco. https://www.baslibrary.org/archaeology-odyssey/8/1/5

**Ariadne on Naxos, 4^th Pompeian Style Fresco, Villa Arianna grand Triclinium, Room No. 3,** 1^st century AD, Stabiae, Italy
https://commons.wikimedia.org/wiki/Category:Triclinio_3_di_Villa_Arianna#/media/File:Mito_ri_Arianna.jpg

**Villa Arianna Areal View**
https://www.stabiaholidayhouse.it/en/visit-to-the-ancient-stabiae/
**Villa Arianna Plan,** Stabiae (after Kockel 1985 with corrections by Allroggen-Bedel A. and De Vos M.) https://www.pompeiiinpictures.com/pompeiiinpictures/VF/Villa_102%20Stabiae%20Villa%20Arianna%20plan.htm

Villa Arianna was lavishly decorated with frescoes and portable furnishings, an undisputed testimony of the expensive lifestyle the owners enjoyed, and evidence of their refined taste and style. One such high-quality fresco, drawing inspiration from the myth of Dionysus and Ariadne, gave the Villa its modern name.

Ιmagine the scene… Theseus and Ariadne flee Crete in a hurry. With the help of Ariadne, Theseus had just killed the horrible Minotaur in the depths of Knossos’s palace maze. Their first stop to rest on their way to Athens is the island of Naxos… where the story unfolds dramatically and excitingly. God Dionysus, in love with Ariadne, appears to Theseus in his sleep and convinces him to abandon Ariadne at Naxos and continue his trip alone. Ariadne, unaware of divine intervention disembarks at Naxos enchanted by the beauty of the island, happily explores it, and tired falls asleep on the beautiful islet of Palatia. When she wakes up… god Dionysus, the son of Zeus and Dione, looks at her adoringly and a new love affair is in the making. A glorious wedding follows and an eternal gift is still with us to admire… the constellation known as Corona Borealis is said to be Dionysus’s wedding gift to Ariadne, a special ornament to adorn her beautiful head.

Please take the time to look at the Villa’s Plan, locate Room 3, and imagine a December Symposium night two thousand years ago…

Villa Arianna’s Dionysus and Ariadne Fresco is a small part of Villa’s grand Triclinium decoration. Room 3 is decorated in the 4th Pompeian Style, elaborate and complex as it can be, combining large-scale Narrative Painting, small Panoramic Vistas, and Still Lifes, within an architectural fantasy of pedestals, aediculae, columns, entablatures, and… theatrical masks! The Villa’s grand Triclinium decoration doesn’t resemble any believable space but instead consists of a variety of architectural elements arranged in an unrealistic manner with an unrealistic perspective, set against a flat background. The three large mythological scenes framed in blue on a yellow and red ground above a lower red and black decorative frieze are the room’s main artistic attraction. A panel presenting the myth of Dionysus and Ariadne decorates the South Wall, a rare scene of Lycurgus and Ambrosia is presented on the West Wall, and on the East Wall, the unknown master painter of the grand Triclinium presented the myth of Zeus and Ganymede. https://depts.washington.edu/hrome/Authors/ninamil7/TheFourStylesofRomanWallPaintings/pub_zbarticle_view_printable.html

Room number 3 was Villa Arianna’s grand Triclinium… the main dining room of a luxurious Roman residence, so-called because of the three banqueting couches (klinai) arranged around the walls. All you have to do is… imagine a warm summer night, overlooking the Bay of Naples, in the company of good friends, bathed in the flickering light, and content with scrumptious food… If you were the owner of Villa Arianna, life was good!

For a Student Activity, please… Check HERE!