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Bowl with Cheetah, Byzantine, 11th–13th century. A shallow ceramic bowl featuring an engraved depiction of a cheetah on its interior. Typical of Byzantine slipware, the red clay body is covered with slip that is then cut away and incised to create the animal image.

What a Clay Bowl with a Cheetah Tells Us About the Byzantine World

July 15, 2026
by Amalia Spiliakou Byzantine ArtMedieval ArtTeaching Resources

A humble Byzantine clay bowl decorated with a cheetah reveals a world of imperial prestige, artistic skill, trade, and cultural exchange across the medieval Mediterranean.

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In the Getty Museum, Henri Rousseau’s A Centennial of Independence painting of 1892 celebrates French Bastille Day.

Henri Rousseau’s painting of Bastille Day

July 13, 2026
by Amalia Spiliakou 19th century ArtTeaching Resources

Explore Henri Rousseau’s painting of Bastille Day — a visionary 1892 work that turns French revolutionary history into timeless communal celebration.

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Clay model of swinging female figure, Neopalatial period 1700-1450 BC, Heraklion Archaeological Museum, Crete.

The Minoan Swing

July 7, 2026
by Amalia Spiliakou Ancient Greek ArtArchaeologyMycenaean ArtPrehistoric ArtTeaching Resources

The Swing’ is a charming and unusual artifact from Minoan Crete. It’s a clay model depicting a female figure seated on a swing, suspended between two upright posts.

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Childe Hassam painting of Acorn Street in Boston’s Beacon Hill with American flags, 1919.

Childe Hassam’s Acorn Street

July 4, 2026
by Amalia Spiliakou 20th century ArtAmerican ArtTeaching Resources

A reflective Fourth of July exploration of Childe Hassam’s Acorn Street, Boston, July 1919 and its quiet vision of American identity, history, and Impressionist light.

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James Holland’s 1859 watercolour shows an abundant summer bouquet in a clear glass vase. Soft pink and cream roses, a vivid red poppy, pelargoniums, yellow calceolarias, and tall blue delphiniums spill naturally across the composition.

James Holland’s Delphinium Watercolour

June 30, 2026
by Amalia Spiliakou 19th century ArtBritish ArtTeaching Resources

Celebrate July’s Delphinium with James Holland’s radiant 1859 watercolour, where Victorian flower symbolism, luminous colour, and the dreamer’s heart bloom together in a timeless summer bouquet.

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Photos from the July 2026 Newsletter

July 2026 Newsletter

June 29, 2026
by Amalia Spiliakou Newsletter

From a Minoan girl on a swing to Rousseau’s dancing Republic, July’s selections ask nothing hurried of you, only that you arrive and look a little longer.

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‘On the Cliff’ is believed to be a portrait painting of Madame Costantini perched on a Cliff by Virgilio Costantini created in 1936.

Virgilio Costantini’s On the Cliff

June 24, 2026
by Amalia Spiliakou 20th century ArtTeaching Resources

In 1936, at the height of his career, Italian painter Virgilio Costantini captured his wife on a clifftop in a gouache of rare scale, confidence, and tenderness.

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Meissen Workshop, Personifications of the Four Seasons, c. 1755, hard-paste porcelain with polychrome enamel decoration, Musei Capitolini, Pinacoteca Capitolina Cini, Rome.

The Four Seasons Allegory in Meissen Porcelain

June 20, 2026
by Amalia Spiliakou 18th century ArtRococo ArtTeaching Resources

Meissen porcelain Four Seasons busts (c. 1755) reveal how 18th-century Europe visualized time through allegory, craftsmanship, and classical tradition.

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Nikos Hadjikyriakos-Ghika, Interior with Woman and Mirror, 1940. A stylised female figure with closed, lowered eyes sits in an interior space beside a mirror, rendered in a cubist-inflected style with flattened limbs and decorative wallpaper patterning.

Nikos Hadjikyriakos-Ghika’s Interior with Woman and Mirror

June 16, 2026
by Amalia Spiliakou 20th century ArtModern Greek ArtTeaching Resources

Luminous, stylish, and charged with youthful energy, Ghika’s Interior with Woman and Mirror is a masterclass in creative dialogue. Here’s how a Greek modernist absorbed the lessons of Picasso, and painted something entirely his own.

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Three scenes of the frescoed interior of the Etruscan Tomb of the Lionesses showing dancers, musicians, and a banquet scene beneath two facing lionesses.

Etruscan Tomb of the Lionesses

June 11, 2026
by Amalia Spiliakou ArchaeologyEtruscan ArtTeaching Resources

Explore the Etruscan Tomb of the Lionesses in Tarquinia, its vibrant frescoes, banquet scenes, and insights into Etruscan beliefs about life, death, and the afterlife.

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Recent Posts

  • What a Clay Bowl with a Cheetah Tells Us About the Byzantine World
  • Henri Rousseau’s painting of Bastille Day
  • The Minoan Swing
  • Childe Hassam’s Acorn Street
  • James Holland’s Delphinium Watercolour

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