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All posts by : Amalia Spiliakou

Small blue-green mold-blown Roman glass cup, possibly from the workshop of Ennion, decorated with a Greek inscription and ribbed patterns, first half of the 1st century AD, Getty Villa Museum.

Master Glassmaker Ennion

April 20, 2026
by Amalia Spiliakou Roman ArtTeaching Resources

Mold-blown glass cup from the workshop of Ennion, showcasing early Roman innovation, elegant decoration, and a Greek inscription, now preserved at the Getty Villa.

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Triptych woodblock print by Tsukioka Yoshitoshi showing Fujiwara Yasumasa playing flute under moonlight, 19th century example of Ukiyo-e

Fujiwara Yasumasa Plays the Flute by Moonlight

April 16, 2026
by Amalia Spiliakou Japanese ArtTeaching Resources

Moonlit Kyoto tale of Fujiwara Yasumasa: flute music disarms a bandit in this Konjaku Monogatari story, later immortalized in Yoshitoshi’s Meiji woodblock print of quiet power and transformation.

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Sunset at Constantinople by Constantinos Maleas, 1904–1905, oil on canvas

Sunset at Constantinople by Constantinos Maleas

April 13, 2026
by Amalia Spiliakou 20th century ArtModern Greek ArtTeaching Resources

Maleas captures Constantinople at sunset as a luminous, dreamlike city where color, light, and atmosphere dissolve form, transforming architecture and landscape into a poetic meditation on beauty, memory, and cultural convergence.

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Fresco by Fra Beato Angelico (1395–1455) titled “Crucifixion with the Virgin Mary, Martha, and Saints Mark, Dominic, and Longino” (1440–1442). The figures are set against a serene, gold-hued background typical of Angelico’s early Renaissance style, located in Cell 42 of the Convent of San Marco, Florence, Italy.

Fra Angelico’s story of the Passion

April 9, 2026
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

He would never take up his brushes without prayer; and in his Crucifixions, the devotion he felt is seen in the tender, pious expression of every figure.

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The 6th-century illuminated Gospel Book Codex Purpureus Rossanensis (Rossano Gospels) page showing the Parable of the Ten Virgins in purple-dyed parchment with gold and silver inks, held at the Diocesan Museum, Rossano, Italy.

Codex Purpureus Rossanensis

April 6, 2026
by Amalia Spiliakou Byzantine ArtEarly Christian ArtTeaching Resources

A sixth-century masterpiece, the Rossano Gospels transforms the Parable of the Ten Virgins into a radiant meditation on vigilance, light, and spiritual readiness for Easter contemplation.

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Georgia O’Keeffe, Pink Sweet Peas II: Close-up view of enlarged pink sweet pea blossoms filling the vertical composition, their velvety petals unfolding in soft gradations of rose against a muted background.

Pink Sweet Peas II

March 31, 2026
by Amalia Spiliakou 20th century ArtAmerican ArtTeaching Resources

A luminous close-up by Georgia O’Keeffe transforms sweet peas into an immersive meditation on form, perception, and the quiet power of spring’s fleeting beauty.

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Collage titled ‘April 2026’ featuring artworks from different periods of art.

April 2026 Newsletter

March 26, 2026
by Amalia Spiliakou Newsletter

April unfolds with softness and renewal, inviting reflection through art. This month’s selections explore beauty, meaning, and connection, inspiring you to notice details, feel deeply, and rediscover wonder.

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Allegorical figure of Greece in classical dress with outstretched arms above a crowd of Greek independence fighters, symbolizing national defense and unity.

The Defense of the Homeland above All Else

March 23, 2026
by Amalia Spiliakou 19th century ArtModern Greek ArtTeaching Resources

Vryzakis’s 1858 painting unites heroes of the Greek Revolution in an allegorical tribute, where personified Greece honors their collective sacrifice, transforming history into memory, identity, and national gratitude.

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Floor mosaic from the House of Euripos (2nd–3rd century AD), showing a central youthful sea spirit surrounded by personifications of the Four Seasons, Archaeological Museum of Mytilene, Greece.

Roman Mosaic from the House of Euripos

March 19, 2026
by Amalia Spiliakou Ancient Greek ArtArchaeologyRoman ArtTeaching Resources

A Roman mosaic from Mytilene depicts a central sea spirit encircled by the Four Seasons, symbolizing nature’s cycles, harmony, and renewal in a timeless reflection of life’s rhythms.

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God the Father appears as an elderly, white-bearded man in red and blue robes, shown against glowing clouds and raising his hand in blessing.

Giovanni Bellini’s God the Father

March 16, 2026
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Bellini’s God the Father presents a serene divine figure emerging from clouds, where light, color, and stillness convey spiritual depth, inviting quiet contemplation and an intimate connection between heaven and viewer.

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Recent Posts

  • Master Glassmaker Ennion
  • Fujiwara Yasumasa Plays the Flute by Moonlight
  • Sunset at Constantinople by Constantinos Maleas
  • Fra Angelico’s story of the Passion
  • Codex Purpureus Rossanensis

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