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All posts by : Amalia Spiliakou

Feast of the Gods by Giovanni Bellini

Feast of the Gods

January 10, 2020
by Amalia Spiliakou with No Comment Italian Renaissance ArtRenaissance ArtTeaching Resources

The Feast of the Gods reveals a Renaissance patron’s vision—where Bellini, Dosso Dossi, and Titian unite to create a sensual mythological masterpiece for Alfonso d’Este’s private studiolo.

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Three artworks by Roy Lichtenstein inspired by the Sun

A Roy Lichtenstein Trilogy

January 5, 2020
by Amalia Spiliakou with No Comment 20th century ArtTeaching Resources

Lichtenstein’s Sunrise trilogy transforms the ephemeral sun into Pop Art form—spanning painting, enamel, and fashion—where comic abstraction turns landscape, light, and perception into bold, ironic modern iconography.

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The Joshua Roll, 10th century illuminated manuscript in the Biblioteca Apostolica Vaticana

The Joshua Roll

January 3, 2020
by Amalia Spiliakou with No Comment Byzantine ArtTeaching Resources

The Joshua Roll is a rare Byzantine illuminated manuscript in scroll form, blending classical Hellenistic style with imperial ideology to narrate Joshua’s conquests as a celebration of divine and military triumph.

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The Month of January, late 14thcentury fresco, possibly by Maestro Venceslao

The Month of January

January 1, 2020
by Amalia Spiliakou with No Comment Italian Renaissance ArtRenaissance ArtTeaching Resources

The Cycle of the Twelve Months at Torre Aquila is a rare fresco series blending aristocratic leisure, peasant labor, and changing seasons into a vivid, poetic vision of medieval life in Trentino.

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Georges Braque, Essor (The Flight) I

The Flight

December 29, 2019
by Amalia Spiliakou with No Comment 20th century ArtTeaching Resources

Braque’s The Flight transforms birds into poetic abstraction—where motion, memory, and nature dissolve into rhythm, evoking a meditative passage from physical form toward artistic and existential freedom.

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Nativity, The Church of the Holy Saviour in Chora

Church of the Holy Saviour in Chora

December 20, 2019
by Amalia Spiliakou with No Comment Byzantine ArtTeaching Resources

The Chora Church of Constantinople, shaped across centuries of rebuilding and patronage, embodies the Palaeologian Renaissance through its luminous mosaics and frescoes, merging imperial history with profound spiritual artistry.

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Sandro Botticelli, Mystical Nativity

Mystical Nativity by Sandro Botticelli

December 15, 2019
by Amalia Spiliakou with No Comment Italian Renaissance ArtRenaissance Art

Botticelli’s Mystic Nativity fuses biblical prophecy with contemporary turmoil, depicting Christ’s birth amid apocalyptic symbolism, angelic revelation, and human embrace, suggesting hope, renewal, and divine order beyond earthly chaos.

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Watercolours of the Acropolis by Emile Gillieron

Watercolours of the Acropolis: Émile Gilliéron in Athens

December 13, 2019
by Amalia Spiliakou with No Comment 19th century ArtAncient Greek ArtTeaching Resources

The Met’s Gilliéron watercolours revive early Acropolis discoveries in vivid colour, blending archaeology and artistic reconstruction to reveal how Archaic Greek sculpture once appeared in its original, polychrome splendour.

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Last Supper in Pompeii Exhibition Poster

Last Supper in Pompeii

December 11, 2019
by Amalia Spiliakou with No Comment Roman ArtTeaching Resources

The Last Supper in Pompeii exhibition explores Roman food culture through vivid frescoes, mosaics, and artefacts, revealing everyday banquets and civic generosity in the richly preserved world of ancient Pompeii.

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A 6th century AD Silver Plate depicting Hercules and the Lion of Nemea (detail)

Hercules and the Lion of Nemea

December 8, 2019
by Amalia Spiliakou with No Comment Byzantine ArtEarly Christian ArtTeaching Resources

The Byzantine silver plate of Hercules and the Nemean Lion showcases late antique mastery, merging mythological power and refined craftsmanship in a dynamic composition of strength, tension, and classical elegance.

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