Summer by Giuseppe Arcimboldo

Giuseppe Arcimboldo, 1527-1593
The Four Seasons – Summer, 1563, oil on panel, 670×508 mm, Kunsthistorisches Museum, Vienna, Austria
https://commons.wikimedia.org/wiki/File:Giuseppe_Arcimboldo_-_Summer_-_Google_Art_Project.jpg

Beneath the blazing sun’s relentless heat / men and flocks are sweltering, / pines are scorched. / We hear the cuckoo’s voice; then sweet songs of the turtle dove and finch are heard. / Soft breezes stir the air….but threatening north wind sweeps them suddenly aside. The shepherd trembles, fearful of violent storm and what may lie ahead.     /     His limbs are now awakened from their repose by fear of lightning’s flash and thunder’s roar, as gnats and flies buzz furiously around.     /     Alas, his worst fears were justified, as the heavens roar and great hailstones beat down upon the proudly standing corn. This is Antonio Lucio Vivaldi’s (1678 – 1741) Sonnet of L’Estate (Summer). The great composer wrote it as a descriptive accompaniment, experts believe, for the music of his “Four Seasons.” Today the first day of Summer, I took the time to listen, read and look at Summer by Giuseppe Arcimboldo! It was a magical time! https://www.charlottesymphony.org/blog/vivaldis-four-seasons-poems/

Giuseppe Arcimboldo was a very popular artist among royalty and wealthy patrons of 16th-century Europe. He became the official artist and Master of Festivals for three successive German Emperors. He was also in charge of creating costumes, stage settings, chariots, creative waterworks, and other diversions for courtly events and ceremonies. Last but not least, he directed the acquisitions for the royal cabinet of curiosities, which included art, antiques, curios, oddities of nature, and exotic animals and birds. https://www.denverartmuseum.org/en/edu/object/summer 

Four hundred years later, Giuseppe Arcimboldo, is considered the great master of Renaissance allegorical painting. He is celebrated for using flowers, fruits, and vegetables, associated with the Seasons of the year, to create paintings of whimsical “composite heads,” and thus, he acquired international fame and fortune! For Emperor Maximilian II, for example, he painted in 1563, his signature Portraits of the 4 Seasons, exhibited today in Vienna, Paris, and Madrid. The 1563 set of four “composite” Portraits of the Seasons became so popular, that the artist replicated them multiple times over the course of his life. The originals, gifted to Maximilian II, were the plainest and most unadorned of all sets he later created.

Giuseppe Arcimboldo, 1527-1593
The Four Seasons – Summer (detail), 1563, oil on panel, 670×508 mm, Kunsthistorisches Museum, Vienna, Austria
https://dyscover24x7.files.wordpress.com/2017/02/1seaso21.jpg

Archiboldo’s 1563 Portrait of Summer is the perfect example to celebrate the beginning of the Summer season. Interestingly, it is on “Summer” that Arcimboldo chooses to sign his name for the series, carefully woven into her gown. Hidden in the dress’s collar is “Giuseppe Arcimboldi • F,” where the F stands for “Fecit” meaning “he has done it,” and in the sleeve of the gown is the date of completion “1563.” The date in the original Portraits of the 4 Seasons is very important to help scholars date the artist’s subsequent copies, and discern changes in the composition. http://omeka.wustl.edu/omeka/exhibits/show/arcimboldo-s-gift–the-fantast/fourseasons/summer

Giuseppe Arcimboldo, 1527-1593
The Four Seasons – Summer (detail of signature), 1563, oil on panel, 670×508 mm, Kunsthistorisches Museum, Vienna, Austria
https://commons.wikimedia.org/wiki/File:Giuseppe_Arcimboldo_-_Summer_-_Google_Art_Project.jpg
Giuseppe Arcimboldo, 1527-1593
The Four Seasons – Summer, 1563, oil on panel, 670×508 mm, Kunsthistorisches Museum, Vienna, Austria
https://commons.wikimedia.org/wiki/File:Giuseppe_Arcimboldo_-_Summer_-_Google_Art_Project.jpg The Four Seasons – Spring, 1563, oil on canvas, 76×63.5 cm, Real Academia de Bellas Artes de San Fernando, Madrid, Spain
https://commons.wikimedia.org/wiki/File:Giuseppe_Arcimboldo_-_La_Primavera_-_Google_Art_Project.jpg

A comparison between Arcimboldo’s Portraits of Spring and Summer is helpful and revealing. Spring is presented as a youthful, flowery, “fresh” girl, while Summer, is a young woman, mature and fertile. The Portrait of Spring is composed entirely of flowers and bright green leaves. The Portrait of Summer is a lush arrangement of heavy, ripe fruit and vegetables, bountiful, unblemished, but matured. Arcimboldo uses a large peach for the cheeks, quince, garlic, young white onions, yellow beets, and white eggplant. The mouth and lips are formed of cherries and the open peapod within imitates a row of teeth. The nose is a young wild cucumber, and the chin is a pear, the eye shines as a glassy sour cherry between two small pears… What an arrangement! My favorite part is what Lady-Summer wears… a hat made of fruit and vegetables bedded in greenery, from which emerge oat spikes resembling a hat feather, a magnificent, sur mesure, woven straw jacket, and a single artichoke presented as a special, luxurious piece of jewelry! What an opulent vision the Portrait of Summer is!   https://www.teachercurator.com/art/spring-by-giuseppe-arcimboldo/ and https://www.wga.hu/html_m/a/arcimbol/3allegor/1seaso2.html and http://omeka.wustl.edu/omeka/exhibits/show/arcimboldo-s-gift–the-fantast/fourseasons/summer

For a PowerPoint of the Four Seasons by Giuseppe Arcimboldo, please… Check HERE!

I would like to draw your attention to a modern take of Arcimboldo’s The 4 Seasons paintings… a set of four and a half meters high fiberglass sculptures of the Four Seasons by American artist and filmmaker Philip Haas, created in 2012. Interesting… to say the least! https://crystalbridges.org/blog/the-four-seasons-philip-haas-interprets-giuseppe-arcimboldo/

Philip Haas, b. 1954
The Four Seasons – Summer, 2012, fiberglass, H. 4.572 m, first seen in the garden of the Dulwich Picture Gallery, London, UK
https://laughingsquid.com/giant-head-sculptures-representing-four-seasons/

Simon Bening’s June

Simon Bening (d. 1561) and his workshop
Book of Hours, known as the Golf Book, June (f. 23v),c. 1540, 30 Parchment leaves on paper mounts, bound into a codex, 110 x 80 mm (text space: 85 x 60 mm), British Library, London, UK
https://blogs.bl.uk/digitisedmanuscripts/calendars/page/11/

Simon Bening’s June presentation is part of an amazing, illuminated manuscript of the 16th century. It presents the quintessential games of chivalry… and I think of Gauvain Micaille, the gallant Frenchman squire from Beauce, a gentleman of tried courage, who had advanced himself by his own merit, without any assistance from others… Is there among you any gentleman who for the love of his lady is willing to try with me some feat of arms? He questions… If there should be any such, here I am, quite ready to sally forth completely armed and mounted, to tilt three courses with the lance, to give three blows with the battle-ax, and three strokes with the dagger. Now look, you English, if there be none among you in love… he continues, and he jousts for the honour of France showing his courage and bravery… an extraordinary man, a wonderful story, and a brilliant manuscript illumination by Simon Bening! https://uts.nipissingu.ca/muhlberger/FROISSART/GAUVAIN.HTM

Unhorse Your Foe! people cried… and off “they” went to “battle.” “They” were armored knights striding armored horses who tested their skills in mock combats, called “tournaments.” These games were a way for them to practice for battle in between wars, and display their talents in front of a broad audience… writes Rachel Smith, of the MET in New York. The June page of the Book of Golf (f. 23v) displays a perfect tournament day in a Flemish city. https://www.metmuseum.org/blogs/metkids/2019/knights-tournaments-medieval-europe and https://www.moleiro.com/en/books-of-hours/the-golf-book-book-of-hours/miniatura/161

Simon Bening (d. 1561) and his workshop
Book of Hours, known as the Golf Book, June (Details, f. 23v and f. 24r), c. 1540, 30 Parchment leaves on paper mounts, bound into a codex, 110 x 80 mm (text space: 85 x 60 mm), British Library, London, UK
http://www.bl.uk/manuscripts/Viewer.aspx?ref=add_ms_24098_fs001r

Simon Bening, combining cool, greys and blues, and warm tones of ochre and red, organized a “busy” three-parts composition. The background presents a Flemish city with impressive buildings and the tournament audience, in great numbers, enthusiastically looking at the event through windows, standing behind parapets, seated on tall parapets,  or sitting in the “royal box.” They seem to be finely dressed and adorned with elaborate headdresses, talking to each other, full of excitement… maybe contemplating, even debating whom they are going to favor!

The Knights, fully armored and crowned with striking plumes are depicted riding their equally remarkably armored horses. They “fight” for victory. Their goal is to show gallantry and honour… their hope is to attract the attention of “their” Lady and get a token of her favor… a veil, a ribbon, maybe a wreath!

The “busiest” part is definitely the foreground of Bening’s composition. Attended by their servants are two knights on their mounts attempting to strike the other down with their swords. Their broken lances lie on the ground. A mounted herald on the left sounds a small trumpet, whilst two armed riders on the right wait their turn to fight. https://www.moleiro.com/en/books-of-hours/the-golf-book-book-of-hours/miniatura/161

The middle ground area of June’s composition is where Jousting takes place. Simon Benning depicts two knights on either side of a palisade, ready for the tournament “game” to commence! They wear a full-length armor made of thin, sliding steel plates, over a velvet garment, a helmet, finished with plumes, and carry their battling lance. According to the Wikipedia… Jousting is a martial game or hastilude between two horsemen wielding lances with blunted tips, often as part of a tournament. The primary aim was to replicate a clash of heavy cavalry, with each participant trying hard to strike the opponent while riding towards him at high speed, breaking the lance on the opponent’s shield or jousting armor if possible, or unhorsing him. The joust became an iconic characteristic of the knight in Romantic medievalism. The participants experience close to three and a quarter times their body weight in G-forces when the lances collide with their armor.” https://en.wikipedia.org/wiki/Jousting#CITEREFColtman1919

For a PowerPoint on the  Golf Book, please… Check HERE!

For information on the art of the armorer, and how arms and armor, are pivotal not only in conquest and defense but also in court pageantry and ceremonial events like tournaments… Check the Metropolitan Museum site… https://www.metmuseum.org/about-the-met/collection-areas/arms-and-armor

Simon Bening (d. 1561) and his workshop
Book of Hours, known as the Golf Book, June (f. 23v and 24r),c. 1540, 30 Parchment leaves on paper mounts, bound into a codex, 110 x 80 mm (text space: 85 x 60 mm), British Library, London, UK
https://blogs.bl.uk/digitisedmanuscripts/calendars/page/11/

Simon Bening’s May

Simon Bening (d. 1561) and his workshop
Book of Hours, known as the Golf Book, May (f. 22v),c. 1540, 30 Parchment leaves on paper mounts, bound into a codex, 110 x 80 mm (text space: 85 x 60 mm), British Library, London, UK
https://blogs.bl.uk/digitisedmanuscripts/calendars/page/11/

The American children’s poet Annette Wynne introduces us to charming spring with… May / Has such a winsome way, / Loves to love and laugh and play, / To be pretty all the day, / Never loves to sulk and frown, / As April does; when rain comes down, / May is sorry, says: “Rain, please / Go away soon, flowers and trees / Love the merry shining sun, / Want to laugh now, every one, / For the happy time’s begun.” / All you people who love play, / Love to love the livelong day, / Do you not love May / With her winsome way? The artist of the Golf Book, one of the finest manuscript illuminators of the Northern Renaissance introduces us to the month of May with an amazing miniature… Let’s celebrate with Simon Bening’s May…a day of boating, merriment, and joy! https://discoverpoetry.com/poems/may-poems/

Folio 22v of the Golf Book, showing the Month of May, is one of the most glorious pages Simon Bening, the renowned Flemish artist from the Netherlands, ever created. It is a characteristic Renaissance Maying scene in its depiction of a spring landscape (Bening is known for his landscapes), with green leaves, and branches of greenery… and much more! At first glance, it presents two distinctive scenes related to May Day and a glorious river-side cityscape background scene of fortification walls, several well-constructed secular buildings, and what seems like two impressive Gothic churches. It also includes an anecdotal scene of a small gate leading to the river and a young going down the gate steps leading to the river with a container in each hand, perhaps to fill them with water… so typical Flemish! http://www.digitalmedievalist.com/2004/05/01/its-may-2/ and https://www.moleiro.com/en/books-of-hours/the-golf-book-book-of-hours/miniatura/159

Simon Bening (d. 1561) and his workshop
Book of Hours, known as the Golf Book, May (f. 22v, details),c. 1540, 30 Parchment leaves on paper mounts, bound into a codex, 110 x 80 mm (text space: 85 x 60 mm), British Library, London, UK
https://blogs.bl.uk/digitisedmanuscripts/calendars/page/11/

The main scene, in the foreground of the composition, depicts a May Day boating trip along the local canals. In this scene, two boatmen, one at each end of the boat, are rowing a nobleman and two well-dressed ladies along a river, just about to glide under an impressive arched bridge. Enjoying the trip are a man dressed in a large, loose French gown with a sable collar, playing, appropriately I would add,  an ambiguous-looking wind instrument that could be a flute, and two women, dressed in gold-toned garments, one of whom plays the lute, equally appropriate for a female, with a plectrum. The boat is filled with flowering branches reminding the viewer that this is a May Day excursion indeed. https://blogs.bl.uk/digitisedmanuscripts/calendars/page/11/ and https://www.moleiro.com/en/books-of-hours/the-golf-book-book-of-hours/miniatura/159

Simon Bening (d. 1561) and his workshop
Book of Hours, known as the Golf Book, May (f. 22v, detail),c. 1540, 30 Parchment leaves on paper mounts, bound into a codex, 110 x 80 mm (text space: 85 x 60 mm), British Library, London, UK
https://blogs.bl.uk/digitisedmanuscripts/calendars/page/11/
Simon Bening (d. 1561) and his workshop
Book of Hours, known as the Golf Book, May (f. 22v, detail),c. 1540, 30 Parchment leaves on paper mounts, bound into a codex, 110 x 80 mm (text space: 85 x 60 mm), British Library, London, UK
https://blogs.bl.uk/digitisedmanuscripts/calendars/page/11/

The middle ground scene focuses on the activity taking place on the bridge connecting the city to the riversides. Horses are depicted crossing the bridge, and Bening directs the attention of the viewer to an aristocratic couple, well-dressed, crowned with large, white flowers and carrying branches. They seem to be returning “home” after a day of merriment in the countryside. Were they part of the elegant group of riding aristocrats depicted strolling through the wood in the bas-de-page scene of folio 23r? It would have been interesting to know what Simon Bening thought! https://blogs.bl.uk/digitisedmanuscripts/calendars/page/11/

For a PowerPoint on the  Golf Book, please… Check HERE!

For references to Student Activities on Simon Bening’s May Day page, please… Check HERE!

Simon Bening (d. 1561) and his workshop
Book of Hours, known as the Golf Book, May (f. 22v and 23r),c. 1540, 30 Parchment leaves on paper mounts, bound into a codex, 110 x 80 mm (text space: 85 x 60 mm), British Library, London, UK
https://blogs.bl.uk/digitisedmanuscripts/calendars/page/11/

Spring by Giuseppe Arcimboldo

Giuseppe Arcimboldo, 1527-1593
The Four Seasons – Spring, 1563, oil on canvas, 76×63.5 cm, Real Academia de Bellas Artes de San Fernando, Madrid, Spain
https://commons.wikimedia.org/wiki/File:Giuseppe_Arcimboldo_-_La_Primavera_-_Google_Art_Project.jpg

Festive Spring has arrived, / The birds salute it with their happy song. / And the brooks, caressed by little Zephyrs, / Flow with a sweet murmur. / The sky is covered with a black mantle, / And thunder, and lightning, announce a storm. / When they are silent, the birds / Return to sing their lovely song     /     And in the meadow, rich with flowers, / To the sweet murmur of leaves and plants, / The goatherd sleeps, with his faithful dog at his side.     /     To the festive sound of pastoral bagpipes, / Dance nymphs and shepherds, / At Spring’s brilliant appearance. This is Antonio Lucio Vivaldi’s (1678 – 1741) Sonnet A Primavera (Spring). The great composer wrote it as a descriptive accompaniment, experts believe, for the music of his “Four Seasons.” Today the first day of Spring, I took the time to listen and read Vivaldi’s music and sonnet, looking at Spring by Giuseppe Arcimboldo! It was a magical time! https://www.charlottesymphony.org/blog/vivaldis-four-seasons-poems/

A scion of a noble and artistic family, his father was an artist, and his uncle held the position of Archbishop of Milan, Giuseppe Arcimboldo (1526–1593) was in all probability introduced to artists, scholars, and writers from a young age. Born and raised in Milan, the cradle of Renaissance naturalism, young Arcimboldo learned a mode of artistic expression based on the direct observation of nature. Well-trained as an artist Arcimboldo was commissioned to do exceptional work since the age of 21. For example, in 1549 he was commissioned to design stained glass windows for the Duomo, in 1551 he painted coats of arms for the future Emperor, Ferdinand I, in 1556, he created frescoes for the Cathedral of Monza; and, in 1558, he drew the cartoon for the Dormition of the Virgin tapestry, which remains on display in the Como Cathedral in Lombardi to this day. https://www.theartstory.org/artist/arcimboldo-giuseppe/life-and-legacy/#biography_header and file:///C:/Users/aspil/OneDrive/Blog/Renaissance%20Mannerism/Arcimboldo%20ScoopNGA.pdf

Arcimboldo’s friend, the Milanese art critic, and travelogue author, Paolo Morigia writes for him… This is a painter (Arcimboldo) with a rare talent […] having proved his worth both as an artist and as a bizarre painter, not only in his own country but also abroad, he has been given the highest praise, in that word of his fame has reached the Emperor’s court in Germany.” The “court” Morigia refers to, is the court of the Habsburg rulers in Vienna first, where Arcimboldo moved in 1563 at the age of thirty-six, and Prague later, where he served as court painter for twenty-five years. https://www.theartstory.org/artist/arcimboldo-giuseppe/life-and-legacy/#biography_header and file:///C:/Users/aspil/OneDrive/Blog/Renaissance%20Mannerism/Arcimboldo%20ScoopNGA.pdf

Giuseppe Arcimboldo, 1527-1593
The Four Seasons – Spring (detail), 1563, oil on canvas, 76×63.5 cm, Real Academia de Bellas Artes de San Fernando, Madrid, Spain
https://www.researchgate.net/figure/Figura-16-Giuseppe-Arcimboldo-La-Primavera-1563-Real-Academia-de-Bellas-Artes-de-San_fig16_318795156

While in Vienna, to celebrate the reign of Emperor Maximilian II, Arcimboldo created his “ signature Portraits of the 4 Seasons,” composed of imaginatively arranging elements of nature like plants, flowers, fruits, and vegetables. For each “Portrait” (Spring, Summer, Autumn, and Winter), created in 1563, Arcimboldo combined plants associated with a particular season to form a portrait of that time of year. The series proved extremely popular in the Habsburg court, and Arcimboldo reproduced it several times so the emperor could send versions to friends and important political figures. file:///C:/Users/aspil/OneDrive/Blog/Renaissance%20Mannerism/Arcimboldo%20ScoopNGA.pdf

Closely associated with Mother Earth, Arcimboldo’s “Spring”, the first in his Four Seasons series, takes the form of a youthful woman composed entirely of flowers and bright green leaves. Arcimboldo uses roses and daises, tulips and lily buds, green leaves like strawberry stems, and large leaves of a dandelion plant. In profile, and smiling, showing her lilies of the valley teeth, “Spring” seems fully aware of her beauty and the joy that looking upon her countenance will bring to a viewer. Her youth and beauty are a fitting opening to the series, and the beginnings of the cycle of life and the seasons. http://omeka.wustl.edu/omeka/exhibits/show/arcimboldo-s-gift–the-fantast/fourseasons/spring

For a PowerPoint of the 4 Seasons by Giuseppe Arcimboldo, please… Check HERE!

A monumental installation in the grounds of the Dulwich Picture Gallery in South London of The Four Seasons, a set of four fifteen-foot fiberglass sculptures by American artist and film-maker Philip Haas in 2012
https://poulwebb.blogspot.com/2012/06/giuseppe-arcimboldo.html

I would like to draw your attention to a modern take of Arcimboldo’s The 4 Seasons paintings… a set of four and a half meters high fiberglass sculptures of the Four Seasons by American artist and film-maker Philip Haas, created in 2012. Interesting… to say the least! https://crystalbridges.org/blog/the-four-seasons-philip-haas-interprets-giuseppe-arcimboldo/

A monumental installation in the grounds of the Dulwich Picture Gallery in South London of The Four Seasons (photo of The Spring), a set of four fifteen-foot fiberglass sculptures by American artist and film-maker Philip Haas in 2012
https://poulwebb.blogspot.com/2012/06/giuseppe-arcimboldo.html