Last Supper in Pompeii

If your Christmas “walking shoes” take you to Oxford, England, go the Ashmolean Museum of Art and Archaeology to see Last Supper in Pompeii, a wonderful Exhibition on the Roman love affair with food and wine! Inspiration for this Exhibition comes from Pompeii, this amazing time capsule of 79 AD Roman life. Dr Paul Roberts, Head of the Ashmolean Department of Antiquities and exhibition curator, says: ‘The evocative names given to the excavations (the Villa of the Mysteries; the House of the Tragic Poet) have inspired everything from Victorian exhibitions, swords-and-sandals romances to countless scholarly works. Our fascination with the doomed people of Pompeii and their everyday lives has never waned. What better connection can we make with them as ordinary people than through their food and drink?’

Last Supper in Pompeii displays 300 objects related to the culinary arts and the role they played in Roman history and culture. Exquisite floor mosaics from the villas of the affluent Pompeiians, frescoes depicting banquets, and statues, fountains or furnishings that decorated famous triclinia, are all present. Precious or humble dining sets and utensils, simple cooking pots and carbonised food that was on the Pompeiian tables when the volcano erupted tell us interesting stories or Roman culinary voyages and cultural connections.

Useful sources: https://www.ashmolean.org/pompeii and https://www.ashmolean.org/article/last-supper-in-pompeii and https://www.smithsonianmag.com/smart-news/exhibit-spotlights-roman-delicacies-baked-dormouse-carbonized-bread-180972731/

My favourite Exhibition fresco is titled Distribution of Bread (AD 40–79) and comes from the House of the Baker in Pompeii.  It shows a man behind a wooden counter handing a loaf of bread to a man, while a young boy reaches up eagerly. The shelves are heaped with loaves of the typical round Pompeiian bread, archaeologists even found carbonized one in its entirety. Scholars today believe that the fresco represents a politician’s free distribution of bread (annona) rather than a baker selling his loaves from a food stall.

The Distribution of Bread is a fascinating Pompeian fresco. I like the artist’s ability to create a sense of depth and space through a diagonal composition, his choice of earthy colours with touches of white and aubergine purple to accentuate the depicted figures. I also like the anecdotal details… the well-crafted wooden stall, the herringbone woven basket painted on the left side of the fresco, the abundance of displayed bread loaves… most of all, I like the human touch, the boy, impatient and eager to get his part of the Distributed Bread!

Bibliography of the House of  Baker and the Distribution of Bread fresco: https://www.pompeiiinpictures.com/pompeiiinpictures/R6/6%2003%2003.htm and http://www.bbc.co.uk/history/ancient/romans/daily_life_gallery_02.shtml and https://www.ancient.eu/image/10622/sale-of-bread-fresco-pompeii/

An Activity students will enjoy is… HERE!

For a powerpoint prepared for the Exhibition, please… click HERE!

Back to Aigai

The Royal Burial Cluster of Philip II, guiding my students
Photo: Kostas Papantoniou

Back to Aigai, the 1st capital of the ancient Macedonians is always a pleasure!

Archaeological excavations have unveiled extraordinary riches of the past, a prosperous city enclosed by defensive walls, with an acropolis in the north-east foothills of the Pierian mountains. They discovered impressive temples, monumental public buildings, an imposing palatial complex, unique in its architectural characteristics, a theatre, and several “Macedonian” Tombs, the most important of which is the Tomb of King Philip II, father of Alexander the Great.

Pinewood Grade 5 students visited the Tomb of Philip II, one of the largest of all “Macedonian” Tombs found in Greece. The monument was constructed of stone and consists of two vaulted rooms, the main burial chamber and the antechamber. The grandiose, imposing facade is adorned with marble double doors, two half-columns and an extraordinary painted frieze immortalizing a hunt of lions, bears, antelopes and boars in a semi-forested landscape.

Next to Philip’s Tomb is the plundered cist tomb of Persephone famous for its wall painting. Among the figures of the Fates and of Demeter seated on the “mirthless rock” is a depiction of the abduction of Persephone by the god of the underworld, Hades. The originality of execution, the power of conception and restraint of colouring all indicate an artist of great talent. Could the artist be Theban Nicomachus, famous for his rendering of the female figure?

Back to Aigai” students enjoyed a day of myths, glorious history, fine arts, golden treasures, and … serene countryside, sunshine and autumn bliss. They were so smart but most importantly so kind and full of respect…They were attentive and engaged, they contributed so much to the successful outcome of our trip!

The official site of ancient Aigai is more than worth exploring: https://www.aigai.gr/en

Interesting to read: http://www.greece-is.com/exploring-ancient-macedonia-at-the-royal-tombs-of-aigai-vergina/

For a PowerPoint on the Royal Burial Cluster of Philip II – Photos by Kostas Papantoniou, please… Click HERE!