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The Bicentenary House, the fresco of Aphrodite and Aris, Herculaneum

The House of the Bicentenary in Herculaneum

March 27, 2024
by Amalia Spiliakou ArchaeologyMythologyRoman ArtTeaching Resources

Herculaneum’s House of the Bicentenary — mythological frescoes, opulent mosaics, and noble elegance frozen in time — survives Vesuvius and centuries of decay through extraordinary modern conservation efforts.

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Europe on the Bull from Pompeii, Room ‘f’ in the House of Jason

Europa on the Bull in the House of Jason in Pompeii

January 14, 2024
by Amalia Spiliakou MythologyRoman ArtTeaching Resources

At House of Jason, the fresco of Abduction of Europa transforms Ovid’s myth into a vivid Roman vision of divine deception, capturing wonder, vulnerability, and the threshold between trust and destiny.

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Mosaic Emblema with Doves on a Water Basin, Room ‘n’ House of Doves in Pompeii

House of the Doves in Pompeii

December 28, 2023
by Amalia Spiliakou Roman ArtTeaching Resources

At House of the Doves, the celebrated mosaic of doves evokes Hellenistic mastery and Plinian admiration, symbolising peace, renewal, and the delicate harmony of nature preserved in Roman domestic art.

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Portrait of the Emperor Galerius from an over life-sized statue, 310 AD, 27x17,9 cm, Canellopoulos Museum, Athens, Greece

Emperor Gaius Galerius Valerius Maximianus

October 24, 2023
by Amalia Spiliakou Roman ArtTeaching Resources

Meet Emperor Galerius — the Roman Tetrarchy’s formidable ruler whose enduring monuments still grace Thessaloniki today, a warrior emperor whose stern portrait powerfully embodies absolute imperial authority and unwavering strength.

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The Monument of Episkopi on Sikinos Island, Greece

The Monument of Episkopi on Sikinos

September 16, 2023
by Amalia Spiliakou Byzantine ArtRoman ArtTeaching Resources

Discover Sikinos’ remarkable Episkopi Monument — a rare Roman mausoleum transformed into a Byzantine church, recently restored to reveal hidden inscriptions, ancient frescoes, and a sealed aristocratic burial of extraordinary significance.

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The Latin inscription HAVE, translated as Welcome in English, salutes visitors to the largest and most luxurious residence in Pompeii, The House of the Faun, 2nd century BC to 79 AD, Pompeii, Italy

House of the Faun

September 3, 2023
by Amalia Spiliakou Roman ArtTeaching Resources

The House of the Faun in Pompeii, built around 180 BC, showcases Roman luxury with vast space, elegant architecture, and remarkable mosaics, including the famed Alexander Mosaic and welcoming “HAVE” inscription.

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Three Roman enameled Glass Vases in the Collection of the Guimet Museum, Paris, France

Roman Enameled Glass

August 22, 2023
by Amalia Spiliakou Roman ArtTeaching Resources

Roman enameled glass, as discussed by Corning Museum of Glass, reveals a rare fusion of ancient glassmaking and vivid painted enamel, producing luxurious vessels where colour, light, and craftsmanship define Roman artistic refinement.

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Statue Group of Persephone as Isis and Hades as Sarapis, 180-190 AD, Marble, from Gortyn, the island of Grete, Greece

Persephone as Isis and Hades as Sarapis

June 18, 2023
by Amalia Spiliakou Ancient Greek ArtMythologyRoman ArtTeaching Resources

The Gortyn statue group of Persephone–Isis and Hades–Sarapis from Crete reflects Hellenistic religious syncretism, merging Greek and Egyptian divine imagery to express shared ideas of fertility, death, and rebirth.

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Villa Arianna Fresco of Flora, (Room W. 26),  1st century AD, fresco, 38x32 cm, from Villa Arianna in Stabiae, National Archaeological Museum of Naples, Italy

Flora

April 19, 2023
by Amalia Spiliakou MythologyRoman ArtTeaching Resources

The fresco of Flora from Stabiae captures Toru Dutt’s floral rivalry in paint, transforming myth into elegance, where spring, beauty, and nature’s abundance merge in delicate harmony.

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Busts of Two Emperors, late 3rd century - early 4th century, Chalcedony on Gold, 3.5 cm x 4.3 cm, Dumbarton Oaks, Washington DC, USA

Cameo of two Emperors

March 4, 2023
by Amalia Spiliakou Roman ArtTeaching Resources

A rare Tetrarchic cameo from Dumbarton Oaks shows two emperors rendered with striking symmetry, symbolizing Diocletian’s vision of imperial unity and concord across a divided Roman Empire.

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