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All posts by : Amalia Spiliakou

Spinario Estense, Roman Republican Art (attributed), 509 BC 509 BC / 27 BC, Marble, Height: 92 cm, Galleria Estense, Modena, Italy

The Spinario

July 17, 2025
by Amalia Spiliakou Ancient Greek ArtRenaissance ArtRoman ArtTeaching Resources

A boy pulling a thorn from his foot — the Spinario is one of antiquity’s most quietly captivating sculptures, and its story stretches from ancient Greece to Renaissance collectors.

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Bastille Day

July 13, 2025
by Amalia Spiliakou 19th century ArtFrench ArtTeaching Resources

Alfred-Philippe Roll’s Bastille Day captures a jubilant Paris in 1880 — crowds, tricolore flags, and Marianne rising above it all, a vivid visual anthem of French republican ideals.

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Bust of a Lady

July 8, 2025
by Amalia Spiliakou ArchaeologyEarly Christian ArtRoman ArtTeaching Resources

Almond eyes once inlaid with rose glass, braided crown, classical folds — Chania’s mysterious Bust of a Lady offers a rare, intimate glimpse into late Roman Crete’s aristocratic world.

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Advertisement for Ivory Soap, c.1890 (colour litho) by Thomas Pollock Anschutz (1851-1912) Private Collection

The Ironworkers’ Noontime

June 24, 2025
by Amalia Spiliakou 19th century ArtAmerican ArtTeaching Resources

Thomas Pollock Anshutz painted ironworkers at rest with raw, unsentimental realism — then Ivory Soap turned his canvas into an advertisement. A fascinating collision of art and commerce.

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Triumph of Neptune and the Four Seasons, from La Chebba, Tunisia, late 2nd century AD,  Mosaic, Bardo National Museum, Tunis, Tunisia

Triumph of Neptune and the Four Seasons

June 20, 2025
by Amalia Spiliakou ArchaeologyRoman ArtTeaching Resources

Neptune commanding his sea chariot, the Four Seasons dancing at his corners — a breathtaking 2nd-century Roman mosaic from Tunisia, now one of the Bardo Museum’s greatest treasures.

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Angelos Giallinas

June 16, 2025
by Amalia Spiliakou 19th century Art20th century ArtModern Greek ArtTeaching Resources

No theatrical drama, no grand gesture — just the Parthenon suspended in pale Athenian light. Giallinas’s watercolors whisper rather than declare, and that quietness is their enduring power.

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Statuette of Asklepios Enthroned, Athenian workshop, 150 – 200 AD, Marble, Height: 42.3 cm, Archaeological Museum of Ancient Corinth, Greece

Statuette of Asklepios Enthroned

June 13, 2025
by Amalia Spiliakou ArchaeologyRoman ArtTeaching Resources

Unearthed in a luxurious Roman villa in Corinth, a marble statuette of Asclepius enthroned reveals the quiet persistence of pagan devotion even as Christianity reshaped the ancient world.

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Byzantine Engagement Ring in the Stathatos Collection

June 8, 2025
by Amalia Spiliakou Byzantine ArtTeaching Resources

Love, faith, and dynasty — a Byzantine engagement ring from the Stathatos Collection reveals the extraordinary world of a prominent family whose story ends at the fall of Constantinople.

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Majolica Plate decorated with the coat of arms of the Medici of Florence, 16th century (1525 - 1530), Diameter: 12.3 cm, International Museum of Ceramics in Faenza, Italy

The Medici in Faenza

June 4, 2025
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Faenza gave the world faïence — and the International Museum of Ceramics preserves its greatest treasures, including a small, exquisite Majolica plate that quietly speaks of Medici power.

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The Roses of Heliogabalus by Sir Lawrence Alma-Tadema

June 1, 2025
by Amalia Spiliakou 19th century ArtBritish ArtTeaching Resources

A Roman emperor releases a cascade of rose petals to smother his banquet guests — Alma-Tadema transforms this tale of imperial cruelty into a breathtaking vision of beauty and horror.

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