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All posts by : Amalia Spiliakou

Ancient Greek city of Hephaistia, late 5th to early 4th century BC, Lemnos Island, Greece

Hephaistia on the island of Lemnos

September 18, 2025
by Amalia Spiliakou Ancient Greek ArtArchaeologyTeaching Resources

Hephaistia on Lemnos preserves a layered ancient city where sanctuary, theatre, and domestic life intertwine, offering a tranquil archaeological landscape shaped by myth, civic identity, and centuries of continuous habitation.

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Isabella Brant

September 14, 2025
by Amalia Spiliakou Baroque ArtTeaching Resources

Rubens’s portraits of Isabella Brant combine Baroque vitality with intimate psychological presence, preserving her grace, status, and individuality through luminous brushwork that unites affection, realism, and refined portraiture.

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Terracotta kylix (drinking cup), Attributed to the Painter of Munich 2660, ca. 460 BC, Terracotta, Red Figure, 7x20 cm, the MET, NY, USA

Kylix with a School Boy

September 10, 2025
by Amalia Spiliakou Ancient Greek ArtArchaeologyTeaching Resources

The Kylix with a School Boy from early Classical Greece depicts a young student carrying his writing tablet, offering a timeless glimpse into ancient education, where learning, ritual, and youthful anticipation quietly shaped everyday life.

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Michelangelo’s Bacchus with Satyr

September 6, 2025
by Amalia Spiliakou Italian Renaissance ArtMythologyRenaissance ArtTeaching Resources

Michelangelo’s Bacchus transforms Horatian visions of Dionysian ecstasy into marble, depicting the god’s intoxicating instability, sensuality, and mythic ambiguity through a dynamic fusion of classical form and emotional excess.

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Marigolds

August 31, 2025
by Amalia Spiliakou 19th century ArtBritish ArtTeaching Resources

Dante Gabriel Rossetti’s Marigolds transforms a quiet domestic moment into a symbolic meditation on renewal, where simple floral arrangement becomes an intimate expression of resilience, beauty, and nature’s persistent return.

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Paul Cézanne’s lithograph Les Baigneurs

August 25, 2025
by Amalia Spiliakou 19th century ArtFrench ArtPost-ImpressionismTeaching Resources

Paul Cézanne’s Les Baigneurs lithograph dissolves figure and landscape into a unified geometry of form and color, where bodies and nature interlock in a structured yet ambiguous space that anticipates modernist abstraction.

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Gabriel Argy- Rousseau’s Poissons Dans Les Vagues

August 19, 2025
by Amalia Spiliakou 20th century ArtArt DecoFrench ArtTeaching Resources

Gabriel Argy-Rousseau’s Poissons Dans Les Vagues transforms pâte de verre into a luminous aquatic vision, where stylised fish and flowing waves merge into a suspended meditation on motion, fragility, and the poetic stillness of the sea.

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Cimabue’s Maestà di Assisi

August 14, 2025
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Cimabue’s Maestà di Assisi marks a pivotal shift from Byzantine abstraction toward early naturalism, portraying the Virgin and Child with emerging spatial depth and human presence within a profoundly devotional medieval context.

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Etruscan Urn of an Elderly Couple, 1st century BC, Terracotta, Museo Etrusco Guarnacci, Volterra, Italy

The Elderly Couple from Voltera

August 11, 2025
by Amalia Spiliakou ArchaeologyEtruscan ArtTeaching Resources

The Urn of the Elderly Spouses in Volterra’s Museo Guarnacci is a rare, moving glimpse into Etruscan beliefs about death, love, and the desire to be remembered together.

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Rhyl Sands

August 8, 2025
by Amalia Spiliakou 19th century ArtBritish ArtTeaching Resources

David Cox’s Rhyl Sands captures the fleeting rhythms of seaside life on the North Wales coast — a master of light, weather, and quiet, unhurried atmosphere.

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