Suzuki Kiitsu’s Morning Glories screens embody Rinpa elegance, transforming seasonal blooms into rhythmic cascades of color and gold that blur nature and design into a timeless meditation on fleeting beauty.
Head of Aphrodite of the Aspremont-Lynden/Arles type
The Head of Aphrodite of the Aspremont-Lynden/Arles type reflects Praxitelean ideals of serene, idealised femininity, later reinterpreted through Christian reuse and layered histories of adaptation, loss, and classical survival.
Kylix with a School Boy
The Kylix with a School Boy from early Classical Greece depicts a young student carrying his writing tablet, offering a timeless glimpse into ancient education, where learning, ritual, and youthful anticipation quietly shaped everyday life.
Michelangelo’s Bacchus with Satyr
Michelangelo’s Bacchus transforms Horatian visions of Dionysian ecstasy into marble, depicting the god’s intoxicating instability, sensuality, and mythic ambiguity through a dynamic fusion of classical form and emotional excess.
Cimabue’s Maestà di Assisi
Cimabue’s Maestà di Assisi marks a pivotal shift from Byzantine abstraction toward early naturalism, portraying the Virgin and Child with emerging spatial depth and human presence within a profoundly devotional medieval context.
The Elderly Couple from Voltera
The Urn of the Elderly Spouses in Volterra’s Museo Guarnacci is a rare, moving glimpse into Etruscan beliefs about death, love, and the desire to be remembered together.
Patriarch Joseph II of Constantinople
Patriarch Joseph II of Constantinople died in Florence in 1439, pursuing Christian unity between East and West. His tomb in Santa Maria Novella remains a quiet symbol of that dream.
The Spinario
A boy pulling a thorn from his foot — the Spinario is one of antiquity’s most quietly captivating sculptures, and its story stretches from ancient Greece to Renaissance collectors.
Bust of a Lady
Almond eyes once inlaid with rose glass, braided crown, classical folds — Chania’s mysterious Bust of a Lady offers a rare, intimate glimpse into late Roman Crete’s aristocratic world.
Triumph of Neptune and the Four Seasons
Neptune commanding his sea chariot, the Four Seasons dancing at his corners — a breathtaking 2nd-century Roman mosaic from Tunisia, now one of the Bardo Museum’s greatest treasures.