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Philip Wilson Steer, Jonquil, British Impressionist interior with flowers

Philip Wilson Steer’s Jonquil

March 4, 2026
by Amalia Spiliakou 19th century ArtBritish ArtTeaching Resources

March’s flower arrives quietly in Jonquil, where Philip Wilson Steer captures early spring’s tender renewal through soft light, stillness, and intimate contemplation.

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Walter E. Spradbery’s Holly

November 30, 2025
by Amalia Spiliakou 20th century ArtBritish ArtTeaching Resources

Walter E. Spradbery’s Holly (1936) is a festive London Underground poster that blends Art Deco design with traditional seasonal symbolism, using bold linocut forms to unite nature, celebration, and modern transport culture.

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Marigolds

August 31, 2025
by Amalia Spiliakou 19th century ArtBritish ArtTeaching Resources

Dante Gabriel Rossetti’s Marigolds transforms a quiet domestic moment into a symbolic meditation on renewal, where simple floral arrangement becomes an intimate expression of resilience, beauty, and nature’s persistent return.

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Rhyl Sands

August 8, 2025
by Amalia Spiliakou 19th century ArtBritish ArtTeaching Resources

David Cox’s Rhyl Sands captures the fleeting rhythms of seaside life on the North Wales coast — a master of light, weather, and quiet, unhurried atmosphere.

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The Roses of Heliogabalus by Sir Lawrence Alma-Tadema

June 1, 2025
by Amalia Spiliakou 19th century ArtBritish ArtTeaching Resources

A Roman emperor releases a cascade of rose petals to smother his banquet guests — Alma-Tadema transforms this tale of imperial cruelty into a breathtaking vision of beauty and horror.

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David Hockney's iPad painting The Arrival of Spring, Normandy, 2020, Do Remember They Can't Cancel the Spring.

David Hockney’s Daffodils

February 28, 2025
by Amalia Spiliakou British ArtTeaching Resources

Created during pandemic lockdown, David Hockney’s vibrant iPad painting Daffodils captures spring’s triumphant arrival in Normandy — a luminous, hopeful celebration of nature’s resilience embodied in his memorable phrase, ‘They can’t cancel the Spring.’

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October, ca. 1480, Clear and coloured glass window.

‘October’ Stained Glass Roundel

September 30, 2024
by Amalia Spiliakou British ArtMedieval ArtTeaching Resources

A medieval farmer sowing October seeds, immortalised in radiant stained glass — where rural labour, spiritual devotion, and luminous craftsmanship unite in one breathtaking roundel.

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Sir Edward Coley Burne-Jones, The March Marigold

The March Marigold by Sir Edward Coley Burne-Jones

February 29, 2024
by Amalia Spiliakou 19th century ArtBritish ArtTeaching Resources

Burne-Jones’ March Marigold celebrates a flower that transcends cultures — sun, healing, remembrance, and joy — from ancient Rome and Mexico’s Day of the Dead to India’s vibrant festivals.

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Sir Lawrence Alma-Tadema, O.M., R.A., R.W.S., A Solicitation

Sir Lawrence Alma-Tadema and Romantic Love

February 13, 2024
by Amalia Spiliakou 19th century ArtBritish ArtTeaching Resources

A Solicitation by Lawrence Alma-Tadema captures a refined moment of courtship, where subtle gestures and luminous settings evoke the timeless elegance, emotion, and quiet tension of romantic persuasion.

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George Derville Rowlandson, The Month of February: Coursing, the Waterloo Cup

February and the Waterloo Cup

January 31, 2024
by Amalia Spiliakou British ArtTeaching Resources

February, The Waterloo Cup captures the thrill of a famed British sporting tradition, where speed, spectacle, and social ritual converge in a lively tribute to the historic Waterloo Cup.

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