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Lucas van Valckenborch’s Autumn: Archduke Matthias of Austria at the Vintage, showing the Archduke and his court among workers harvesting grapes in an expansive autumn landscape.

Autumn at the Vintage by Lucas van Valckenborch

September 21, 2026
by Amalia Spiliakou Northern Renaissance ArtRenaissance ArtTeaching Resources

Discover how Lucas van Valckenborch transforms the grape harvest into a fascinating autumn landscape where nature, agricultural work and courtly life come together in one remarkable painting.

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Archaic Greek marble Sphinx statue from 540–530 BC, with a woman’s head, lion’s body and folded wings, displayed at the Acropolis Museum in Athens.

The Sphinx Statue of the Acropolis

September 15, 2026
by Amalia Spiliakou Ancient Greek ArtArchaeologyMythologyTeaching Resources

Look closely at the Acropolis Sphinx and discover how a small Archaic sculpture opens a fascinating window into Greek mythology, ancient colour, mystery, and the sacred world of Athens.

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Left: Glass paste mosaic clypeus showing a frontal portrait bust of Maria Simplicia Rustica, surrounded by concentric borders of coloured tesserae, around 350 AD. Right: Glass paste mosaic clypeus showing a frontal portrait bust of Flavius Iulius Iulianus, surrounded by concentric borders of coloured tesserae, about 350 AD.

Ciriaca’s Mosaics

September 3, 2026
by Amalia Spiliakou ArchaeologyByzantine ArtEarly Christian ArtTeaching Resources

Two remarkable Late Antique mosaics reveal the story of Maria Simplicia Rustica and her husband, offering a moving glimpse into love, loss and remembrance in ancient Rome.

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Left: Japanese lacquer inrō decorated with blooming chrysanthemums and asters in gold and coloured lacquer, Edo period, 18th–19th century. Victoria and Albert Museum, London. Right: Japanese lacquer inrō featuring chrysanthemums and asters in delicate gold lacquer against a dark background, Edo period, 18th–19th century. Victoria and Albert Museum, London.

Autumn in the Palm of Your Hand: Asters, Chrysanthemums and Two Japanese Inrōs

August 31, 2026
by Amalia Spiliakou Japanese ArtTeaching Resources

Celebrate September through a beautiful Japanese lacquer inrō, where asters and chrysanthemums capture the quiet beauty of autumn in a masterpiece that fits in the palm of your hand.

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Le Rêve (Académie Nationale de Musique), 1890. A large-format French Art Nouveau poster in muted tones depicting a dreaming female figure surrounded by ethereal, flowing imagery. Théophile-Alexandre Steinlen; printed by Charles Gillot.

Théophile-Alexandre Steinlen’s Le Rêve

August 24, 2026
by Amalia Spiliakou 19th century ArtFrench ArtTeaching Resources

Discover how Steinlen’s Le Rêve captures the spirit of Belle Époque Paris through Japonisme, innovative gillotage printing, and a dreamlike poster celebrating art, theatre, and cultural exchange.

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Ancient Greek clay spinning top from the Geometric Period (800–760 BC), decorated with painted geometric patterns and displayed upright at the Acropolis Museum, Athens.

Spinning Top

August 20, 2026
by Amalia Spiliakou Ancient Greek ArtArchaeologyTeaching Resources

A small clay object from the Acropolis Museum reveals the elegance of Geometric art, while its unknown purpose invites us to explore archaeology’s fascinating mysteries.

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Monumental sarcophagus of Constantia, 354 AD, carved in red porphyry with grape harvest scenes, cupids and acanthus scrolls on all four sides. Museo Pio-Clementino, Musei Vaticani, Rome.

Sarcophagus of Constantia: Porphyry, Power and Mystery

August 4, 2026
by Amalia Spiliakou ArchaeologyEarly Christian ArtRoman ArtTeaching Resources

A daughter of Constantine, buried in the one stone only emperors could use — and covered in images nobody has fully explained in seventeen centuries.

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Bowl with Cheetah, Byzantine, 11th–13th century. A shallow ceramic bowl featuring an engraved depiction of a cheetah on its interior. Typical of Byzantine slipware, the red clay body is covered with slip that is then cut away and incised to create the animal image.

What a Clay Bowl with a Cheetah Tells Us About the Byzantine World

July 15, 2026
by Amalia Spiliakou Byzantine ArtMedieval ArtTeaching Resources

A humble Byzantine clay bowl decorated with a cheetah reveals a world of imperial prestige, artistic skill, trade, and cultural exchange across the medieval Mediterranean.

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Clay model of swinging female figure, Neopalatial period 1700-1450 BC, Heraklion Archaeological Museum, Crete.

The Minoan Swing

July 7, 2026
by Amalia Spiliakou Ancient Greek ArtArchaeologyMycenaean ArtPrehistoric ArtTeaching Resources

The Swing’ is a charming and unusual artifact from Minoan Crete. It’s a clay model depicting a female figure seated on a swing, suspended between two upright posts.

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Meissen Workshop, Personifications of the Four Seasons, c. 1755, hard-paste porcelain with polychrome enamel decoration, Musei Capitolini, Pinacoteca Capitolina Cini, Rome.

The Four Seasons Allegory in Meissen Porcelain

June 20, 2026
by Amalia Spiliakou 18th century ArtRococo ArtTeaching Resources

Meissen porcelain Four Seasons busts (c. 1755) reveal how 18th-century Europe visualized time through allegory, craftsmanship, and classical tradition.

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Recent Posts

  • Nikolaos Lytras and John Singer Sargent
  • Autumn at the Vintage by Lucas van Valckenborch
  • The Sphinx Statue of the Acropolis
  • Back to School with Winslow Homer
  • Pierre Bonnard’s Paris

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