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Yayoi Kusama's painting of Pumpkins.

Pumpkins

November 27, 2024
by Amalia Spiliakou 20th century ArtTeaching Resources

Discover Yayoi Kusama’s Pumpkins by Yayoi Kusama—a vision of repetition, infinity, and connection where polka dots transform harvest symbols into cosmic unity.

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Head of Nemesis, the personification of attribution of Justice in the Museum of Ancient Agora, Athens.

Head of Nemesis

November 14, 2024
by Amalia Spiliakou Ancient Greek ArtArchaeologyRoman ArtTeaching Resources

Standing before the Head of Nemesis, I can almost feel the weight of divine retribution she carries — the ever-watchful enforcer of balance, striking down human arrogance.

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Wall mosaic with Saint Demetrios in prayer position and patrons from the North Inner Aisle of Saint Demetrius Church in Thessaloniki.

Saint Demetrios in prayer position with Patrons

October 25, 2024
by Amalia Spiliakou ArchaeologyByzantine ArtEarly Christian ArtTeaching Resources

Unearthed in 1907, lost forever in Thessaloniki’s catastrophic 1917 fire, this surviving mosaic fragment of Saint Demetrios — patron, protector, martyr — remains a breathtaking link to Byzantine devotion.

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James Peale painting of Fruit Still Life with Chinese Export Basket.

Fruit Still Life with Chinese Export Basket

October 19, 2024
by Amalia Spiliakou 19th century ArtAmerican ArtTeaching Resources

Keats’ season of mists and Peale’s luminous harvest basket unite in quiet celebration — both capturing autumn’s generous, fleeting abundance with extraordinary sensitivity and depth.

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Peter Paul Rubens' painting The Council of the Gods, and Pierre-Auguste Renoir Copy after “The Council of the Gods” by Peter Paul Rubens.

The ‘Council of the Gods’ by Rubens and Renoir

October 8, 2024
by Amalia Spiliakou 19th century ArtBaroque ArtFrench ArtImpressionismTeaching Resources

Renoir’s meticulous copy of Rubens’ Council of the Gods bridges Baroque grandeur and Impressionist sensibility — a young artist’s profound homage shaping his own distinctive, luminous vision.

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The Death of Talos by the Talos Painter.

Talos the ancient Greek automaton

October 3, 2024
by Amalia Spiliakou Ancient Greek ArtArchaeologyMythologyTeaching Resources

The Talos Vase masterfully captures antiquity’s bronze automaton in his final, powerful collapse — Medea, the Argonauts, and watchful gods bearing witness to mythology’s most extraordinary death.

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October, ca. 1480, Clear and coloured glass window.

‘October’ Stained Glass Roundel

September 30, 2024
by Amalia Spiliakou British ArtMedieval ArtTeaching Resources

A medieval farmer sowing October seeds, immortalised in radiant stained glass — where rural labour, spiritual devotion, and luminous craftsmanship unite in one breathtaking roundel.

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Bust of Prince Ankhhaf from Giza, Egypt.

Bust of Prince Ankhhaf

September 21, 2024
by Amalia Spiliakou Ancient Egyptian ArtArchaeologyTeaching Resources

Among ancient Egypt’s stylized art, the startlingly realistic Bust of Prince Ankhhaf stands apart — a powerful, intimate portrait of the man who helped build the Great Pyramid.

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Teaching scene with teachers and students during the reign of the scholarly Emperor Constantine VII Porphyrogennetos.

Education in Byzantium

September 10, 2024
by Amalia Spiliakou Byzantine ArtMedieval ArtTeaching Resources

A vivid Madrid Skylitzes miniature transports us to a Byzantine classroom — attentive students, gesturing teachers, and a thousand-year-old commitment to philosophy, geometry, and intellectual life.

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The Rampin Rider is an Archaic Period statue.

The Rampin Rider

September 5, 2024
by Amalia Spiliakou Ancient Greek ArtArchaeologyTeaching Resources

The Rampin Rider — Athens’ oldest equestrian statue, his archaic smile split between the Louvre and the Acropolis Museum — eternally celebrates aristocratic victory, youth, and athletic glory.

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