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All posts by : Amalia Spiliakou

Georges Braque, Essor (The Flight) I

The Flight

December 29, 2019
by Amalia Spiliakou with No Comment 20th century ArtTeaching Resources

Braque’s The Flight transforms birds into poetic abstraction—where motion, memory, and nature dissolve into rhythm, evoking a meditative passage from physical form toward artistic and existential freedom.

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Nativity, The Church of the Holy Saviour in Chora

Church of the Holy Saviour in Chora

December 20, 2019
by Amalia Spiliakou with No Comment Byzantine ArtTeaching Resources

The Chora Church of Constantinople, shaped across centuries of rebuilding and patronage, embodies the Palaeologian Renaissance through its luminous mosaics and frescoes, merging imperial history with profound spiritual artistry.

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Sandro Botticelli, Mystical Nativity

Mystical Nativity by Sandro Botticelli

December 15, 2019
by Amalia Spiliakou with No Comment Italian Renaissance ArtRenaissance Art

Botticelli’s Mystic Nativity fuses biblical prophecy with contemporary turmoil, depicting Christ’s birth amid apocalyptic symbolism, angelic revelation, and human embrace, suggesting hope, renewal, and divine order beyond earthly chaos.

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Watercolours of the Acropolis by Emile Gillieron

Watercolours of the Acropolis: Émile Gilliéron in Athens

December 13, 2019
by Amalia Spiliakou with No Comment 19th century ArtAncient Greek ArtTeaching Resources

The Met’s Gilliéron watercolours revive early Acropolis discoveries in vivid colour, blending archaeology and artistic reconstruction to reveal how Archaic Greek sculpture once appeared in its original, polychrome splendour.

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Last Supper in Pompeii Exhibition Poster

Last Supper in Pompeii

December 11, 2019
by Amalia Spiliakou with No Comment Roman ArtTeaching Resources

The Last Supper in Pompeii exhibition explores Roman food culture through vivid frescoes, mosaics, and artefacts, revealing everyday banquets and civic generosity in the richly preserved world of ancient Pompeii.

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A 6th century AD Silver Plate depicting Hercules and the Lion of Nemea (detail)

Hercules and the Lion of Nemea

December 8, 2019
by Amalia Spiliakou with No Comment Byzantine ArtEarly Christian ArtTeaching Resources

The Byzantine silver plate of Hercules and the Nemean Lion showcases late antique mastery, merging mythological power and refined craftsmanship in a dynamic composition of strength, tension, and classical elegance.

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Three monumental paintings by Cimabue - Giotto - Duccio in the Uffizi Gallery in Florence.

Cimabue – Giotto – Duccio

December 5, 2019
by Amalia Spiliakou with No Comment Italian Renaissance ArtRenaissance ArtTeaching Resources

Cimabue, Giotto, and Duccio mark the shift from Byzantine tradition to early Renaissance naturalism, where painting begins to explore space, emotion, and human presence with unprecedented realism and spiritual depth.

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Two ancient Greek Grave Stele. one in Thessaloniki the other in New York City.

Telling us goodbye…

December 2, 2019
by Amalia Spiliakou with No Comment Ancient Greek ArtTeaching Resources

Graceful yet sorrowful, two ancient girls bid farewell, immortalized in Parian marble—tender gestures, delicate birds, and quiet emotion capturing timeless beauty and the poignancy of parting.

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A Vincent Van Gogh painting titled Olive Picking.

The Magic of the Olive Tree

November 27, 2019
by Amalia Spiliakou with No Comment Post-ImpressionismTeaching Resources

Inspired by Vincent van Gogh’s love for olive trees, young students explored their magic—through myth, harvest, taste, and art—discovering the olive tree as a timeless symbol of life, learning, and gratitude.

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Portrait of Basil and Elise Goulandris by George Rorris.

“Bourgeois” Portrait

November 25, 2019
by Amalia Spiliakou with No Comment Teaching Resources

At the Basil and Elise Goulandris Foundation, George Rorris’s portrait captures the collectors’ elegance and passion—an intimate, enigmatic introduction to a collection they cherished like family.

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