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All posts by : Amalia Spiliakou

Heraklitos, Asarotos Oikos (Unswept Floor) Mosaic in the Musei Vaticani, Museo Gregoriano Profano, Rome

Heraklitos and the Asarotos Oikos Mosaic

January 19, 2020
by Amalia Spiliakou with No Comment Roman ArtTeaching Resources

Heraklitos’ Asarotos Oikos mosaic delights with its illusionistic “unswept floor,” blending humor, virtuosity, and elite sophistication—transforming everyday banquet remnants into a dazzling display of artistic mastery and status.

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The Nea Herakleia Reliquary in the Museum of Byzantine Culture, Thessaloniki, Greece

Nea Herakleia Reliquary

January 16, 2020
by Amalia Spiliakou with No Comment Byzantine ArtTeaching Resources

The Nea Herakleia Reliquary embodies the transition to Christian art—rich in symbolism and expressive form—blending classical tradition with emerging spirituality in a refined example of Theodosian craftsmanship.

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Franz Halls' painting of a Young Man and Woman in an Inn

Baroque Bliss

January 12, 2020
by Amalia Spiliakou with No Comment Baroque ArtTeaching Resources

Frans Hals’s Young Man and Woman in an Inn captures Baroque exuberance—laughter, movement, and sensual immediacy—through lively brushwork, immersing viewers in a fleeting moment of joy and theatrical charm.

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Feast of the Gods by Giovanni Bellini

Feast of the Gods

January 10, 2020
by Amalia Spiliakou with No Comment Italian Renaissance ArtRenaissance ArtTeaching Resources

The Feast of the Gods reveals a Renaissance patron’s vision—where Bellini, Dosso Dossi, and Titian unite to create a sensual mythological masterpiece for Alfonso d’Este’s private studiolo.

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Three artworks by Roy Lichtenstein inspired by the Sun

A Roy Lichtenstein Trilogy

January 5, 2020
by Amalia Spiliakou with No Comment 20th century ArtTeaching Resources

Lichtenstein’s Sunrise trilogy transforms the ephemeral sun into Pop Art form—spanning painting, enamel, and fashion—where comic abstraction turns landscape, light, and perception into bold, ironic modern iconography.

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The Joshua Roll, 10th century illuminated manuscript in the Biblioteca Apostolica Vaticana

The Joshua Roll

January 3, 2020
by Amalia Spiliakou with No Comment Byzantine ArtTeaching Resources

The Joshua Roll is a rare Byzantine illuminated manuscript in scroll form, blending classical Hellenistic style with imperial ideology to narrate Joshua’s conquests as a celebration of divine and military triumph.

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The Month of January, late 14thcentury fresco, possibly by Maestro Venceslao

The Month of January

January 1, 2020
by Amalia Spiliakou with No Comment Italian Renaissance ArtRenaissance ArtTeaching Resources

The Cycle of the Twelve Months at Torre Aquila is a rare fresco series blending aristocratic leisure, peasant labor, and changing seasons into a vivid, poetic vision of medieval life in Trentino.

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Georges Braque, Essor (The Flight) I

The Flight

December 29, 2019
by Amalia Spiliakou with No Comment 20th century ArtTeaching Resources

Braque’s The Flight transforms birds into poetic abstraction—where motion, memory, and nature dissolve into rhythm, evoking a meditative passage from physical form toward artistic and existential freedom.

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Nativity, The Church of the Holy Saviour in Chora

Church of the Holy Saviour in Chora

December 20, 2019
by Amalia Spiliakou with No Comment Byzantine ArtTeaching Resources

The Chora Church of Constantinople, shaped across centuries of rebuilding and patronage, embodies the Palaeologian Renaissance through its luminous mosaics and frescoes, merging imperial history with profound spiritual artistry.

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Sandro Botticelli, Mystical Nativity

Mystical Nativity by Sandro Botticelli

December 15, 2019
by Amalia Spiliakou with No Comment Italian Renaissance ArtRenaissance Art

Botticelli’s Mystic Nativity fuses biblical prophecy with contemporary turmoil, depicting Christ’s birth amid apocalyptic symbolism, angelic revelation, and human embrace, suggesting hope, renewal, and divine order beyond earthly chaos.

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