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The Pala d’Oro (the altar retable of San Marco in Venice) (detail)

The Monastery of Pantokrator in Constantinople and the Pala d’Oro in Venice

September 19, 2020
by Amalia Spiliakou Byzantine ArtTeaching Resources

The luminous Pala d’Oro reflects Venice’s deep artistic ties with Constantinople, likely incorporating enamels from the Monastery of Pantokrator—a sacred imperial complex of devotion, charity, and dynastic memory.

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School Lesson, Attic red-figure Kylix from Cerveteri by the painter Duris

1st Day Back to School

September 13, 2020
by Amalia Spiliakou Ancient Greek ArtTeaching Resources

Inspired by Malala Yousafzai, this lesson uses a kylix by Duris Painter to explore ancient Greek education, connecting past classrooms with today’s enduring value of learning.

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Rosa Bonheur, The Horse Fair

Rosa Bonheur

September 11, 2020
by Amalia Spiliakou 19th century ArtTeaching Resources

Rosa Bonheur defied convention to become a pioneering artist, transforming her love of animals into monumental works like The Horse Fair—a powerful testament to skill, independence, and artistic devotion.

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The Monastery of Pantokrator in Constantinople

September 4, 2020
by Amalia Spiliakou Byzantine ArtTeaching Resources

The Monastery of Pantokrator, founded by John II Komnenos, reveals the Komnenian age’s imperial ambition through its monumental churches, hospital complex, and refined opus sectile decoration—fragments of a once magnificent sacred world.

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Aristide Maillol, La Méditerranée

Aristide Maillol and La Méditerranée

August 20, 2020
by Amalia Spiliakou 20th century ArtTeaching Resources

Aristide Maillol transforms the female nude into pure form and balance, seeking timeless beauty rather than character, where sculpture becomes architecture, and La Méditerranée embodies serene, classical simplicity.

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Édouard Manet, Portrait of Émile Zola

Émile Zola by Édouard Manet

August 14, 2020
by Amalia Spiliakou with No Comment 19th century ArtImpressionismTeaching Resources

Émile Zola defends Édouard Manet against Salon critics, praising his modern vision and securing a lasting friendship, later immortalized in Manet’s portrait of Zola surrounded by symbols of art, literature, and innovation.

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Albenga Baptistery in Albenga, Italy

Albenga Baptistery

August 12, 2020
by Amalia Spiliakou with No Comment Early Christian ArtTeaching Resources

The Albenga Baptistery, an ambitious 6th-century octagonal structure, reflects the city’s Roman and Early Christian continuity, blending architectural innovation with the layered history of ancient Albium Ingaunum.

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Archangel Gabriel, south side of the Bema of the Holy Apse of Hagia Sophia in Constantinople, present day Istanbul, Dumbarton Oaks Fieldwork Records and Papers

The Archangel Gabriel of Hagia Sophia

July 28, 2020
by Amalia Spiliakou with No Comment Byzantine ArtTeaching Resources

Royall Tyler’s awe at the uncovering of Hagia Sophia mosaics captures the revelation of the Archangel Gabriel, a towering Byzantine vision of light, color, and sacred authority emerging from centuries of concealment.

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Grant Wood, Midnight Ride of Paul Revere

Grant Wood and the Revolutionary Spirit

July 24, 2020
by Amalia Spiliakou with No Comment 20th century ArtAmerican ArtTeaching Resources

Grant Wood’s Grant Wood transforms American history into a dreamlike vision in The Midnight Ride of Paul Revere, blending folk simplicity and national memory into a poetic, childlike landscape of Revolutionary imagination.

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Piero del Pollaiuolo, Apollo and Daphne

Pollaiuolo’s Apollo and Daphne

July 21, 2020
by Amalia Spiliakou with No Comment Italian Renaissance ArtMythologyRenaissance ArtTeaching Resources

Ovid’s Metamorphoses provides the poetic source for Apollo and Daphne, where desire and escape culminate in transformation, as Renaissance Florence reinterprets myth into an idealised vision of unattainable love and beauty.

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