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Domenico Ghirlandaio, An Old Man and his Grandson (detail)

Teaching with Domenico Ghirlandaio

January 5, 2021
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Vasari called Ghirlandaio one of the greatest masters of his age — his tender Portrait of an Old Man and his Grandson still moves hearts across five centuries.

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Fresco painting of Venus in the Shell (detail), House of Venus in the Shell, Pompeii

House of Venus in the Shell

January 3, 2021
by Amalia Spiliakou MythologyRoman ArtTeaching Resources

Hidden along Pompeii’s main thoroughfare, the House of Venus in the Shell dazzles with vivid frescoes — Mars, dolphins, cherubs, and a goddess born from the sea.

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Eastman Johnson, Christmas-Time, The Blodgett Family

Christmas-Time

December 23, 2020
by Amalia Spiliakou 19th century ArtAmerican ArtTeaching Resources

Eastman Johnson — Longfellow’s portraitist, Dutch Masters admirer, and chronicler of American life — captured slavery, family, and freedom on canvas with quiet humanity and extraordinary skill.

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The Church of the Holy Martyr Polyeuctus, built by Anicia Juliana in the 520s, on the northern branch of Constantinople’s Mese, between the Forum Tauri and the Church of the Holy Apostles, today in the Saraçhane area of Istanbul

Church of the Holy Martyr Polyeuktos

December 19, 2020
by Amalia Spiliakou Byzantine ArtTeaching Resources

Built to rival Solomon’s Temple, Anicia Juliana’s magnificent 6th-century Constantinople church defied even Emperor Justinian — its looted treasures now scattered across Venice, Barcelona, and Vienna.

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Domenico Veneziano,  Madonna and Child enthroned with St. Francis, John the Baptist, St. Zenobius and St. Lucy

Teaching with Domenico Veneziano

December 8, 2020
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Vasari’s gripping tale of artistic jealousy, a lute smashed and a murder committed — totally fictional, yet Domenico Veneziano’s ethereal Florentine masterpieces remain breathtakingly, undeniably real.

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The Month of December, latest 1407, possibly by Maestro Venceslao, Fresco, Torre Aquila, Castello del Buonconsiglio in Trento, Italy

The Month of December

December 1, 2020
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Maestro Venceslao’s December fresco captures a frozen Trentino world — bare-footed peasants chopping timber, knights escorting noble ladies, icicles hanging from castle eaves — vivid, harsh, and unforgettable.

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Under the protection of the gods, marked and dated "Howard Carter 1908 "

Watercolours by Howard Carter

November 24, 2020
by Amalia Spiliakou 20th century ArtAncient Egyptian ArtTeaching Resources

Before discovering Tutankhamun’s golden tomb, Howard Carter was a teenage tracer painting Egyptian hieroglyphs in watercolour — his artist’s eye forever shaping one of archaeology’s greatest discoveries.

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Portrait of the allegorical figure Epinoia (thinking power) holding a Mandragoa in the middle, Dioscurides describing the plant to the right, and a painter creating the image of the plant to the left, Vienna Dioscurides

Dioscurides and Krithamo

November 21, 2020
by Amalia Spiliakou Early Christian Art

The Vienna Dioscurides — a breathtaking 515 AD Byzantine manuscript gifted to Anicia Juliana — preserves Greek botanical wisdom and over a thousand medicinal plants in luminous illuminated splendour.

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Byzantine church, known as Saint Mary of the Mongols in  Constantinople

Saint Mary of the Mongols

November 14, 2020
by Amalia Spiliakou Teaching Resources

From a Mongol Khan’s harem to a Constantinople convent — Byzantine princess Maria Paleologina’s extraordinary journey gave Istanbul its only continuously Greek Orthodox church, Saint Mary of the Mongols.

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Donatello, 1386-1466, David, c. 1430

Teaching with Donatello

November 7, 2020
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtRoman Art

Donatello commanded his sculptures to speak — and they did. From Florence’s peasant Christ to Padua’s magnificent Gattamelata, his genius reshaped Renaissance sculpture for centuries to come.

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