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Posts tagged: Portraits in Art

Head of a royal figure, 1475–1292 BC, 18th Dynasty New Kingdom, 18th Dynasty, Red Jasper, H. 9.6cm; W. 6.1cm; D. 7.5cm, Al Thani Collection, The Hôtel de la Marine, Paris, France

Perhaps… a Portrait of Hatshepsut!

March 19, 2023
by Amalia Spiliakou Ancient Egyptian Art

The red jasper Head of a Royal Figure from the Al Thani Collection Egyptian royal head evokes the quiet authority of an 18th Dynasty ruler, where refined carving, idealised features, and material brilliance suggest the enduring power and ambiguity of royal identity in ancient Egypt.

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Funerary Portrait of a Man with a Cup, ca. 225-250 AD, Antinopolis (?), Egypt, Wax Paint on Wood, 42.7 x 23 x 0.9 cm, The Louvre Abu Dhabi, Emirate of Abu Dhabi

Fayum Portrait of a Man with a Cup

September 26, 2022
by Amalia Spiliakou Ancient Egyptian ArtRoman ArtTeaching Resources

The Louvre Abu Dhabi’s Man with a Cup — hollow-cheeked, large-eyed, hauntingly alive — bridges Egyptian, Greek, and Roman worlds, offering two millennia later an unforgettable human gaze.

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Portrait of Giovanni Arnolfini and his Wife

September 18, 2022
by Amalia Spiliakou Northern Renaissance ArtRenaissance ArtTeaching Resources

Van Eyck’s Arnolfini Portrait captivates with luminous detail, symbolic richness, and his bold “I was here” signature—blending technical mastery and mystery into a timeless scene of wealth, presence, and interpretation.

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Photo of the 2019 Exhibition Becoming a Painter in 18th-Century Boston: Copley and Others. Copley’s Portrait of Paul Revere and the "Sons of Liberty Bowl," created by Paul Revere Jr. and commissioned by 15 members of the Sons of Liberty in 1768

John Singleton Copley’s Portrait of Paul Revere

July 3, 2022
by Amalia Spiliakou 18th century ArtAmerican ArtTeaching Resources

Longfellow’s Paul Revere’s Ride immortalizes the midnight alarm of 1775, blending history and legend, while Copley’s portrait of Revere grounds the revolutionary figure in the quiet dignity of his craft as a silversmith and artisan.

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Portrait of Alexander Cassatt and Robert Cassatt

June 18, 2022
by Amalia Spiliakou 19th century ArtAmerican ArtImpressionismTeaching Resources

Mary Stevenson Cassatt’s 1884 double portrait of Alexander J. Cassatt and his son captures an intimate father-son bond, reflecting American artistic success within Paris’s vibrant cultural world.

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Woman in Monsieur Forest’s Garden

May 3, 2022
by Amalia Spiliakou 19th century ArtPost-ImpressionismTeaching Resources

Henri de Toulouse-Lautrec’s Woman in Monsieur Forest’s Garden (1891) captures a quiet, natural portrait of Honorine in Montmartre, blending plein-air light with an intimate study of character and mood.

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La Fornarina

April 26, 2022
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

La Fornarina, often linked to Raphael, portrays an enigmatic young woman whose identity remains debated, blending sensuality, symbolism, and artistic self-awareness in a work that continues to fascinate scholars.

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Gallery of Beauties, Schönheiten-Galerie König Ludwig I, Nymphenburg Palace, Munich, Germany

Joseph Karl Stieler’s Portrait of Katerina “Rosa” Botsaris

March 24, 2022
by Amalia Spiliakou 19th century ArtModern Greek ArtTeaching Resources

Katerina “Rosa” Botsaris, famed for her beauty and noble heritage, became Queen Amalia’s lady-in-waiting and was immortalized by Joseph Karl Stieler in Bavaria’s Gallery of Beauties.

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Photo and Artworks by and for Marie Euphrosyne Spartali-Stillman

Marie Euphrosyne Spartali-Stillman

March 8, 2022
by Amalia Spiliakou 19th century ArtTeaching Resources

On International Women’s Day, Marie Spartali Stillman, a Pre-Raphaelite artist and celebrated beauty, stands as a symbol of women’s artistic achievement and cultural presence in 19th-century London.

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Katerina Sakellaropoulou the President of the Hellenic Republic at the National Gallery of Greece Exhibition In Search of Immortality - The Art of Portrait in the Louvre Collections (December 1, 2021-28 March 2022).

La Belle Nani by Paolo Veronese

January 25, 2022
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Paolo Veronese’s La Belle Nani presents an elegant Venetian woman whose identity remains uncertain, embodying Renaissance ideals of beauty, virtue, fashion, and aristocratic status in a richly symbolic portrait.

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