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Shrine Head, by unknown Ife (Nigeria) artist and Roger van der Weyden, Portrait of a Lady

An Unlike Comparison

January 23, 2020
by Amalia Spiliakou with No Comment Northern Renaissance ArtRenaissance ArtTeaching Resources

An “unlike comparison” reveals striking parallels between a Yoruba shrine head and Rogier van der Weyden’s portrait—two distant cultures united by elegance, restraint, and an intriguing shared aristocratic poise.

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The Nea Herakleia Reliquary in the Museum of Byzantine Culture, Thessaloniki, Greece

Nea Herakleia Reliquary

January 16, 2020
by Amalia Spiliakou with No Comment Byzantine ArtTeaching Resources

The Nea Herakleia Reliquary embodies the transition to Christian art—rich in symbolism and expressive form—blending classical tradition with emerging spirituality in a refined example of Theodosian craftsmanship.

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Franz Halls' painting of a Young Man and Woman in an Inn

Baroque Bliss

January 12, 2020
by Amalia Spiliakou with No Comment Baroque ArtTeaching Resources

Frans Hals’s Young Man and Woman in an Inn captures Baroque exuberance—laughter, movement, and sensual immediacy—through lively brushwork, immersing viewers in a fleeting moment of joy and theatrical charm.

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Feast of the Gods by Giovanni Bellini

Feast of the Gods

January 10, 2020
by Amalia Spiliakou with No Comment Italian Renaissance ArtRenaissance ArtTeaching Resources

The Feast of the Gods reveals a Renaissance patron’s vision—where Bellini, Dosso Dossi, and Titian unite to create a sensual mythological masterpiece for Alfonso d’Este’s private studiolo.

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The Joshua Roll, 10th century illuminated manuscript in the Biblioteca Apostolica Vaticana

The Joshua Roll

January 3, 2020
by Amalia Spiliakou with No Comment Byzantine ArtTeaching Resources

The Joshua Roll is a rare Byzantine illuminated manuscript in scroll form, blending classical Hellenistic style with imperial ideology to narrate Joshua’s conquests as a celebration of divine and military triumph.

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Last Supper in Pompeii Exhibition Poster

Last Supper in Pompeii

December 11, 2019
by Amalia Spiliakou with No Comment Roman ArtTeaching Resources

The Last Supper in Pompeii exhibition explores Roman food culture through vivid frescoes, mosaics, and artefacts, revealing everyday banquets and civic generosity in the richly preserved world of ancient Pompeii.

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A 6th century AD Silver Plate depicting Hercules and the Lion of Nemea (detail)

Hercules and the Lion of Nemea

December 8, 2019
by Amalia Spiliakou with No Comment Byzantine ArtEarly Christian ArtTeaching Resources

The Byzantine silver plate of Hercules and the Nemean Lion showcases late antique mastery, merging mythological power and refined craftsmanship in a dynamic composition of strength, tension, and classical elegance.

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Three monumental paintings by Cimabue - Giotto - Duccio in the Uffizi Gallery in Florence.

Cimabue – Giotto – Duccio

December 5, 2019
by Amalia Spiliakou with No Comment Italian Renaissance ArtRenaissance ArtTeaching Resources

Cimabue, Giotto, and Duccio mark the shift from Byzantine tradition to early Renaissance naturalism, where painting begins to explore space, emotion, and human presence with unprecedented realism and spiritual depth.

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Two ancient Greek Grave Stele. one in Thessaloniki the other in New York City.

Telling us goodbye…

December 2, 2019
by Amalia Spiliakou with No Comment Ancient Greek ArtTeaching Resources

Graceful yet sorrowful, two ancient girls bid farewell, immortalized in Parian marble—tender gestures, delicate birds, and quiet emotion capturing timeless beauty and the poignancy of parting.

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A Vincent Van Gogh painting titled Olive Picking.

The Magic of the Olive Tree

November 27, 2019
by Amalia Spiliakou with No Comment Post-ImpressionismTeaching Resources

Inspired by Vincent van Gogh’s love for olive trees, young students explored their magic—through myth, harvest, taste, and art—discovering the olive tree as a timeless symbol of life, learning, and gratitude.

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