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Pierre-Auguste Renoir’s Femme au corsage rouge, circa 1910, depicting Gabrielle Renard in a close-up portrait with a vivid red corsage.

Renoir’s Femme au corsage rouge

October 12, 2026
by Amalia Spiliakou 20th century ArtFrench ArtImpressionismTeaching Resources

Renoir’s Femme au corsage rouge, believed to portray Gabrielle Renard, reveals the artist’s late style through intimate composition, warm colour, fluid brushwork and a striking red corsage.

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John Sloan’s McSorley’s Bar, 1912, showing a lively group of men drinking and socialising inside a New York saloon, with tables, chairs, beer glasses and dark wooden interiors.

John Sloan’s McSorley’s Bar

October 8, 2026
by Amalia Spiliakou 20th century ArtAmerican ArtTeaching Resources

John Sloan’s McSorley’s Bar captures the lively atmosphere of a New York saloon and reveals the Ashcan School’s interest in ordinary people and urban life.

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Titian’s Flora (detail: face), a young woman with long copper-blonde hair wearing a white draped garment, holds a small bouquet of violets, rosebuds and jasmine against a dark background.

Titian’s Flora

October 5, 2026
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Explore Titian’s Flora, where flowers, luminous colour and an enigmatic woman embody Venetian Renaissance ideals of beauty, balancing modesty, sensuality and enduring mystery.

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Nikolaos Lytras's Sur le toit-terrasse, île de Tinos, showing figures and everyday life on a sunlit rooftop terrace on the Greek island of Tinos. John Singer Sargent's Rosina-Capri, showing Rosina Ferrara on a sunlit rooftop in Capri, surrounded by Mediterranean architecture and bright light.

Nikolaos Lytras and John Singer Sargent

September 24, 2026
by Amalia Spiliakou 19th century Art20th century ArtAmerican ArtModern Greek ArtTeaching Resources

Discover how Nikolaos Lytras and John Singer Sargent transformed Mediterranean rooftops in Tinos and Capri into intimate scenes of light, colour, architecture and everyday life.

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Winslow Homer’s The Country School, 1871, showing children studying at wooden desks in a rural American classroom with their teacher at the front.

Back to School with Winslow Homer

September 10, 2026
by Amalia Spiliakou 19th century ArtAmerican ArtTeaching Resources

Winslow Homer’s The Country School takes us back to an American classroom in 1871, revealing surprising similarities between schoolchildren then and children returning to school today.

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Pierre Bonnard’s La Rue. Homme aux prises avec deux chiens, circa 1895, showing a man struggling to control two dogs on a patterned Paris street.

Pierre Bonnard’s Paris

September 7, 2026
by Amalia Spiliakou 19th century ArtTeaching Resources

Pierre Bonnard transforms an ordinary Paris street into a lively study of movement, pattern and freedom as a man struggles to control two energetic dogs.

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John George Brown's Playing in the Sand at Southampton Beach (1879–1880), depicting a young child in a white dress and blue hat sitting on a sandy beach, absorbed in play beside a wooden bucket under bright summer light.

John George Brown’s Paintings of Children

August 17, 2026
by Amalia Spiliakou 19th century ArtAmerican ArtTeaching Resources

Discover how John George Brown portrayed childhood, balancing sentimental street scenes with the quiet intimacy of Playing in the Sand at Southampton Beach, revealing Victorian ideals and artistic intent.

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Michelangelo’s Pitti and Taddei Tondi: Two Marble Masterpieces You Need to See

August 14, 2026
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Discover Michelangelo’s Pitti and Taddei Tondi, two unfinished marble roundels blending tenderness, movement, and psychological depth into some of the Renaissance’s most compelling devotional sculptures.

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Columns of the Temple of Olympian Zeus standing against the sky in Athens, painted by Vikentios Lanza in a calm 19th-century archaeological landscape.

Columns of Olympian Zeus by Vikentios Lanza

August 10, 2026
by Amalia Spiliakou 19th century ArtModern Greek ArtTeaching Resources

Vikentios Lanza’s painting transforms the Temple of Olympian Zeus into a powerful reflection on ruins, memory, and Greek cultural identity in 19th-century Athens.

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George Lambert's 1922 oil self-portrait: the artist stands against a deep purple background in a gold velvet smoking jacket, pipe in mouth, one hand on hip, beside a cut-crystal vase of red, pink, and white gladioli.

George Lambert’s Self Portrait with Gladioli

July 31, 2026
by Amalia Spiliakou 20th century ArtTeaching Resources

A velvet jacket, a pipe, and a vase of gladioli, meet George Lambert, the Russian-born jackeroo who became Australia’s most glittering artist.

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Recent Posts

  • Renoir’s Femme au corsage rouge
  • John Sloan’s McSorley’s Bar
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