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Winslow Homer’s The Country School, 1871, showing children studying at wooden desks in a rural American classroom with their teacher at the front.

Back to School with Winslow Homer

September 10, 2026
by Amalia Spiliakou 19th century ArtAmerican ArtTeaching Resources

Winslow Homer’s The Country School takes us back to an American classroom in 1871, revealing surprising similarities between schoolchildren then and children returning to school today.

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Pierre Bonnard’s La Rue. Homme aux prises avec deux chiens, circa 1895, showing a man struggling to control two dogs on a patterned Paris street.

Pierre Bonnard’s Paris

September 7, 2026
by Amalia Spiliakou 19th century ArtTeaching Resources

Pierre Bonnard transforms an ordinary Paris street into a lively study of movement, pattern and freedom as a man struggles to control two energetic dogs.

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John George Brown's Playing in the Sand at Southampton Beach (1879–1880), depicting a young child in a white dress and blue hat sitting on a sandy beach, absorbed in play beside a wooden bucket under bright summer light.

John George Brown’s Paintings of Children

August 17, 2026
by Amalia Spiliakou 19th century ArtAmerican ArtTeaching Resources

Discover how John George Brown portrayed childhood, balancing sentimental street scenes with the quiet intimacy of Playing in the Sand at Southampton Beach, revealing Victorian ideals and artistic intent.

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2026-PittiTondo-x2

Michelangelo’s Pitti and Taddei Tondi: Two Marble Masterpieces You Need to See

August 14, 2026
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Discover Michelangelo’s Pitti and Taddei Tondi, two unfinished marble roundels blending tenderness, movement, and psychological depth into some of the Renaissance’s most compelling devotional sculptures.

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Columns of the Temple of Olympian Zeus standing against the sky in Athens, painted by Vikentios Lanza in a calm 19th-century archaeological landscape.

Columns of Olympian Zeus by Vikentios Lanza

August 10, 2026
by Amalia Spiliakou 19th century ArtModern Greek ArtTeaching Resources

Vikentios Lanza’s painting transforms the Temple of Olympian Zeus into a powerful reflection on ruins, memory, and Greek cultural identity in 19th-century Athens.

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George Lambert's 1922 oil self-portrait: the artist stands against a deep purple background in a gold velvet smoking jacket, pipe in mouth, one hand on hip, beside a cut-crystal vase of red, pink, and white gladioli.

George Lambert’s Self Portrait with Gladioli

July 31, 2026
by Amalia Spiliakou 20th century ArtTeaching Resources

A velvet jacket, a pipe, and a vase of gladioli, meet George Lambert, the Russian-born jackeroo who became Australia’s most glittering artist.

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Spyros Papaloukas, The Temple of Aphaia, Aegina, 1923, oil on cardboard mounted on canvas, 27.5 × 33.5 cm. A small-format plein air study of the ancient Doric temple on the island of Aegina, painted in the artist's characteristic chalky, fresco-like technique.

Spyros Papaloukas and the Temple of Aphaia

July 23, 2026
by Amalia Spiliakou 20th century ArtModern Greek ArtTeaching Resources

In the summer of 1923, grief-stricken after losing 500 works to war, Spyros Papaloukas painted ancient ruins on Aegina — and found his voice.

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In the Getty Museum, Henri Rousseau’s A Centennial of Independence painting of 1892 celebrates French Bastille Day.

Henri Rousseau’s painting of Bastille Day

July 13, 2026
by Amalia Spiliakou 19th century ArtTeaching Resources

Explore Henri Rousseau’s painting of Bastille Day — a visionary 1892 work that turns French revolutionary history into timeless communal celebration.

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Childe Hassam painting of Acorn Street in Boston’s Beacon Hill with American flags, 1919.

Childe Hassam’s Acorn Street

July 4, 2026
by Amalia Spiliakou 20th century ArtAmerican ArtTeaching Resources

A reflective Fourth of July exploration of Childe Hassam’s Acorn Street, Boston, July 1919 and its quiet vision of American identity, history, and Impressionist light.

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James Holland’s 1859 watercolour shows an abundant summer bouquet in a clear glass vase. Soft pink and cream roses, a vivid red poppy, pelargoniums, yellow calceolarias, and tall blue delphiniums spill naturally across the composition.

James Holland’s Delphinium Watercolour

June 30, 2026
by Amalia Spiliakou 19th century ArtBritish ArtTeaching Resources

Celebrate July’s Delphinium with James Holland’s radiant 1859 watercolour, where Victorian flower symbolism, luminous colour, and the dreamer’s heart bloom together in a timeless summer bouquet.

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