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In the Getty Museum, Henri Rousseau’s A Centennial of Independence painting of 1892 celebrates French Bastille Day.

Henri Rousseau’s painting of Bastille Day

July 13, 2026
by Amalia Spiliakou 19th century ArtTeaching Resources

Explore Henri Rousseau’s painting of Bastille Day — a visionary 1892 work that turns French revolutionary history into timeless communal celebration.

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Childe Hassam painting of Acorn Street in Boston’s Beacon Hill with American flags, 1919.

Childe Hassam’s Acorn Street

July 4, 2026
by Amalia Spiliakou 20th century ArtAmerican ArtTeaching Resources

A reflective Fourth of July exploration of Childe Hassam’s Acorn Street, Boston, July 1919 and its quiet vision of American identity, history, and Impressionist light.

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James Holland’s 1859 watercolour shows an abundant summer bouquet in a clear glass vase. Soft pink and cream roses, a vivid red poppy, pelargoniums, yellow calceolarias, and tall blue delphiniums spill naturally across the composition.

James Holland’s Delphinium Watercolour

June 30, 2026
by Amalia Spiliakou 19th century ArtBritish ArtTeaching Resources

Celebrate July’s Delphinium with James Holland’s radiant 1859 watercolour, where Victorian flower symbolism, luminous colour, and the dreamer’s heart bloom together in a timeless summer bouquet.

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‘On the Cliff’ is believed to be a portrait painting of Madame Costantini perched on a Cliff by Virgilio Costantini created in 1936.

Virgilio Costantini’s On the Cliff

June 24, 2026
by Amalia Spiliakou 20th century ArtTeaching Resources

In 1936, at the height of his career, Italian painter Virgilio Costantini captured his wife on a clifftop in a gouache of rare scale, confidence, and tenderness.

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Three scenes of the frescoed interior of the Etruscan Tomb of the Lionesses showing dancers, musicians, and a banquet scene beneath two facing lionesses.

Etruscan Tomb of the Lionesses

June 11, 2026
by Amalia Spiliakou ArchaeologyEtruscan ArtTeaching Resources

Explore the Etruscan Tomb of the Lionesses in Tarquinia, its vibrant frescoes, banquet scenes, and insights into Etruscan beliefs about life, death, and the afterlife.

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Marble table support (trapezophoron) from the 4th century AD depicting Orpheus seated and playing a lyre beneath a tree, surrounded by a dense assemblage of real and mythical animals and birds. The sculpture is housed in the Byzantine and Christian Museum in Athens, Greece.

The Mythical Singer Orpheus

June 8, 2026
by Amalia Spiliakou ArchaeologyByzantine ArtEarly Christian ArtMythologyTeaching Resources

A 4th-century marble table support shows Orpheus surrounded by animals, blending myth and early Christian symbolism in a striking Late Antique work from the Byzantine and Christian Museum in Athens, Greece

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Raphael, La Fornarina, c.1519–20, oil on panel. A half-length portrait of a young woman, nude to the waist, wearing a white arm band inscribed with Raphael's name, a sheer veil, and a richly wrapped turban-like headdress, set against a dark myrtle bush background.

Raphael’s La Fornarina

June 3, 2026
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Who is the beautiful woman who modestly tries to cover herself? Raphael left clues but no answers. Five centuries on, La Fornarina remains art history’s most captivating unsolved mystery.

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By Rossetti, a pastel and black chalk on tinted paper painting of the Day Dream, presenting Jame Morris in a flowing green dress, among tree branches and leaves, holding a small sprig of honeysuckle, thoughtfully looking downward, surrounded by soft, filtered light.

The Day Dream

May 31, 2026
by Amalia Spiliakou 19th century ArtBritish ArtTeaching Resources

Rossetti’s The Day Dream captures Jane Morris in a moment of stillness—where symbolism, desire, and interiority intertwine within one of the most atmospheric Pre-Raphaelite paintings.

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Carolus-Duran The Letter and the Reveler 1889 oil painting showing exhausted man on sofa beside discarded bouquet and torn letter

Carolus-Duran’s The Letter and The Reveler

May 18, 2026
by Amalia Spiliakou 19th century ArtFrench ArtTeaching Resources

A letter lies torn open on the floor. Beside it, a bouquet, discarded, not placed. On the sofa above them, a young man has collapsed into the cushions, eyes closed, one arm surrendered to gravity. Something has happened in this room. Carolus-Duran’s The Letter (1889) offers two stories and refuses to choose between them.

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Lintel of Temple A at Prinias, Early Archaic Greek stone relief (650–600 BC) with enthroned goddesses and panther frieze, Heraklion Archaeological Museum.

Temple A at Prinias

May 13, 2026
by Amalia Spiliakou Ancient Greek ArtTeaching Resources

Temple A at Prinias (7th century BC) is an early Greek temple combining megaron-style architecture with pioneering Daedalic sculptural decoration, reflecting experimentation in Archaic Greek art and design.

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Recent Posts

  • What a Clay Bowl with a Cheetah Tells Us About the Byzantine World
  • Henri Rousseau’s painting of Bastille Day
  • The Minoan Swing
  • Childe Hassam’s Acorn Street
  • James Holland’s Delphinium Watercolour

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