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Marble table support (trapezophoron) from the 4th century AD depicting Orpheus seated and playing a lyre beneath a tree, surrounded by a dense assemblage of real and mythical animals and birds. The sculpture is housed in the Byzantine and Christian Museum in Athens, Greece.

The Mythical Singer Orpheus

June 8, 2026
by Amalia Spiliakou ArchaeologyByzantine ArtEarly Christian ArtMythologyTeaching Resources

A 4th-century marble table support shows Orpheus surrounded by animals, blending myth and early Christian symbolism in a striking Late Antique work from the Byzantine and Christian Museum in Athens, Greece

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Raphael, La Fornarina, c.1519–20, oil on panel. A half-length portrait of a young woman, nude to the waist, wearing a white arm band inscribed with Raphael's name, a sheer veil, and a richly wrapped turban-like headdress, set against a dark myrtle bush background.

Raphael’s La Fornarina

June 3, 2026
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Who is the beautiful woman who modestly tries to cover herself? Raphael left clues but no answers. Five centuries on, La Fornarina remains art history’s most captivating unsolved mystery.

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By Rossetti, a pastel and black chalk on tinted paper painting of the Day Dream, presenting Jame Morris in a flowing green dress, among tree branches and leaves, holding a small sprig of honeysuckle, thoughtfully looking downward, surrounded by soft, filtered light.

The Day Dream

May 31, 2026
by Amalia Spiliakou 19th century ArtBritish ArtTeaching Resources

Rossetti’s The Day Dream captures Jane Morris in a moment of stillness—where symbolism, desire, and interiority intertwine within one of the most atmospheric Pre-Raphaelite paintings.

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Carolus-Duran The Letter and the Reveler 1889 oil painting showing exhausted man on sofa beside discarded bouquet and torn letter

Carolus-Duran’s The Letter and The Reveler

May 18, 2026
by Amalia Spiliakou 19th century ArtFrench ArtTeaching Resources

A letter lies torn open on the floor. Beside it, a bouquet, discarded, not placed. On the sofa above them, a young man has collapsed into the cushions, eyes closed, one arm surrendered to gravity. Something has happened in this room. Carolus-Duran’s The Letter (1889) offers two stories and refuses to choose between them.

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Lintel of Temple A at Prinias, Early Archaic Greek stone relief (650–600 BC) with enthroned goddesses and panther frieze, Heraklion Archaeological Museum.

Temple A at Prinias

May 13, 2026
by Amalia Spiliakou Ancient Greek ArtTeaching Resources

Temple A at Prinias (7th century BC) is an early Greek temple combining megaron-style architecture with pioneering Daedalic sculptural decoration, reflecting experimentation in Archaic Greek art and design.

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Portrait by John Singer Sargent of the three elegantly dressed Wyndham sisters posed indoors, one seated at center and two standing on either side—wearing white gowns against a soft, muted background.

The Portrait of the Wyndham Sisters by John Singer Sargent

May 9, 2026
by Amalia Spiliakou 19th century ArtAmerican ArtTeaching Resources

Sargent’s Portrait of the Wyndham Sisters transforms portraiture into a dynamic composition, uniting elegance, movement, and individuality while capturing psychological nuance and the interplay between heritage, identity, and modern femininity.

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Winslow Homer, A Mountain Climber Resting, 1869 – a lone hiker reclines on a rocky mountain ledge, smoking a pipe and gazing across a wide valley landscape below.

A Mountain Climber Resting

April 23, 2026
by Amalia Spiliakou 19th century ArtAmerican ArtTeaching Resources

Winslow Homer’s A Mountain Climber Resting captures a quiet summit pause, reflecting rising leisure travel, shifting views of nature, and the enduring ideal of solitary exploration in nineteenth-century America.

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Small blue-green mold-blown Roman glass cup, possibly from the workshop of Ennion, decorated with a Greek inscription and ribbed patterns, first half of the 1st century AD, Getty Villa Museum.

Master Glassmaker Ennion

April 20, 2026
by Amalia Spiliakou Roman ArtTeaching Resources

Mold-blown glass cup from the workshop of Ennion, showcasing early Roman innovation, elegant decoration, and a Greek inscription, now preserved at the Getty Villa.

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Triptych woodblock print by Tsukioka Yoshitoshi showing Fujiwara Yasumasa playing flute under moonlight, 19th century example of Ukiyo-e

Fujiwara Yasumasa Plays the Flute by Moonlight

April 16, 2026
by Amalia Spiliakou Japanese ArtTeaching Resources

Moonlit Kyoto tale of Fujiwara Yasumasa: flute music disarms a bandit in this Konjaku Monogatari story, later immortalized in Yoshitoshi’s Meiji woodblock print of quiet power and transformation.

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Sunset at Constantinople by Constantinos Maleas, 1904–1905, oil on canvas

Sunset at Constantinople by Constantinos Maleas

April 13, 2026
by Amalia Spiliakou 20th century ArtModern Greek ArtTeaching Resources

Maleas captures Constantinople at sunset as a luminous, dreamlike city where color, light, and atmosphere dissolve form, transforming architecture and landscape into a poetic meditation on beauty, memory, and cultural convergence.

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