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Leon Bakst, Photo and Self-Portrait

Léon Bakst

May 25, 2023
by Amalia Spiliakou 20th century ArtArt DecoTeaching Resources

Léon Bakst revolutionized theatrical design with vibrant colours, exotic motifs, and unified aesthetics, transforming stage productions into harmonious works of art that continue to inspire students and modern designers alike.

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Stavelot Triptych, ca. 1156-1158, Wood; copper-gilt frames, silver pearls and columns, gilt-brass capitals and bases, vernis brun domes, semi-precious stones, intaglio gems, beads, champlevé, and cloisonné enamels, Wings open: height: 484 mm, width: 660 mm, The Morgan Library and Museum, NY, USA

The Stavelot Triptych in the Morgan Library

May 20, 2023
by Amalia Spiliakou Byzantine ArtTeaching Resources

The Stavelot Triptych unites Byzantine and Romanesque traditions, blending Eastern symbolism with Western narrative, while its precious materials and relics embody artistic exchange, spiritual devotion, and the cultural dialogue of the 12th century.

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Élisabeth Louise Vigée Le Brun, French Artist, 1755–1842, Self-portrait with Her Daughter, Julie, 1786, and Self-Portrait with Her Daughter, Julie (à l’Antique), 1789

Élisabeth Louise Vigée Le Brun with Her Daughter Julie

May 13, 2023
by Amalia Spiliakou 18th century ArtFrench ArtRococo ArtTeaching Resources

Inspired by Augusta Davies Webster, Élisabeth Louise Vigée Le Brun captures tender motherhood in her portraits with Julie, where intimacy, warmth, and emotional truth redefine maternal love in late Rococo art.

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Giorgone’s Madonna Cook

May 8, 2023
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Encountering Giorgione’s elusive Madonna Cook, I was struck by its quiet poetry—where soft light, sparse landscape, and tender intimacy reveal the mystery and innovation of Venetian painting at its finest.

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The Bersha Procession, Middle Kingdom, late 11th Dynasty–early 12th Dynasty, 122010–1961 BC, Egypt, Deir el-Bersha, Tomb 10, shaft A (Djehutynakht), Painted Wood, 66.4 x 8.6 x 42.5 cm, MFA, Boston, MA, USA

The Bersha Procession

May 2, 2023
by Amalia Spiliakou Ancient Egyptian ArtArchaeologyTeaching Resources

The Bersha Procession captivates with refined craftsmanship and vivid detail, transforming humble wood into a lively vision of ritual, devotion, and daily life in ancient Egypt’s afterlife beliefs.

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May Day on Corfu by Charlambos Pachis

April 30, 2023
by Amalia Spiliakou 19th century ArtModern Greek ArtTeaching Resources

Charalambos Pachis’s May Day on Corfu captures festive tradition with vivid colour and lively detail, preserving a joyful ethnographic moment of music, ritual, and community spirit on the island.

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White-Ground Lekythos, 440-430 BC, Terracotta, Canellopoulos Museum, Athens, Greece

Lekythos in the Canellopoulos Museum

April 25, 2023
by Amalia Spiliakou Ancient Greek ArtTeaching Resources

The white-ground lekythos from the Canellopoulos Museum distils grief into image and gesture, where mourning, memory, and the inevitability of death converge in the quiet language of Athenian ritual art.

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Villa Arianna Fresco of Flora, (Room W. 26),  1st century AD, fresco, 38x32 cm, from Villa Arianna in Stabiae, National Archaeological Museum of Naples, Italy

Flora

April 19, 2023
by Amalia Spiliakou MythologyRoman ArtTeaching Resources

The fresco of Flora from Stabiae captures Toru Dutt’s floral rivalry in paint, transforming myth into elegance, where spring, beauty, and nature’s abundance merge in delicate harmony.

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Holy Thursday – Μεγάλη Πέμπτη

April 12, 2023
by Amalia Spiliakou Renaissance ArtTeaching Resources

El Greco’s Agony in the Garden translates the moment of Luke 22:42–44 into visionary intensity, where Christ’s solitary prayer, fractured space, and radiant light express divine submission and human anguish with extraordinary emotional force.

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Portrait of Lucien Pissarro, c.1937, Photograph, black and white, on paper, taken by Lafayette Ltd, London, Tate Archive, London, UK

April by Lucien Pissarro

March 31, 2023
by Amalia Spiliakou 19th century ArtFrench ArtImpressionismTeaching Resources

Lucien Pissarro’s April, Epping translates Browning’s longing for England into paint, where light-dappled foliage, fresh colour, and broken brushwork evoke an intimate, lived experience of spring in the English countryside.

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