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Model of a Boat from the Tomb of Meketre  12th Dynasty, ca. 1981–1975 BC, Wood, paint, plaster, linen twine, linen fabric, Length: 132.5 cm, the MET, NY, USA

The dynamic Middle Kingdom

January 14, 2023
by Amalia Spiliakou Ancient Egyptian ArtTeaching Resources

Middle Kingdom Egypt marks a shift toward a more humanized kingship, renewed unity, and cultural expansion, producing realistic royal portraiture like Senusret III and increasingly elaborate private tomb art, reflecting both political stability and a broader “democratization” of the afterlife.

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Saint John the Baptist by Leonardo da Vinci

January 6, 2023
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Leonardo’s Saint John the Baptist extends his late exploration of chiaroscuro and ambiguous gesture, using sculptural lighting and a raised, enigmatic finger to fuse biblical symbolism with painterly experiment, suggesting a continuity from earlier lost works described by Vasari toward an increasingly spiritual abstraction.

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Winter by Giuseppe Arcimboldo

December 20, 2022
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

While in Vienna, to celebrate the reign of Emperor Maximilian II, Arcimboldo created his “ signature Portraits of the 4 Seasons,” composed of imaginatively arranging elements of nature like plants, flowers, fruits, and vegetables.

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Apotheosis (Deification) of Herakles Pediment, c. 570 BC, Actite, a type of porous limestone, painted,  H. 0.94 m, L. 1.74 m, Acropolis Museum, Athens, Greece

The Apotheosis of Herakles

December 14, 2022
by Amalia Spiliakou Ancient Greek ArtMythologyTeaching Resources

Hail, lord, son of Zeus!” — so opens Homeric Hymn 15, perfectly capturing the divine glory of Herakles, whose Apotheosis Pediment now greets us from the Acropolis Museum.

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Statue of Ka Aper from Saqqara (detail), c.2450-2350 BC, 5th Dynasty, Wood, Eyes: Eyes: Rock crystal, calcite, copper, black stone, Height: 112 cm, The Egyptian Museum, Cairo, Egypt

The Art of the Old Kingdom Period

December 4, 2022
by Amalia Spiliakou Ancient Egyptian ArtTeaching Resources

Egypt’s Old Kingdom stuns with serene, powerful statues and masterful relief carvings — formal, idealized, yet deeply human — reflecting a civilization obsessed with eternity.

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Simon Bening’s December

November 30, 2022
by Amalia Spiliakou Northern Renaissance ArtRenaissance ArtTeaching Resources

Simon Bening’s luminous December miniature captures festive anticipation — bread baking, animals slaughtered, hunters departing — a Flemish world poised breathlessly before Christmas celebration begins.

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Freedom From Want by Norman Rockwell

November 23, 2022
by Amalia Spiliakou 20th century ArtAmerican ArtTeaching Resources

Rockwell’s joyful Freedom From Want — originally a wartime vision of Roosevelt’s Four Freedoms — became America’s most beloved Thanksgiving image, raising $132 million in war bonds.

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Four Steps to Success Lesson Plan

The Architecture of the Old Kingdom Period

November 20, 2022
by Amalia Spiliakou Ancient Egyptian ArtTeaching Resources

From mudbrick mastaba to soaring pyramid, Egypt’s Old Kingdom built eternity in stone — each monument a sacred staircase guiding royal souls toward the gods.

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La Carmencita by John Singer Sargent

November 10, 2022
by Amalia Spiliakou 19th century ArtAmerican ArtTeaching Resources

Sargent’s monumental La Carmencita — bold, magnetic, breathtakingly alive — immortalized Spain’s sensational dancer in swift brushstrokes so powerful, France purchased it within two years.

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The Palette of Narmer, c. 3200-3000 BC, Siltstone, 64 × 42 cm, Egyptian Museum, Cairo, Egypt

Introduction to Egypt of the Pharaohs

November 6, 2022
by Amalia Spiliakou Ancient Egyptian ArtTeaching Resources

Egypt’s immortal civilization — gift of the Nile, unified under Narmer c. 3000 BC — built an enduring world where pharaohs embodied gods and eternity shaped every human endeavor.

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