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Posts in category: Renaissance Art

The commemorative Donatello, The Renaissance Exhibition Book

Donatello’s Pazzi Madonna

June 13, 2022
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Donatello’s Pazzi Madonna (c.1420) reveals tender intimacy between mother and child, exemplifying his innovative, humanized style and groundbreaking role in shaping Renaissance sculpture.

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Simon Bening’s June

May 31, 2022
by Amalia Spiliakou Northern Renaissance ArtRenaissance ArtTeaching Resources

Simon Bening’s June page from the Golf Book vividly depicts a chivalric tournament, where armored knights joust for honor, love, and glory amid a lively Flemish city backdrop.

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Simon Bening’s May

April 30, 2022
by Amalia Spiliakou Northern Renaissance ArtRenaissance ArtTeaching Resources

Simon Bening’s Golf Book (May, fol. 22v) presents a vibrant Renaissance May Day scene, blending aristocratic leisure on the river with richly detailed Flemish city and countryside landscapes.

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La Fornarina

April 26, 2022
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

La Fornarina, often linked to Raphael, portrays an enigmatic young woman whose identity remains debated, blending sensuality, symbolism, and artistic self-awareness in a work that continues to fascinate scholars.

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Simon Bening’s April

March 31, 2022
by Amalia Spiliakou Northern Renaissance ArtRenaissance ArtTeaching Resources

Simon Bening’s April miniature from the Golf Book depicts an elegant Renaissance courtship in a lush garden, where richly dressed lovers, lively figures, and refined details celebrate spring, love, and aristocratic life.

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A monumental installation in the grounds of the Dulwich Picture Gallery in South London of The Four Seasons, a set of four fifteen-foot fiberglass sculptures by American artist and film-maker Philip Haas in 2012

Spring by Giuseppe Arcimboldo

March 19, 2022
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Giuseppe Arcimboldo, a Renaissance artist from Milan, gained fame for his imaginative portraits and court work, rising from early commissions to serve the Habsburg emperors in Vienna and Prague.

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Simon Bening’s March

February 28, 2022
by Amalia Spiliakou Northern Renaissance ArtRenaissance ArtTeaching Resources

Simon Bening’s Golf Book (March, f.20v) presents a refined medieval garden scene where aristocratic authority, labour, and daily life intersect, offering insight into monastic horticulture and medicinal plant traditions.

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Saint George and the Dragon on Dispay at the National Gallery of Art, Washington DC

Saint George and the Dragon by Rogier van der Weyden

February 22, 2022
by Amalia Spiliakou Northern Renaissance ArtRenaissance ArtTeaching Resources

Rogier van der Weyden’s Saint George and the Dragon combines chivalric drama, delicate detail, and luminous realism, transforming a legendary battle into an intimate vision of faith, courage, and triumph.

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Simon Bening’s February

January 31, 2022
by Amalia Spiliakou Northern Renaissance ArtRenaissance ArtTeaching Resources

Simon Bening’s February miniature depicts a lavish manor feast, where aristocrats, musicians, and servants gather around firelight and rich furnishings, revealing the social ritual, luxury, and domestic life of late medieval nobility.

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Katerina Sakellaropoulou the President of the Hellenic Republic at the National Gallery of Greece Exhibition In Search of Immortality - The Art of Portrait in the Louvre Collections (December 1, 2021-28 March 2022).

La Belle Nani by Paolo Veronese

January 25, 2022
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Paolo Veronese’s La Belle Nani presents an elegant Venetian woman whose identity remains uncertain, embodying Renaissance ideals of beauty, virtue, fashion, and aristocratic status in a richly symbolic portrait.

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