The Venetian November panel from the National Gallery’s “Labours of the Months” cycle replaces agrarian toil with a courtly hunt, depicting a young huntsman with hounds and falcon in a vividly colored, aristocratic landscape.
The Colosso del’Appennino by Giambologna
A Renaissance marvel, Giambologna’s Colosso del’Appennino is a 10-meter mountain giant statue, once animated with water and hidden chambers, symbolizing Medici power and artistic ingenuity.
The Labours of the Months: October
Part of a Venetian ‘Labours of the Months’ series, this small painting depicts seasonal rural life with vivid colours, linking peasant work, nature’s cycles, and social order in a decorative, symbolic composition.
Portrait of a Halberdier
Pontormo’s Portrait of a Halberdier captures a teenage Florentine soldier with striking psychological depth — a swaggering pose and direct stare betraying his youth, admired by Raphael, Michelangelo, and Vasari alike.
The Labours of the Months: September
A unknown Venetian artist’s September — a man pressing grapes beneath a vine — forms part of a vivid Renaissance painted door series depicting the traditional twelve Labours of the Months.
Maiolica Credenza
Eleonora Gonzaga’s magnificent gift to her mother Isabella d’Este — twenty-three maiolica dishes by Nicola da Urbino, the “Raphael of Maiolica” — united mythology, Renaissance patronage, and extraordinary ceramic artistry.
The Labours of the Months: August
Twelve tiny Venetian panels — vivid with ultramarine skies, vermilion clothing, and lush landscapes — capture the peasant Labours of the Months with charming decorative simplicity, once adorning a Renaissance palazzo’s doors.
The Labours of the Months: July
Introducing The Labours of the Months: July, inspired by Sir Charles George Douglas Roberts’s sunlit verse, celebrating seasonal rhythms, rural toil, and the harmony between nature, labour, and human life.
The Labours of the Months: June
The theme of the Labours of the Months—found in medieval and Renaissance art across sculpture, stained glass, manuscripts, and painting—depicts seasonal human activity as part of a divinely ordered world, as seen in the Venetian June panel in the National Gallery, London.
The Raising of Lazarus by Duccio
The Maestà of Duccio di Buoninsegna, a monumental altarpiece for Siena Cathedral, bridges Byzantine tradition and emerging Renaissance naturalism in a profoundly devotional visual language.