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Posts in category: Italian Renaissance Art

The commemorative Donatello, The Renaissance Exhibition Book

Donatello’s Pazzi Madonna

June 13, 2022
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Donatello’s Pazzi Madonna (c.1420) reveals tender intimacy between mother and child, exemplifying his innovative, humanized style and groundbreaking role in shaping Renaissance sculpture.

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La Fornarina

April 26, 2022
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

La Fornarina, often linked to Raphael, portrays an enigmatic young woman whose identity remains debated, blending sensuality, symbolism, and artistic self-awareness in a work that continues to fascinate scholars.

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A monumental installation in the grounds of the Dulwich Picture Gallery in South London of The Four Seasons, a set of four fifteen-foot fiberglass sculptures by American artist and film-maker Philip Haas in 2012

Spring by Giuseppe Arcimboldo

March 19, 2022
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Giuseppe Arcimboldo, a Renaissance artist from Milan, gained fame for his imaginative portraits and court work, rising from early commissions to serve the Habsburg emperors in Vienna and Prague.

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Katerina Sakellaropoulou the President of the Hellenic Republic at the National Gallery of Greece Exhibition In Search of Immortality - The Art of Portrait in the Louvre Collections (December 1, 2021-28 March 2022).

La Belle Nani by Paolo Veronese

January 25, 2022
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Paolo Veronese’s La Belle Nani presents an elegant Venetian woman whose identity remains uncertain, embodying Renaissance ideals of beauty, virtue, fashion, and aristocratic status in a richly symbolic portrait.

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...a student interpretation of David's story!

David with the Head of Goliath by Andrea del Castagno

December 17, 2021
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Andrea del Castagno’s David with the Head of Goliath (c. 1450–55) presents a Florentine civic hero triumphing over evil, symbolizing republican strength, determination, and Renaissance ideals of virtù.

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The Labours of the Months: December

November 30, 2021
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Folgore da San Gimignano’s December sonnet, translated by Rossetti, introduces the “Labours of the Months” theme, linking medieval rural work, seasonal cycles, and moral reflection through vivid poetic imagery.

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Tiziano, The Myth of Danae, 1554

Titian in the Isabella Stewart Gardner Museum

November 26, 2021
by Amalia Spiliakou Italian Renaissance ArtMythologyRenaissance ArtTeaching Resources

Titian’s poesie for Philip II reimagined Ovidian myths as sensuous, emotionally charged paintings of gods and mortals, exploring love, desire, violence, and fate through innovative, poetic Renaissance compositions.

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The Labours of the Months: November

October 31, 2021
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

The Venetian November panel from the National Gallery’s “Labours of the Months” cycle replaces agrarian toil with a courtly hunt, depicting a young huntsman with hounds and falcon in a vividly colored, aristocratic landscape.

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The Colosso del’Appennino by Giambologna

October 9, 2021
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtRoman Art

A Renaissance marvel, Giambologna’s Colosso del’Appennino is a 10-meter mountain giant statue, once animated with water and hidden chambers, symbolizing Medici power and artistic ingenuity.

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The Labours of the Months: October

September 30, 2021
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Part of a Venetian ‘Labours of the Months’ series, this small painting depicts seasonal rural life with vivid colours, linking peasant work, nature’s cycles, and social order in a decorative, symbolic composition.

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