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Posts in category: Italian Renaissance Art

The Month of September, latest 1407, possibly by Maestro Venceslao, Torre Aquila, Castello del Buonconsiglio in Trento, Italy

The Month of September

August 31, 2020
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

The Castello del Buonconsiglio preserves the vivid “Ciclo dei Mesi” fresco cycle, where Master Venceslao contrasts rural labour and aristocratic leisure, revealing medieval visions of seasonal order and social hierarchy.

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The Month of August, latest 1407, possibly by Maestro Venceslao, Torre Aquila, Castello del Buonconsiglio in Trento, Italy

The Month of August

July 31, 2020
by Amalia Spiliakou with No Comment Italian Renaissance ArtRenaissance ArtTeaching Resources

Jean Toomer’s Harvest Song resonates with the Torre Aquila, where Master Venceslao depicts August’s labor and leisure, binding human toil to a timeless seasonal rhythm.

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Piero del Pollaiuolo, Apollo and Daphne

Pollaiuolo’s Apollo and Daphne

July 21, 2020
by Amalia Spiliakou with No Comment Italian Renaissance ArtMythologyRenaissance ArtTeaching Resources

Ovid’s Metamorphoses provides the poetic source for Apollo and Daphne, where desire and escape culminate in transformation, as Renaissance Florence reinterprets myth into an idealised vision of unattainable love and beauty.

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The Month of July fresco, possibly by Maestro Venceslao, Torre Aquila, Castello del Buonconsiglio in Trento, Italy

The Month of July

June 30, 2020
by Amalia Spiliakou with No Comment Italian Renaissance ArtRenaissance ArtTeaching Resources

July at Torre Aquila celebrates idealized summer: nobles enjoy falconry while farmers labor in lush Trentino fields, a vivid, harmonious vision of prosperity crafted to glorify princely rule and order.

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Leonardo da Vinci, Ginevra de' Benci

Bernardo Bembo and La Bencina

June 16, 2020
by Amalia Spiliakou with No Comment Italian Renaissance ArtNorthern Renaissance ArtRenaissance ArtTeaching Resources

Renaissance Florence’s courtly love shines in Bembo and Ginevra de’ Benci: poetry and portraiture entwine, where ideal beauty, chastity, and longing inspire verses—and Leonardo’s enigmatic, psychological masterpiece.

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The Month of June, by Maestro Venceslao, Fresco, Torre Aquila, Castello del Buonconsiglio in Trento, Italy

The Month of June

May 31, 2020
by Amalia Spiliakou with No Comment Italian Renaissance ArtRenaissance ArtTeaching Resources

June at Torre Aquila celebrates the arrival of summer: nobles dance and stroll through lush landscapes while peasants labour in mountain pastures, uniting courtly leisure and rural life in vivid harmony.

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The Month of May, possibly by Maestro Venceslao, Torre Aquila, Castello del Buonconsiglio in Trento, Italy

The Month of May

May 1, 2020
by Amalia Spiliakou with No Comment Italian Renaissance ArtRenaissance ArtTeaching Resources

Master Wenceslas’s May fresco at Torre Aquila celebrates spring as aristocratic delight and rural renewal, where blossoming nature, courtly love, and Alpine prosperity merge into a radiant vision of medieval life.

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View of San Gimignano, Italy

Virtual Italian Weekend

April 4, 2020
by Amalia Spiliakou with No Comment Italian Renaissance ArtTeaching Resources

During COVID-19, let Art wash away life’s dust — join us for a virtual Italian weekend in San Gimignano, the magnificent towering hill town, from the comfort of your home.

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The Month of April, 1407, possibly by Maestro Venceslao, Fresco, Torre Aquila, Castello del Buonconsiglio in Trento, Italy

The Month of April

April 1, 2020
by Amalia Spiliakou with No Comment Italian Renaissance ArtRenaissance ArtTeaching Resources

Master Wenceslas’s vibrant April fresco at Trento’s Torre Aquila captures a flourishing 15th-century spring — farmers, elegant ladies and fertile landscapes celebrating nature’s awakening under wise governance.

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Antonio Allegri da Correggio's painting of Jupiter and Io (detail)

Correggio’s Jupiter and Io

March 8, 2020
by Amalia Spiliakou with No Comment Italian Renaissance ArtMythologyRenaissance ArtTeaching Resources

Correggio’s Jupiter and Io masterfully twists Renaissance harmony into Mannerist excitement — Io’s sensuous, entwining body against Zeus’s dark cloud creating an unforgettable contrast of texture, colour and desire.

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