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Left: Glass paste mosaic clypeus showing a frontal portrait bust of Maria Simplicia Rustica, surrounded by concentric borders of coloured tesserae, around 350 AD. Right: Glass paste mosaic clypeus showing a frontal portrait bust of Flavius Iulius Iulianus, surrounded by concentric borders of coloured tesserae, about 350 AD.

Ciriaca’s Mosaics

September 3, 2026 ArchaeologyByzantine ArtEarly Christian ArtTeaching Resources
Left: Japanese lacquer inrō decorated with blooming chrysanthemums and asters in gold and coloured lacquer, Edo period, 18th–19th century. Victoria and Albert Museum, London. Right: Japanese lacquer inrō featuring chrysanthemums and asters in delicate gold lacquer against a dark background, Edo period, 18th–19th century. Victoria and Albert Museum, London.

Autumn in the Palm of Your Hand: Asters, Chrysanthemums and Two Japane...

August 31, 2026 Japanese ArtTeaching Resources
Childe Hassam painting of Acorn Street in Boston’s Beacon Hill with American flags, 1919.

Childe Hassam’s Acorn Street

July 4, 2026
by Amalia Spiliakou 20th century ArtAmerican ArtTeaching Resources

A reflective Fourth of July exploration of Childe Hassam’s Acorn Street, Boston, July 1919 and its quiet vision of American identity, history, and Impressionist light.

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James Holland’s 1859 watercolour shows an abundant summer bouquet in a clear glass vase. Soft pink and cream roses, a vivid red poppy, pelargoniums, yellow calceolarias, and tall blue delphiniums spill naturally across the composition.

James Holland’s Delphinium Watercolour

June 30, 2026
by Amalia Spiliakou 19th century ArtBritish ArtTeaching Resources

Celebrate July’s Delphinium with James Holland’s radiant 1859 watercolour, where Victorian flower symbolism, luminous colour, and the dreamer’s heart bloom together in a timeless summer bouquet.

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Photos from the July 2026 Newsletter

July 2026 Newsletter

June 29, 2026
by Amalia Spiliakou Newsletter

From a Minoan girl on a swing to Rousseau’s dancing Republic, July’s selections ask nothing hurried of you, only that you arrive and look a little longer.

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‘On the Cliff’ is believed to be a portrait painting of Madame Costantini perched on a Cliff by Virgilio Costantini created in 1936.

Virgilio Costantini’s On the Cliff

June 24, 2026
by Amalia Spiliakou 20th century ArtTeaching Resources

In 1936, at the height of his career, Italian painter Virgilio Costantini captured his wife on a clifftop in a gouache of rare scale, confidence, and tenderness.

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Meissen Workshop, Personifications of the Four Seasons, c. 1755, hard-paste porcelain with polychrome enamel decoration, Musei Capitolini, Pinacoteca Capitolina Cini, Rome.

The Four Seasons Allegory in Meissen Porcelain

June 20, 2026
by Amalia Spiliakou 18th century ArtRococo ArtTeaching Resources

Meissen porcelain Four Seasons busts (c. 1755) reveal how 18th-century Europe visualized time through allegory, craftsmanship, and classical tradition.

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Nikos Hadjikyriakos-Ghika, Interior with Woman and Mirror, 1940. A stylised female figure with closed, lowered eyes sits in an interior space beside a mirror, rendered in a cubist-inflected style with flattened limbs and decorative wallpaper patterning.

Nikos Hadjikyriakos-Ghika’s Interior with Woman and Mirror

June 16, 2026
by Amalia Spiliakou 20th century ArtModern Greek ArtTeaching Resources

Luminous, stylish, and charged with youthful energy, Ghika’s Interior with Woman and Mirror is a masterclass in creative dialogue. Here’s how a Greek modernist absorbed the lessons of Picasso, and painted something entirely his own.

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Three scenes of the frescoed interior of the Etruscan Tomb of the Lionesses showing dancers, musicians, and a banquet scene beneath two facing lionesses.

Etruscan Tomb of the Lionesses

June 11, 2026
by Amalia Spiliakou ArchaeologyEtruscan ArtTeaching Resources

Explore the Etruscan Tomb of the Lionesses in Tarquinia, its vibrant frescoes, banquet scenes, and insights into Etruscan beliefs about life, death, and the afterlife.

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Marble table support (trapezophoron) from the 4th century AD depicting Orpheus seated and playing a lyre beneath a tree, surrounded by a dense assemblage of real and mythical animals and birds. The sculpture is housed in the Byzantine and Christian Museum in Athens, Greece.

The Mythical Singer Orpheus

June 8, 2026
by Amalia Spiliakou ArchaeologyByzantine ArtEarly Christian Art

A 4th-century marble table support shows Orpheus surrounded by animals, blending myth and early Christian symbolism in a striking Late Antique work from the Byzantine and Christian Museum in Athens, Greece

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Raphael, La Fornarina, c.1519–20, oil on panel. A half-length portrait of a young woman, nude to the waist, wearing a white arm band inscribed with Raphael's name, a sheer veil, and a richly wrapped turban-like headdress, set against a dark myrtle bush background.

Raphael’s La Fornarina

June 3, 2026
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Who is the beautiful woman who modestly tries to cover herself? Raphael left clues but no answers. Five centuries on, La Fornarina remains art history’s most captivating unsolved mystery.

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By Rossetti, a pastel and black chalk on tinted paper painting of the Day Dream, presenting Jame Morris in a flowing green dress, among tree branches and leaves, holding a small sprig of honeysuckle, thoughtfully looking downward, surrounded by soft, filtered light.

The Day Dream

May 31, 2026
by Amalia Spiliakou 19th century ArtBritish ArtTeaching Resources

Rossetti’s The Day Dream captures Jane Morris in a moment of stillness—where symbolism, desire, and interiority intertwine within one of the most atmospheric Pre-Raphaelite paintings.

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  • Autumn at the Vintage by Lucas van Valckenborch
  • The Sphinx Statue of the Acropolis
  • Back to School with Winslow Homer
  • Pierre Bonnard’s Paris
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