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All posts by : Amalia Spiliakou

Lady of Auxerre and the Daughter of Eleutherna

Daughters of Eleutherna

October 10, 2020
by Amalia Spiliakou Ancient Greek ArtTeaching Resources

The “Daughters of Eleutherna,” as named by Nicholas Chr. Stampolidis, embody the Daedalic style’s striking frontality and stylization. Displayed at the Museum of Cycladic Art, they inspire inquiry-based learning through visual exploration and dialogue.

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Unidentified Byzantine Church in Constantinople of the Komnenia period, Vefa Kilise Camii of Istanbul since the 15th century

Unidentified Church in Constantinople known today as Vefa Kilise Camii

October 3, 2020
by Amalia Spiliakou Byzantine ArtTeaching Resources

The enigmatic Vefa Kilise Camii remains one of Constantinople’s least understood monuments—an 11th–12th century Komnenian structure, possibly linked to St. Theodore, yet still rich in unanswered questions and lost mosaics.

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The Month of October, latest 1407, possibly by Maestro Venceslao, Torre Aquila, Castello del Buonconsiglio in Trento, Italy

The Month of October

September 30, 2020
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

At Torre Aquila, Master Wenceslas captures October as a vibrant celebration of harvest, where labor, landscape, and lordly ambition blend into a joyful vision of prosperity.

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Victor Prouvé, Portrait of Emile Gallé

Émile Gallé

September 26, 2020
by Amalia Spiliakou 20th century ArtArt NouveauTeaching Resources

A childhood memory of wonder finds its echo in the artistry of Émile Gallé, whose nature-inspired glass—shaped by curiosity, science, and imagination—transforms fragile material into poetic brilliance.

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The Pala d’Oro (the altar retable of San Marco in Venice) (detail)

The Monastery of Pantokrator in Constantinople and the Pala d’Oro in Venice

September 19, 2020
by Amalia Spiliakou Byzantine ArtTeaching Resources

The luminous Pala d’Oro reflects Venice’s deep artistic ties with Constantinople, likely incorporating enamels from the Monastery of Pantokrator—a sacred imperial complex of devotion, charity, and dynastic memory.

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School Lesson, Attic red-figure Kylix from Cerveteri by the painter Duris

1st Day Back to School

September 13, 2020
by Amalia Spiliakou Ancient Greek ArtTeaching Resources

Inspired by Malala Yousafzai, this lesson uses a kylix by Duris Painter to explore ancient Greek education, connecting past classrooms with today’s enduring value of learning.

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Rosa Bonheur, The Horse Fair

Rosa Bonheur

September 11, 2020
by Amalia Spiliakou 19th century ArtTeaching Resources

Rosa Bonheur defied convention to become a pioneering artist, transforming her love of animals into monumental works like The Horse Fair—a powerful testament to skill, independence, and artistic devotion.

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The Monastery of Pantokrator in Constantinople

September 4, 2020
by Amalia Spiliakou Byzantine ArtTeaching Resources

The Monastery of Pantokrator, founded by John II Komnenos, reveals the Komnenian age’s imperial ambition through its monumental churches, hospital complex, and refined opus sectile decoration—fragments of a once magnificent sacred world.

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The Month of September, latest 1407, possibly by Maestro Venceslao, Torre Aquila, Castello del Buonconsiglio in Trento, Italy

The Month of September

August 31, 2020
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

The Castello del Buonconsiglio preserves the vivid “Ciclo dei Mesi” fresco cycle, where Master Venceslao contrasts rural labour and aristocratic leisure, revealing medieval visions of seasonal order and social hierarchy.

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Aristide Maillol, La Méditerranée

Aristide Maillol and La Méditerranée

August 20, 2020
by Amalia Spiliakou 20th century ArtTeaching Resources

Aristide Maillol transforms the female nude into pure form and balance, seeking timeless beauty rather than character, where sculpture becomes architecture, and La Méditerranée embodies serene, classical simplicity.

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