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All posts by : Amalia Spiliakou

The Pala d’Oro (the altar retable of San Marco in Venice) (detail)

The Monastery of Pantokrator in Constantinople and the Pala d’Oro in Venice

September 19, 2020
by Amalia Spiliakou Byzantine ArtTeaching Resources

The luminous Pala d’Oro reflects Venice’s deep artistic ties with Constantinople, likely incorporating enamels from the Monastery of Pantokrator—a sacred imperial complex of devotion, charity, and dynastic memory.

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School Lesson, Attic red-figure Kylix from Cerveteri by the painter Duris

1st Day Back to School

September 13, 2020
by Amalia Spiliakou Ancient Greek ArtTeaching Resources

Inspired by Malala Yousafzai, this lesson uses a kylix by Duris Painter to explore ancient Greek education, connecting past classrooms with today’s enduring value of learning.

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Rosa Bonheur, The Horse Fair

Rosa Bonheur

September 11, 2020
by Amalia Spiliakou 19th century ArtTeaching Resources

Rosa Bonheur defied convention to become a pioneering artist, transforming her love of animals into monumental works like The Horse Fair—a powerful testament to skill, independence, and artistic devotion.

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The Monastery of Pantokrator in Constantinople

September 4, 2020
by Amalia Spiliakou Byzantine ArtTeaching Resources

The Monastery of Pantokrator, founded by John II Komnenos, reveals the Komnenian age’s imperial ambition through its monumental churches, hospital complex, and refined opus sectile decoration—fragments of a once magnificent sacred world.

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The Month of September, latest 1407, possibly by Maestro Venceslao, Torre Aquila, Castello del Buonconsiglio in Trento, Italy

The Month of September

August 31, 2020
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

The Castello del Buonconsiglio preserves the vivid “Ciclo dei Mesi” fresco cycle, where Master Venceslao contrasts rural labour and aristocratic leisure, revealing medieval visions of seasonal order and social hierarchy.

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Aristide Maillol, La Méditerranée

Aristide Maillol and La Méditerranée

August 20, 2020
by Amalia Spiliakou 20th century ArtTeaching Resources

Aristide Maillol transforms the female nude into pure form and balance, seeking timeless beauty rather than character, where sculpture becomes architecture, and La Méditerranée embodies serene, classical simplicity.

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Édouard Manet, Portrait of Émile Zola

Émile Zola by Édouard Manet

August 14, 2020
by Amalia Spiliakou with No Comment 19th century ArtImpressionismTeaching Resources

Émile Zola defends Édouard Manet against Salon critics, praising his modern vision and securing a lasting friendship, later immortalized in Manet’s portrait of Zola surrounded by symbols of art, literature, and innovation.

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Albenga Baptistery in Albenga, Italy

Albenga Baptistery

August 12, 2020
by Amalia Spiliakou with No Comment Early Christian ArtTeaching Resources

The Albenga Baptistery, an ambitious 6th-century octagonal structure, reflects the city’s Roman and Early Christian continuity, blending architectural innovation with the layered history of ancient Albium Ingaunum.

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Blue Glass Amphoriskos with cupids gathering grapes from the Villa of the Mosaic Columns in Pompeii

Blue Glass Amphoriskos from Pompeii

August 8, 2020
by Amalia Spiliakou with No Comment Roman ArtTeaching Resources

The Pompeian Blue Glass Amphoriskos showcases extraordinary Roman luxury, with Dionysiac relief scenes carved in layered glass, blending technical mastery and exuberant decoration in one of antiquity’s rarest surviving treasures.

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Mosaic Columns from The Villa of the Mosaic Columns in Pompeii

Villa of the Mosaic Columns

August 4, 2020
by Amalia Spiliakou with No Comment Roman ArtTeaching Resources

The Villa of the Mosaic Columns reveals the richness of Roman horti culture, where gardens, mosaics, and architecture merge into a luxurious expression of status, leisure, and everyday life in ancient Pompeii.

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