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Carved marble double-headed eagle relief, emblem of the Palaiologos dynasty, floor of Agios Demetrios church, Mystras, Greece.

The Eagle on the Floor

November 4, 2026
by Amalia Spiliakou Byzantine ArtTeaching Resources

A carved double-headed eagle in Mystras carries a compelling coronation legend. What do the historical sources really tell us about Constantine XI and this remarkable marble slab?

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Oil painting by Renoir showing loose red and pink peony blossoms against a dark background with blue-shadowed white tablecloth.

Renoir’s Peonies

October 31, 2026
by Amalia Spiliakou 19th century ArtFrench ArtImpressionismTeaching Resources

Renoir’s Peonies at the Clark Art Institute shows loose red and pink blossoms against a dark background with blue-shadowed white tablecloth.

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Byzantine ivory icon of Saint Demetrios, carved c. 950–1000 AD, depicting the warrior saint standing frontally with spear and shield, wearing military attire and inscribed with his name in Greek.

The Icon of Saint Demetrios at The Met

October 25, 2026
by Amalia Spiliakou Byzantine ArtTeaching Resources

A tenth-century Byzantine ivory icon of Saint Demetrios reveals the artistry, devotion, and military symbolism that made Thessaloniki’s patron saint one of Byzantium’s most revered protectors.

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Four Hellenistic terracotta Cupid figurines with wings, shown in lively poses, from a 3rd–2nd century BC tomb at Gortyn, Crete.

Hellenistic Cupid

October 20, 2026
by Amalia Spiliakou Ancient Greek ArtArchaeologyMythologyTeaching Resources

Four lively terracotta Cupids from a Hellenistic tomb at Gortyn reveal how Eros could represent not only love and play, but also eternal sleep.

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Felipe Santiago Gutiérrez’s Indian Woman with Marigold (1876) depicts an Indigenous Mexican woman holding a bright orange cempasúchil flower against a dark background.

Indigenous Woman with Marigolds

September 30, 2026
by Amalia Spiliakou 19th century ArtTeaching Resources

Felipe Santiago Gutiérrez’s Indigenous Woman with Marigolds brings together pregnancy, mortality and the symbolism of the Mexican cempasúchil, inviting us to reflect on life, death and remembrance.

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Lucas van Valckenborch’s Autumn: Archduke Matthias of Austria at the Vintage, showing the Archduke and his court among workers harvesting grapes in an expansive autumn landscape.

Autumn at the Vintage by Lucas van Valckenborch

September 21, 2026
by Amalia Spiliakou Northern Renaissance ArtRenaissance ArtTeaching Resources

Discover how Lucas van Valckenborch transforms the grape harvest into a fascinating autumn landscape where nature, agricultural work and courtly life come together in one remarkable painting.

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Archaic Greek marble Sphinx statue from 540–530 BC, with a woman’s head, lion’s body and folded wings, displayed at the Acropolis Museum in Athens.

The Sphinx Statue of the Acropolis

September 15, 2026
by Amalia Spiliakou Ancient Greek ArtArchaeologyMythologyTeaching Resources

Look closely at the Acropolis Sphinx and discover how a small Archaic sculpture opens a fascinating window into Greek mythology, ancient colour, mystery, and the sacred world of Athens.

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Left: Glass paste mosaic clypeus showing a frontal portrait bust of Maria Simplicia Rustica, surrounded by concentric borders of coloured tesserae, around 350 AD. Right: Glass paste mosaic clypeus showing a frontal portrait bust of Flavius Iulius Iulianus, surrounded by concentric borders of coloured tesserae, about 350 AD.

Ciriaca’s Mosaics

September 3, 2026
by Amalia Spiliakou ArchaeologyByzantine ArtEarly Christian ArtTeaching Resources

Two remarkable Late Antique mosaics reveal the story of Maria Simplicia Rustica and her husband, offering a moving glimpse into love, loss and remembrance in ancient Rome.

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Left: Japanese lacquer inrō decorated with blooming chrysanthemums and asters in gold and coloured lacquer, Edo period, 18th–19th century. Victoria and Albert Museum, London. Right: Japanese lacquer inrō featuring chrysanthemums and asters in delicate gold lacquer against a dark background, Edo period, 18th–19th century. Victoria and Albert Museum, London.

Autumn in the Palm of Your Hand: Asters, Chrysanthemums and Two Japanese Inrōs

August 31, 2026
by Amalia Spiliakou Japanese ArtTeaching Resources

Celebrate September through a beautiful Japanese lacquer inrō, where asters and chrysanthemums capture the quiet beauty of autumn in a masterpiece that fits in the palm of your hand.

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Le Rêve (Académie Nationale de Musique), 1890. A large-format French Art Nouveau poster in muted tones depicting a dreaming female figure surrounded by ethereal, flowing imagery. Théophile-Alexandre Steinlen; printed by Charles Gillot.

Théophile-Alexandre Steinlen’s Le Rêve

August 24, 2026
by Amalia Spiliakou 19th century ArtFrench ArtTeaching Resources

Discover how Steinlen’s Le Rêve captures the spirit of Belle Époque Paris through Japonisme, innovative gillotage printing, and a dreamlike poster celebrating art, theatre, and cultural exchange.

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Recent Posts

  • The Eagle on the Floor
  • Renoir’s Peonies
  • November 2026 Newsletter
  • The Icon of Saint Demetrios at The Met
  • Hellenistic Cupid

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