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Nativity, Church of Santa Maria foris portas in Castelseprio, Italy

Santa Maria foris portas at Castelseprio

December 24, 2021
by Amalia Spiliakou Byzantine ArtMedieval ArtTeaching Resources

I have long been fascinated by Castelseprio’s Santa Maria foris portas frescoes, their rare early medieval Byzantine-Hellenistic style, especially the Nativity, which evokes profound awe and a lasting sense of wonder.

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Hanging Fragment with Bird and Basket, 4th century, Wool, linen; tapestry weave, H. 64 cm, W. 50 cm, the MET, NY, USA

Hanging Fragment with Bird and Basket

November 8, 2021
by Amalia Spiliakou Byzantine ArtEarly Christian ArtTeaching Resources

Late Antique textiles from Egypt and the Eastern Mediterranean, like the Met’s Hanging Fragment with Bird and Basket, reveal how luxury fabrics expressed abundance, status, and the cultural ideal of the “good life.”

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The Byzantine Church of Hagia Eirene, between the4th and 8th centuries, Istanbul, Turkey

The Byzantine Church of Hagia Eirene

September 17, 2021
by Amalia Spiliakou Byzantine ArtTeaching Resources

Hagia Eirene’s rare Iconoclastic apse mosaic — a golden cross on gold, outlined in black tesserae — creates a sublime, almost divine luminosity through its masterful, light-reflecting technique.

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Portrait Medallion of Gennadios, 250–300 AD, made in Alexandria, Egypt. Gold Glass, D. 4.2 cm, the MET, NY, USA

Portrait Medallion of Gennadios

September 3, 2021
by Amalia Spiliakou Byzantine ArtEarly Christian ArtTeaching Resources

Gennadios — a gold-on-sapphire-glass portrait medallion from Alexandria — is an exquisitely engraved masterpiece celebrating a musically accomplished youth, and one of the most captivating Late Antique treasures at the Metropolitan Museum.

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Icon of Panagia Nikopoiou, Komnenian period (1081-1185), Wood, 58x55 cm, St. Mark's Basilica, Venice, Italy

The Byzantine Icon of Panagia Nicopoiou

August 14, 2021
by Amalia Spiliakou Byzantine ArtTeaching Resources

Venice’s treasured Panagia Nikopoiou — a Byzantine Komnenian icon seized during the Fourth Crusade — became La Serenissima’s sacred Palladium, carried in procession during war and plague for divine protection and victory.

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Exhibition of Mosaics from the Ilissos Basilica in Athens, 5th century AD, Byzantine and Christian Museum, Athens, Greece

Mosaics from the Ilissos Basilica in Athens

July 16, 2021
by Amalia Spiliakou Byzantine ArtEarly Christian Art

The Ilissos Basilica, a 5th-century Early Christian monument in Athens, once richly adorned, now lies largely forgotten; its exquisite mosaics survive in the Byzantine and Christian Museum.

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Location map of Gül Mosque in Istanbul

Unidentified Byzantine Church in Constantinople known today as Gül Camii

June 13, 2021
by Amalia Spiliakou Byzantine ArtTeaching Resources

Inspired by Symeon the New Theologian, the enigmatic Gül Camii reflects a Byzantine church of uncertain identity, transformed yet enduring as a place of worship for all.

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Ring of Michael Stryphnos, late 12th – early 13th century, Enamel and gold, 1.9x3.2x3.2 cm, Byzantine Collection, Dumbarton Oaks Museum, Washington, DC, USA

Ring of Michael Stryphnos

June 2, 2021
by Amalia Spiliakou Byzantine ArtTeaching Resources

The Ring of Michael Stryphnos from the Dumbarton Oaks Research Library and Collection encapsulates Byzantine power and decline, symbolizing the troubled reign of Alexios III Angelos and the empire’s approaching catastrophe.

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Constantine the Great Gold Coin Pendant, 321 AD, Gold, Diameter: 92 millimetres, British Museum, London, UK

Gold Coin Pendant of Constantine the Great

May 19, 2021
by Amalia Spiliakou Byzantine ArtTeaching Resources

The gold coin pendant of Constantine the Great in the British Museum celebrates his 321 consulship, combining imperial portraiture, dynastic imagery, and intricate opus interrasile goldwork.

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Anastasis, 11th century, Mosaic, Monastery of Hosios Loukas, Greece

Anastasis at the Monastery of Hosios Loukas

April 30, 2021
by Amalia Spiliakou Byzantine ArtTeaching Resources

The Anastasis mosaic at the Monastery of Hosios Loukas presents the Resurrection as Christ descends into Hades, a masterpiece of 11th-century Byzantine mosaic art radiating spiritual intensity and imperial grandeur.

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