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Posts in category: Archaeology

Alabaster disk carved in low relief depicting a ritual libation scene from the Akkadian period: at center, Enheduanna, daughter of Sargon of Akkad and high priestess of Nanna.

Enheduanna the first named author in history

March 5, 2026
by Amalia Spiliakou ArchaeologyMesopotamian ArtTeaching Resources

Enheduanna, daughter of Sargon, emerges as the first named author, uniting political power, ritual authority, and poetic voice; her alabaster disk preserves her image, legacy, and enduring cultural influence.

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Attic black-figure volute krater known as the François Vase showing multiple mythological scenes in horizontal friezes, by Kleitias and Ergotimos, c. 570–565 BC.

François Vase

February 13, 2026
by Amalia Spiliakou Ancient Greek ArtArchaeologyMythologyTeaching Resources

The François Vase is a masterful black-figure krater, uniting mythological scenes in intricate friezes, showcasing Archaic Greek storytelling, craftsmanship, and the collaborative brilliance of Kleitias and Ergotimos.

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Byzantine floor mosaic fragment showing a richly bejeweled female figure holding a Roman measuring tool identified as Ktisis, the personification of generous foundation, with a partially visible male figure holding a cornucopia at left; made of marble and glass, ca. 500–550, Metropolitan Museum of Art, New York.

Ktisis

February 6, 2026
by Amalia Spiliakou ArchaeologyByzantine ArtEarly Christian ArtTeaching Resources

This striking mosaic of Ktisis Mosaic reveals Late Antiquity’s vision of prosperity, where personification, symbolism, and ornament merge to express civic generosity, order, and enduring cultural identity.

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Floor mosaics in the House of Menander in Mytilene, featuring the Portrait of Menander and figural scenes from his Comedies, preserved within the remains of a Roman-period domestic interior.

The House of Menander

January 19, 2026
by Amalia Spiliakou Ancient Greek ArtArchaeologyRoman ArtTeaching Resources

The House of Menander in Mytilene reveals a luxurious Roman villa adorned with theatrical mosaics, reflecting cultural sophistication, artistic taste, and possibly ties to dramatic performance or Dionysiac associations.

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A Roman-period Fayum Mummy portrait of a young woman, painted in encaustic with gilded stucco motifs on linen. She is shown front-facing, with large dark eyes framed by heavy brows, and wears rich gold jewelry including a broad neck torque and rings.

Fayum Mummy Portraits

January 12, 2026
by Amalia Spiliakou Ancient Egyptian ArtArchaeologyRoman ArtTeaching Resources

Fayum mummy portraits fuse Roman realism with Egyptian funerary tradition, preserving vivid identities through encaustic painting, rich symbolism, and multicultural influences, offering an intimate, enduring connection to individuals of ancient Roman Egypt.

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Etruscan Tomb of the Jugglers fresco with dancers and musicians, 510 BC, Necropoli dei Monterozzi, Tarquinia

Tomb of the Jugglers

December 15, 2025
by Amalia Spiliakou ArchaeologyEtruscan ArtTeaching Resources

The Tomb of the Jugglers in Tarquinia’s Monterozzi Necropolis celebrates Etruscan beliefs in life’s continuity beyond death, depicting dancers, musicians, and performers whose vibrant energy transforms the tomb into a joyful vision of the afterlife.

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Wall Paintings from the Mycenaean Palace of Boeotian Orchomenos, Late Bronze Age, 13th century BC, Archaeological Museum of Thebes, Greece

Boat Fresco of Orchomenos

December 3, 2025
by Amalia Spiliakou Ancient Greek ArtArchaeologyMycenaean ArtTeaching Resources

The Orchomenos Boat Fresco reflects Mycenaean ideals of order and power through its disciplined depiction of a rowing vessel, transforming maritime imagery into a symbol of hierarchy, coordination, and Bronze Age kingship.

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Alexibola: Funerary Stele with Scene of Greeting, early 3rd century BC, Marble, Archaeological Museum of Thera, Greece

Funerary Stele of Alexibola

November 13, 2025
by Amalia Spiliakou Ancient Greek ArtArchaeologyTeaching Resources

The Funerary Stele of Alexibola from Thera captures the emotional depth of Classical Greek art, depicting a tender farewell between father and daughter through restrained gesture, dignity, and timeless expressions of love and human connection.

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Consul Basilio with personification of Rome and chariot race, 541 – 541, Plaque of an Ivory Consular Diptych, 34.5x12.9 cm, National Museum of Bargello, Florence, Italy – Photo Credit: Amalia Spiliakou, April 2025

The Consular Diptych of Anicius Faustus Albinus Basilius

November 4, 2025
by Amalia Spiliakou ArchaeologyByzantine ArtEarly Christian ArtTeaching Resources

The Consular Diptych of Anicius Faustus Albinus Basilius (541 AD) exemplifies late antique political symbolism, uniting Roman civic tradition and Christian imagery through ivory reliefs that celebrate authority, spectacle, and imperial continuity.

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The temporary exhibition "ARCHAEOLOGY BEHIND BATTLE LINES. In Thessaloniki during the turbulent years 1912-1922" took place during the celebrations for the centenary of the city's liberation and was incorporated into the A.M.Th. actions under the "Thessaloniki, Crossroads of cultures" programme of the Ministry of Culture, Thessaloniki Archaeological Museum, 24 November 2012 - 30 June 2014

Martial Reportage and Archaeological Revelation

October 25, 2025
by Amalia Spiliakou 20th century ArtArchaeologyTeaching Resources

Varges’s WWI Salonika photographs capture Allied operations intertwined with archaeological discoveries, revealing ancient Macedonian heritage emerging through wartime excavations and the documentation of Manius Salarius Sabinus’s inscribed marble plaque.

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