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All posts by : Amalia Spiliakou

God the Father appears as an elderly, white-bearded man in red and blue robes, shown against glowing clouds and raising his hand in blessing.

Giovanni Bellini’s God the Father

March 16, 2026
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Bellini’s God the Father presents a serene divine figure emerging from clouds, where light, color, and stillness convey spiritual depth, inviting quiet contemplation and an intimate connection between heaven and viewer.

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Circular ivory pyxis carved with Greek mythological scenes, made in Egypt in the 5th–6th century AD, in the collection of the Walters Art Museum, Baltimore.

Late Antique Ivory Pyxis

March 11, 2026
by Amalia Spiliakou Byzantine ArtEarly Christian ArtTeaching Resources

This Late Antique ivory pyxis, carved in Egypt, blends Greek mythological scenes with refined craftsmanship, reflecting a transitional era where classical traditions endured within a changing cultural and religious landscape.

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Attic red-figure ceramic pelike showing a lively scene from Greek comedy: a costumed actor in a bird (rooster) outfit with wings, tail, and a raised leg.

Pelike with an Actor Dressed as a Bird

March 9, 2026
by Amalia Spiliakou Ancient Greek ArtArchaeologyTeaching Resources

This Attic red-figure pelike depicts a costumed actor as a bird, offering rare visual evidence of ancient Greek comedy, where theatrical costume, performance, and transformation shaped storytelling and audience experience.

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Alabaster disk carved in low relief depicting a ritual libation scene from the Akkadian period: at center, Enheduanna, daughter of Sargon of Akkad and high priestess of Nanna.

Enheduanna the first named author in history

March 5, 2026
by Amalia Spiliakou ArchaeologyMesopotamian ArtTeaching Resources

Enheduanna, daughter of Sargon, emerges as the first named author, uniting political power, ritual authority, and poetic voice; her alabaster disk preserves her image, legacy, and enduring cultural influence.

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Philip Wilson Steer, Jonquil, British Impressionist interior with flowers

Philip Wilson Steer’s Jonquil

March 4, 2026
by Amalia Spiliakou 19th century ArtBritish ArtTeaching Resources

March’s flower arrives quietly in Jonquil, where Philip Wilson Steer captures early spring’s tender renewal through soft light, stillness, and intimate contemplation.

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Collage titled ‘March 2026’ featuring artworks from different periods of art.

March 2026 Newsletter

February 18, 2026
by Amalia Spiliakou Newsletter

March invites renewed curiosity as art connects past and present. This month’s selections explore creativity, history, and seasonal change, guiding reflection through diverse narratives, craftsmanship, and meaningful artistic expression.

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Jean-François de Troy’s Apollo and Pan depicts the mythological musical contest between Apollo and Pan before Mount Tmolus, rendered in an elegant Arcadian landscape.

Jean-François de Troy and the Myth of Apollo and Pan

February 17, 2026
by Amalia Spiliakou 18th century ArtFrench ArtMythologyRococo ArtTeaching Resources

De Troy’s Apollo and Pan reimagines a mythological contest as an elegant Rococo scene, where harmony and refinement triumph over rustic instinct, exploring artistic judgment, hierarchy, and cultural values.

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Attic black-figure volute krater known as the François Vase showing multiple mythological scenes in horizontal friezes, by Kleitias and Ergotimos, c. 570–565 BC.

François Vase

February 13, 2026
by Amalia Spiliakou Ancient Greek ArtArchaeologyMythologyTeaching Resources

The François Vase is a masterful black-figure krater, uniting mythological scenes in intricate friezes, showcasing Archaic Greek storytelling, craftsmanship, and the collaborative brilliance of Kleitias and Ergotimos.

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Felice Casorati’s 1913 oil painting The Dream of the Pomegranate depicting a young woman asleep on a floral meadow holding a pomegranate, symbolizing an oneiric, poetic scene in the Palazzo Maffei, Verona.

The Dream of the Pomegranate

February 9, 2026
by Amalia Spiliakou 20th century ArtTeaching Resources

Casorati’s The Dream of the Pomegranate presents a sleeping figure in a flowered meadow, where stillness, symbolism, and dreamlike silence merge into a poetic meditation on interior life.

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Byzantine floor mosaic fragment showing a richly bejeweled female figure holding a Roman measuring tool identified as Ktisis, the personification of generous foundation, with a partially visible male figure holding a cornucopia at left; made of marble and glass, ca. 500–550, Metropolitan Museum of Art, New York.

Ktisis

February 6, 2026
by Amalia Spiliakou ArchaeologyByzantine ArtEarly Christian ArtTeaching Resources

This striking mosaic of Ktisis Mosaic reveals Late Antiquity’s vision of prosperity, where personification, symbolism, and ornament merge to express civic generosity, order, and enduring cultural identity.

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Recent Posts

  • The Day Dream
  • June 2026 Newsletter
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