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Bronze statue of Eros sleeping

Sleeping Eros

December 5, 2023
by Amalia Spiliakou Ancient Greek ArtMythologyTeaching Resources

At Sleeping Eros, love is rendered as vulnerable rest rather than force, transforming myth into intimate naturalism where divine desire becomes human, tender, and quietly suspended in sleep.

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Tympanum of the Central Narthex Portal of the Abbey Church of Sainte-Madeleine at Vézelay, Top Left: Sign of Capricorn, Top Right: A seated man holding a cup of wine with the Inscription: OMNIBUS IN MEMBRIS DESIGNAT IMAGO DECEMBRIS

Abbey of Vézelay

November 30, 2023
by Amalia Spiliakou French ArtMedieval ArtTeaching Resources

Discover the magnificent tympanum of Vézelay’s Abbey Church — a Romanesque masterpiece blending Christ, the Apostles, zodiac signs, and the peoples of the world in one breathtaking sculpted portal.

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Agias, Son of Aknonios, Daochos Monument (detail), c. 336- 332 BC, Marble, Height: 2.09 m, Delphi Archaeological Museum, Greece

Agias Son of Aknonios

September 12, 2023
by Amalia Spiliakou Ancient Greek ArtTeaching Resources

Marvel at Agias of Delphi — a masterpiece from the Daochos Monument, possibly linked to sculptor Lysippos, immortalising a legendary Thessalian pankration champion with restless elegance and timeless athletic nobility.

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Statue Group of Persephone as Isis and Hades as Sarapis, 180-190 AD, Marble, from Gortyn, the island of Grete, Greece

Persephone as Isis and Hades as Sarapis

June 18, 2023
by Amalia Spiliakou Ancient Greek ArtMythologyRoman ArtTeaching Resources

The Gortyn statue group of Persephone–Isis and Hades–Sarapis from Crete reflects Hellenistic religious syncretism, merging Greek and Egyptian divine imagery to express shared ideas of fertility, death, and rebirth.

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The Bersha Procession, Middle Kingdom, late 11th Dynasty–early 12th Dynasty, 122010–1961 BC, Egypt, Deir el-Bersha, Tomb 10, shaft A (Djehutynakht), Painted Wood, 66.4 x 8.6 x 42.5 cm, MFA, Boston, MA, USA

The Bersha Procession

May 2, 2023
by Amalia Spiliakou Ancient Egyptian ArtArchaeologyTeaching Resources

The Bersha Procession captivates with refined craftsmanship and vivid detail, transforming humble wood into a lively vision of ritual, devotion, and daily life in ancient Egypt’s afterlife beliefs.

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Head of a royal figure, 1475–1292 BC, 18th Dynasty New Kingdom, 18th Dynasty, Red Jasper, H. 9.6cm; W. 6.1cm; D. 7.5cm, Al Thani Collection, The Hôtel de la Marine, Paris, France

Perhaps… a Portrait of Hatshepsut!

March 19, 2023
by Amalia Spiliakou Ancient Egyptian Art

The red jasper Head of a Royal Figure from the Al Thani Collection Egyptian royal head evokes the quiet authority of an 18th Dynasty ruler, where refined carving, idealised features, and material brilliance suggest the enduring power and ambiguity of royal identity in ancient Egypt.

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The effigies of Eleanor of Aquitaine and Henry II of England, 1122-1204, Fontevraud Abbey, France

Eleanor of Aquitaine

March 7, 2023
by Amalia Spiliakou French ArtMedieval ArtTeaching Resources

On International Women’s Day, Eleanor of Aquitaine emerges as a powerful medieval queen—intellectual, patron of the arts, crusader, and political force shaping France and England’s history and culture.

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Apotheosis (Deification) of Herakles Pediment, c. 570 BC, Actite, a type of porous limestone, painted,  H. 0.94 m, L. 1.74 m, Acropolis Museum, Athens, Greece

The Apotheosis of Herakles

December 14, 2022
by Amalia Spiliakou Ancient Greek ArtMythologyTeaching Resources

Hail, lord, son of Zeus!” — so opens Homeric Hymn 15, perfectly capturing the divine glory of Herakles, whose Apotheosis Pediment now greets us from the Acropolis Museum.

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Marble stele (grave marker) of a youth and a little girl (and details), ca. 530 BC, Marble, H. 423.4cm, the MET, NY, USA

Grave Stele of a Youth and a little Girl

November 27, 2022
by Amalia Spiliakou Ancient Greek ArtTeaching Resources

Standing 4.23 meters tall, brilliantly painted, the MET’s Archaic grave stele of Megakles — crowned by a sphinx — remains antiquity’s most complete surviving monument of its kind.

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The so-called "Korai Pit" northwest of the Erechtheion in the Acropolis of Athens, 1909 photo

Peplos Kore

July 8, 2022
by Amalia Spiliakou Ancient Greek ArtTeaching Resources

The Peplos Kore, discovered in the Acropolis “Perserschutt,” is a richly painted Archaic Greek statue of a young woman whose formal pose, elaborate drapery, and uncertain identity—possibly a votive figure or goddess like Artemis—reflect early experimentation with representation, colour, and sacred imagery in Greek sculpture.

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