Titian’s poesie for Philip II reimagined Ovidian myths as sensuous, emotionally charged paintings of gods and mortals, exploring love, desire, violence, and fate through innovative, poetic Renaissance compositions.
First Steps by Georgios Iakovidis
Georgios Iakovidis’ First Steps (c. 1889) tenderly depicts a child learning to walk, using soft light and intimate composition to express familial love, care, and the universal theme of early childhood development.
The Labours of the Months: November
The Venetian November panel from the National Gallery’s “Labours of the Months” cycle replaces agrarian toil with a courtly hunt, depicting a young huntsman with hounds and falcon in a vividly colored, aristocratic landscape.
The Colosso del’Appennino by Giambologna
A Renaissance marvel, Giambologna’s Colosso del’Appennino is a 10-meter mountain giant statue, once animated with water and hidden chambers, symbolizing Medici power and artistic ingenuity.
The Labours of the Months: October
Part of a Venetian ‘Labours of the Months’ series, this small painting depicts seasonal rural life with vivid colours, linking peasant work, nature’s cycles, and social order in a decorative, symbolic composition.
Weaving in Ancient Greece
Exploring the Amasis Painter’s Black-Figure Lekythos at the MET — a stunning ancient Greek vessel depicting women weaving, spinning, and folding wool, alongside a fascinating synchronized ritual dance scene.
Portrait of a Halberdier
Pontormo’s Portrait of a Halberdier captures a teenage Florentine soldier with striking psychological depth — a swaggering pose and direct stare betraying his youth, admired by Raphael, Michelangelo, and Vasari alike.
Portrait Medallion of Gennadios
Gennadios — a gold-on-sapphire-glass portrait medallion from Alexandria — is an exquisitely engraved masterpiece celebrating a musically accomplished youth, and one of the most captivating Late Antique treasures at the Metropolitan Museum.
The Labours of the Months: September
A unknown Venetian artist’s September — a man pressing grapes beneath a vine — forms part of a vivid Renaissance painted door series depicting the traditional twelve Labours of the Months.
Maiolica Credenza
Eleonora Gonzaga’s magnificent gift to her mother Isabella d’Este — twenty-three maiolica dishes by Nicola da Urbino, the “Raphael of Maiolica” — united mythology, Renaissance patronage, and extraordinary ceramic artistry.