At Torre Aquila, Master Wenceslas captures October as a vibrant celebration of harvest, where labor, landscape, and lordly ambition blend into a joyful vision of prosperity.
The Month of September
The Castello del Buonconsiglio preserves the vivid “Ciclo dei Mesi” fresco cycle, where Master Venceslao contrasts rural labour and aristocratic leisure, revealing medieval visions of seasonal order and social hierarchy.
The Month of August
Jean Toomer’s Harvest Song resonates with the Torre Aquila, where Master Venceslao depicts August’s labor and leisure, binding human toil to a timeless seasonal rhythm.
Pollaiuolo’s Apollo and Daphne
Ovid’s Metamorphoses provides the poetic source for Apollo and Daphne, where desire and escape culminate in transformation, as Renaissance Florence reinterprets myth into an idealised vision of unattainable love and beauty.
The Month of July
July at Torre Aquila celebrates idealized summer: nobles enjoy falconry while farmers labor in lush Trentino fields, a vivid, harmonious vision of prosperity crafted to glorify princely rule and order.
Bernardo Bembo and La Bencina
Renaissance Florence’s courtly love shines in Bembo and Ginevra de’ Benci: poetry and portraiture entwine, where ideal beauty, chastity, and longing inspire verses—and Leonardo’s enigmatic, psychological masterpiece.
The Month of June
June at Torre Aquila celebrates the arrival of summer: nobles dance and stroll through lush landscapes while peasants labour in mountain pastures, uniting courtly leisure and rural life in vivid harmony.
The Mauritshuis
The Mauritshuis offers an intimate encounter with Dutch Golden Age masterpieces, where Vermeer’s quiet beauty and Rembrandt’s depth invite reflection on art, history, and the enduring search for meaning.
The Month of May
Master Wenceslas’s May fresco at Torre Aquila celebrates spring as aristocratic delight and rural renewal, where blossoming nature, courtly love, and Alpine prosperity merge into a radiant vision of medieval life.
The Philadelphia Crucifixion
Rogier van der Weyden’s 1460 Philadelphia Crucifixion Diptych is a masterful symphony of lines, shapes and colour — spiritual, intense and unique — uniting sorrow and sacrifice in one sublime composition.