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All posts by : Amalia Spiliakou

Ancient Greek Bronze statuette of a veiled and masked dancer

The Bronze Hellenistic Dancer at the MET

February 25, 2024
by Amalia Spiliakou Ancient Greek ArtArchaeologyTeaching Resources

Veiled in motion, the Bronze Hellenistic Dancer embodies the fleeting poetry of dance—an intimate, sensuous performance capturing Hellenistic grace, emotion, and the allure of movement suspended in time.

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Pieter Bruegel the Elder's painting of the Tower of Babel

The Tower of Babel by Pieter Bruegel the Elder

February 20, 2024
by Amalia Spiliakou Northern Renaissance ArtRenaissance ArtTeaching Resources

The Tower of Babel transforms the biblical tale of Genesis 11:1–9 into a vivid panorama of human ambition, unity, and divine disruption, capturing the fragility of grand aspirations.

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The Lady and the Unicorn Tapestries in the Musée de Cluny

The Lady and the Unicorn

February 17, 2024
by Amalia Spiliakou French ArtInternational Gothic ArtMedieval ArtTeaching Resources

At Musée de Cluny, The Lady and the Unicorn unfolds a poetic allegory of the senses—blending chivalry, symbolism, and mystery into a timeless meditation on desire and human perception.

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Sir Lawrence Alma-Tadema, O.M., R.A., R.W.S., A Solicitation

Sir Lawrence Alma-Tadema and Romantic Love

February 13, 2024
by Amalia Spiliakou 19th century ArtBritish ArtTeaching Resources

A Solicitation by Lawrence Alma-Tadema captures a refined moment of courtship, where subtle gestures and luminous settings evoke the timeless elegance, emotion, and quiet tension of romantic persuasion.

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Early Christian Tunic in the Museum of Byzantine Culture, Thessaloniki, Greece

Two Early Christian Tunics in Thessaloniki

February 8, 2024
by Amalia Spiliakou Byzantine ArtEarly Christian ArtTeaching Resources

At Museum of Byzantine Culture, two Early Christian tunics reveal the elegance of late antiquity—simple forms enriched with woven clavi and orbiculi, reflecting daily life, artistry, and evolving identity.

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View of the 3 architectural phases of the Musée de Cluny - Musée national du Moyen Âge

Musée de Cluny

February 3, 2024
by Amalia Spiliakou French ArtMedieval ArtTeaching Resources

Musée de Cluny – Musée national du Moyen Âge offers an immersive journey into medieval life, where art, architecture, and everyday objects—from Roman baths to tapestries—reveal the richness and intimacy of a bygone world.

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George Derville Rowlandson, The Month of February: Coursing, the Waterloo Cup

February and the Waterloo Cup

January 31, 2024
by Amalia Spiliakou British ArtTeaching Resources

February, The Waterloo Cup captures the thrill of a famed British sporting tradition, where speed, spectacle, and social ritual converge in a lively tribute to the historic Waterloo Cup.

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Puabi’s Jewelry, Penn Museum, Philadelphia, PA, USA

Puabi’s Tomb and Magnificent Jewels

January 27, 2024
by Amalia Spiliakou ArchaeologyMesopotamian ArtTeaching Resources

At Royal Cemetery of Ur, Puabi emerges as a figure of power and splendor, her golden regalia and lapis-lazuli adornments reflecting elite status, ritual authority, and the enduring legacy of early Mesopotamian civilization.

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Luca della Robbia, Virgin and Child in a niche

Bliss Madonna by Luca della Robbia

January 23, 2024
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Virgin and Child in a Niche (Bliss Madonna) exemplifies Renaissance innovation, where glazed terracotta becomes luminous, timeless devotion—merging spiritual intimacy, classical harmony, and technical mastery in a serene image of sacred tenderness.

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Pierre-Auguste Renoir, Panel for Oedipus: Jocasta, and Panel for Oedipus: King Oedipus

Oedipus Rex and Jocasta by Renoir

January 18, 2024
by Amalia Spiliakou 19th century ArtFrench ArtImpressionismMythologyTeaching Resources

Panel for Oedipus: Jocasta reinterprets Sophocles’ tragedy as a tense, classical tableau where emotional force, color, and composition evoke fate’s inescapable pull between human desire and inevitable destiny.

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