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Posts in category: Italian Renaissance Art

Lorenzo di Credi

August 4, 2025
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Lorenzo di Credi’s Venus at the Uffizi challenges every Renaissance ideal of feminine grace — monumental, grounded, and quietly radical for its time.

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Patriarch Joseph II of Constantinople

July 20, 2025
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Patriarch Joseph II of Constantinople died in Florence in 1439, pursuing Christian unity between East and West. His tomb in Santa Maria Novella remains a quiet symbol of that dream.

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Majolica Plate decorated with the coat of arms of the Medici of Florence, 16th century (1525 - 1530), Diameter: 12.3 cm, International Museum of Ceramics in Faenza, Italy

The Medici in Faenza

June 4, 2025
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Faenza gave the world faïence — and the International Museum of Ceramics preserves its greatest treasures, including a small, exquisite Majolica plate that quietly speaks of Medici power.

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Saint Constantine in Arezzo

May 20, 2025
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

On Saint Constantine’s name day, a journey to Arezzo — where Piero della Francesca’s majestic frescoes place Constantine at the heart of one of Renaissance art’s greatest cycles.

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Giambologna statue of Mercury in the National Museum of Bargello, Florence

Giambologna’s Mercury

May 5, 2025
by Amalia Spiliakou Italian Renaissance ArtMythologyRenaissance ArtTeaching Resources

Poised mid-flight on a breath of wind, Giambologna’s bronze Mercury at Florence’s Bargello Museum defies gravity — a Mannerist masterpiece where myth, motion, and divine elegance are frozen in bronze.

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Pietro Lorenzetti's painting of the Crucifixion in the Lower Church, San Francesco, Assisi, Italy

Good Friday – ΜεγάληΠαρασκευή

April 18, 2025
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Pietro Lorenzetti’s early 14th-century Crucifixion fresco in Assisi’s Lower Church of San Francesco is a haunting masterpiece of raw emotion, naturalism, and divine sacrifice that bridges Gothic spirituality and Renaissance vision.

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Pietro Lornzetti's fresco of .Entry of Christ into Jerusalem.

Palm Sunday fresco scene in Assisi

April 12, 2025
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Pietro Lorenzetti’s breathtaking Passion frescoes in Assisi’s Lower Basilica of San Francesco blend Gothic spirituality with pioneering naturalism — transforming biblical narrative into deeply human, emotionally charged scenes that foreshadowed the Renaissance.

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Sofonisba Anguissola Self-Portrait at the Easel painting

Sofonisba Anguissola of Cremona

March 7, 2025
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Sofonisba Anguissola of Cremona shattered Renaissance barriers to become one of history’s first celebrated female artists — her luminous portraits of rare psychological depth earning admiration from Michelangelo and Vasari alike.

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Bernardino Luini's The Madonna of the Carnation.

Bernardino Luini’s the Madonna of the Carnation

December 31, 2024
by Amalia Spiliakou Italian Renaissance ArtRenaissance Art

In Madonna of the Carnation, Bernardino Luini transforms the carnation into a quiet symbol of divine love, purity, and foreshadowed sacrifice within an intimate mother-and-child scene.

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Fra Angelico's painting of the Virgin with the Pomegranate.

The Virgin with the Pomegranate

November 19, 2024
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Discover The Virgin with the Pomegranate by Fra Angelico—a luminous vision of divine grace, humility, and spiritual harmony in early Florentine art.

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