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Majolica Plate decorated with the coat of arms of the Medici of Florence, 16th century (1525 - 1530), Diameter: 12.3 cm, International Museum of Ceramics in Faenza, Italy

The Medici in Faenza

June 4, 2025
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Faenza gave the world faïence — and the International Museum of Ceramics preserves its greatest treasures, including a small, exquisite Majolica plate that quietly speaks of Medici power.

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The Roses of Heliogabalus by Sir Lawrence Alma-Tadema

June 1, 2025
by Amalia Spiliakou 19th century ArtBritish ArtTeaching Resources

A Roman emperor releases a cascade of rose petals to smother his banquet guests — Alma-Tadema transforms this tale of imperial cruelty into a breathtaking vision of beauty and horror.

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The enduring legacy of ancient civilizations

May 27, 2025
by Amalia Spiliakou 18th century ArtFrench ArtTeaching Resources

Hubert Robert never painted one place — he painted time itself. The Ruins of Nîmes, Orange and Saint-Rémy blends real Roman monuments into a dreamlike meditation on decay and grandeur.”

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Gian Lorenzo Bernini’s bust of Duke Francesco I d’Este

May 24, 2025
by Amalia Spiliakou Baroque ArtTeaching Resources

Bernini sculpted Duke Francesco I d’Este without ever meeting him — the result is one of Baroque art’s most theatrically alive portraits, later reimagined by Giovanni Boldini’s expressive brush.

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Saint Constantine in Arezzo

May 20, 2025
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

On Saint Constantine’s name day, a journey to Arezzo — where Piero della Francesca’s majestic frescoes place Constantine at the heart of one of Renaissance art’s greatest cycles.

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Funerary Wall Painting with Sosannah and the Elders, early 5th century, Fresco, 170 x 127 cm, Museum of Byzantine Culture, Thessaloniki, Greece

Sosannah

May 16, 2025
by Amalia Spiliakou ArchaeologyByzantine ArtEarly Christian Art

Susannah, a woman of rare beauty and deeper virtue, faced a cruel choice — submit or be condemned. Her unwavering courage became a timeless testament to virtue and truth.

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Libation Bowl (phiale mesomphalos), Greek, Late Orientalizing Period, about 625 BC, Gold, Diameter: 15 cm, MFA Boston, USA

Ancient Greek Gold Phiale

May 11, 2025
by Amalia Spiliakou Ancient Greek ArtArchaeologyTeaching Resources

Crafted in gold for sacred libations, the ancient Greek Mesomphalos Phiale at MFA Boston is a rare and exquisite emblem of ritual, artistry, and the spiritual world of ancient Greece.

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Giambologna statue of Mercury in the National Museum of Bargello, Florence

Giambologna’s Mercury

May 5, 2025
by Amalia Spiliakou Italian Renaissance ArtMythologyRenaissance Art

Poised mid-flight on a breath of wind, Giambologna’s bronze Mercury at Florence’s Bargello Museum defies gravity — a Mannerist masterpiece where myth, motion, and divine elegance are frozen in bronze.

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Imperial Basket with Lilies of the Valley

April 30, 2025
by Amalia Spiliakou 19th century ArtTeaching Resources

Gifted to Empress Alexandra Feodorovna in 1896, Fabergé’s Imperial Basket with Lilies of the Valley transforms gold, pearls, and diamonds into a breathtaking tribute to nature, loyalty, and imperial grace.

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2nd century AD sculptural piece of Aion-Phanes in Galleria Estense, Modena, Italy

Mithraic Aion and Orphic Phanes

April 24, 2025
by Amalia Spiliakou ArchaeologyMythologyRoman Art

A 2nd-century Roman relief from Modena’s Galleria Estense unites two enigmatic deities — Mithraic Aion and Orphic Phanes — in a breathtaking vision of eternity, cosmic creation, and divine order.

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