Vasari’s gripping tale of artistic jealousy, a lute smashed and a murder committed — totally fictional, yet Domenico Veneziano’s ethereal Florentine masterpieces remain breathtakingly, undeniably real.
Matisse and Jazz
Matisse’s Jazz — bold, improvisational, electric with colour — mirrors the music it celebrates. Two dazzling pochoirs in Athens invite us to feel rhythm through cut paper and pigment.
The Month of December
Maestro Venceslao’s December fresco captures a frozen Trentino world — bare-footed peasants chopping timber, knights escorting noble ladies, icicles hanging from castle eaves — vivid, harsh, and unforgettable.
Lion Hunt Mosaic
Did Pella’s breathtaking Lion Hunt mosaic echo Krateros’s lost bronze monument at Delphi — immortalising Alexander’s legendary struggle with a lion in marble, metal, and memory?
Watercolours by Howard Carter
Before discovering Tutankhamun’s golden tomb, Howard Carter was a teenage tracer painting Egyptian hieroglyphs in watercolour — his artist’s eye forever shaping one of archaeology’s greatest discoveries.
Dioscurides and Krithamo
The Vienna Dioscurides — a breathtaking 515 AD Byzantine manuscript gifted to Anicia Juliana — preserves Greek botanical wisdom and over a thousand medicinal plants in luminous illuminated splendour.
Saint Mary of the Mongols
From a Mongol Khan’s harem to a Constantinople convent — Byzantine princess Maria Paleologina’s extraordinary journey gave Istanbul its only continuously Greek Orthodox church, Saint Mary of the Mongols.
Teaching with Donatello
Donatello commanded his sculptures to speak — and they did. From Florence’s peasant Christ to Padua’s magnificent Gattamelata, his genius reshaped Renaissance sculpture for centuries to come.
The Month of November
Maestro Venceslao’s November fresco blazes with aristocrats hunting bear amid autumnal mountains, while Trento’s peasants quietly guard the gates — vivid, thunderous, and breathtakingly alive after six centuries.
Thalia Flora-Karavia
Pencils in hand, Thalia Flora-Karavia followed the Greek army through liberated Macedonia in 1912 — a woman defying every barrier to document war’s human face with extraordinary sensitivity.