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All posts by : Amalia Spiliakou

Raffaello Sanzio’s Madonna of the Goldfinch (before 1506) shows the Virgin Mary seated outdoors, gently holding a book as the Christ Child and young Saint John the Baptist interact with a goldfinch, set against a serene Renaissance landscape.

Madonna of the Goldfinch

January 26, 2026
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Vasari recounts Raphael gifting the Madonna of the Goldfinch to Lorenzo Nasi, portraying tender childhood interaction, serene grace, and harmonious beauty, blending personal friendship with spiritual symbolism and luminous naturalism.

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Impressionist oil painting of Venice by Childe Hassam, showing sunlit canal buildings reflected in water.

View of Venice

January 22, 2026
by Amalia Spiliakou 19th century ArtAmerican ArtImpressionismTeaching Resources

In View of Venice, Childe Hassam captures Venice’s shimmering light and movement, marking the formative moment his evolving style embraced vibrant color and modern Impressionist vision.

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Floor mosaics in the House of Menander in Mytilene, featuring the Portrait of Menander and figural scenes from his Comedies, preserved within the remains of a Roman-period domestic interior.

The House of Menander

January 19, 2026
by Amalia Spiliakou Ancient Greek ArtArchaeologyRoman ArtTeaching Resources

The House of Menander in Mytilene reveals a luxurious Roman villa adorned with theatrical mosaics, reflecting cultural sophistication, artistic taste, and possibly ties to dramatic performance or Dionysiac associations.

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A silver‑plated and ivory tea pot in the shape of a stylized hare by French artist Émile Auguste Reiber (c.1882), with the animal’s body forming the vessel, 12.8 cm high and 24.8 cm long, from the Musée d’Orsay collection in Paris.

The Musée d’Orsay’s remarkable Hare-shaped Teapot

January 16, 2026
by Amalia Spiliakou 19th century ArtFrench ArtTeaching Resources

The Musée d’Orsay’s hare-shaped teapot by Émile Reiber transforms function into sculpture, reflecting Japonism’s playful naturalism and cross-cultural exchange that reshaped European decorative arts in the late nineteenth century vividly.

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A Roman-period Fayum Mummy portrait of a young woman, painted in encaustic with gilded stucco motifs on linen. She is shown front-facing, with large dark eyes framed by heavy brows, and wears rich gold jewelry including a broad neck torque and rings.

Fayum Mummy Portraits

January 12, 2026
by Amalia Spiliakou Ancient Egyptian ArtArchaeologyRoman ArtTeaching Resources

Fayum mummy portraits fuse Roman realism with Egyptian funerary tradition, preserving vivid identities through encaustic painting, rich symbolism, and multicultural influences, offering an intimate, enduring connection to individuals of ancient Roman Egypt.

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The Baptism of Christ mosaic at Nea Moni monastery, Chios, 11th century, depicting Christ in the Jordan with John the Forerunner and attendant angels.

Feast Day of Saint John the Forerunner

January 6, 2026
by Amalia Spiliakou Byzantine ArtTeaching Resources

The mosaics of Nea Moni on Chios exemplify Middle Byzantine artistry, blending theological narrative, imperial patronage, and refined technique to create luminous, expressive compositions that embody the spiritual ideals of the Macedonian Renaissance.

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Color lithograph trade card depicting a white snowdrop flower (Galanthus nivalis) with green leaves, from the Flowers series for Old Judge Cigarettes, published by Goodwin & Company in 1890.

The Snowdrop (Galanthus nivalis)

January 1, 2026
by Amalia Spiliakou 19th century ArtAmerican ArtTeaching Resources

The snowdrop, Galanthus nivalis, heralds January with quiet resilience, symbolizing hope and renewal, while the Old Judge cards transform this delicate bloom into art, blending nature, culture, and everyday life.

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Black-background collage titled ‘January 2026’ featuring artworks from different periods of art.

January 2026 Newsletter

December 29, 2025
by Amalia Spiliakou Newsletter

The January 2026 Newsletter invites readers to explore art across time, from snowdrops and Byzantine mosaics to Fayum portraits and Renaissance masterpieces, offering reflection, inspiration, and a creative beginning to the year.

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Mirrored room with countless multicolored LED lights reflecting endlessly, creating the illusion of infinite space by Yayoi Kusama in the Guggenheim, Bilbao.

Yayoi Kusama’s Infinity Mirrored Room

December 26, 2025
by Amalia Spiliakou 20th century ArtTeaching Resources

Yayoi Kusama’s Infinity Mirrored Room transforms light and reflection into a meditative experience, dissolving boundaries between self and space, and offering a poetic vision of hope, connection, and renewal.

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Byzantine fresco of the Nativity in the Perivleptos Monastery Katholikon at Mystra, showing the Virgin Mary reclining and the infant Jesus in a cave-like setting, surrounded by haloed figures and a rocky landscape rendered in rich, earth-toned pigments typical of 14th-century Orthodox iconography.

The Nativity Fresco of Peribleptos Monastery in Mystra

December 22, 2025
by Amalia Spiliakou Byzantine ArtTeaching Resources

The Nativity fresco at Peribleptos Monastery in Mystras embodies late Byzantine artistry, uniting luminous color, graceful figures, and sacred narrative to express the spiritual mystery, tenderness, and hope of Christ’s birth.

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Recent Posts

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