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All posts by : Amalia Spiliakou

Sarcophagus of the Muses, c. 150-160 AD, Pentelic Marble, 0.92x2.06 m, the Louvre Museum, Paris, France

The Sarcophagus of the Muses in the Louvre

April 8, 2022
by Amalia Spiliakou MythologyRoman ArtTeaching Resources

The nine Muses—daughters of Zeus and Mnemosyne—embody epic poetry, history, music, dance, tragedy, and astronomy, inspiring ancient and modern creativity through their distinct artistic domains.

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The Death of Socrates by Jacques Louis David

April 5, 2022
by Amalia Spiliakou 18th century ArtFrench ArtTeaching Resources

In 1786, Jacques-Louis David, inspired by Classical antiquity and Enlightenment ideals, prepared The Death of Socrates, drawing on Greek history, Italian study, and deep engagement with ancient art and theory.

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Simon Bening’s April

March 31, 2022
by Amalia Spiliakou Northern Renaissance ArtRenaissance ArtTeaching Resources

Simon Bening’s April miniature from the Golf Book depicts an elegant Renaissance courtship in a lush garden, where richly dressed lovers, lively figures, and refined details celebrate spring, love, and aristocratic life.

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Paul Cézanne (left) and Camille Pissarro (right) at Auvers-sur-Oise, Private Collection, by an Anonymous Photographer

Camille Pissarro Flower Arrangements

March 26, 2022
by Amalia Spiliakou 19th century ArtFrench ArtImpressionismTeaching Resources

Camille Pissarro, a central figure in Impressionism and Neo-Impressionism, pioneered modern landscape painting through his lifelong commitment to capturing rural life, light, and everyday scenes across all eight Impressionist exhibitions.

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Gallery of Beauties, Schönheiten-Galerie König Ludwig I, Nymphenburg Palace, Munich, Germany

Joseph Karl Stieler’s Portrait of Katerina “Rosa” Botsaris

March 24, 2022
by Amalia Spiliakou 19th century ArtModern Greek ArtTeaching Resources

Katerina “Rosa” Botsaris, famed for her beauty and noble heritage, became Queen Amalia’s lady-in-waiting and was immortalized by Joseph Karl Stieler in Bavaria’s Gallery of Beauties.

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A monumental installation in the grounds of the Dulwich Picture Gallery in South London of The Four Seasons, a set of four fifteen-foot fiberglass sculptures by American artist and film-maker Philip Haas in 2012

Spring by Giuseppe Arcimboldo

March 19, 2022
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Giuseppe Arcimboldo, a Renaissance artist from Milan, gained fame for his imaginative portraits and court work, rising from early commissions to serve the Habsburg emperors in Vienna and Prague.

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Church of the Parigoritissa in Arta, 1294-1296, Arta, Greece

Church of the Parigoritissa in Arta

March 15, 2022
by Amalia Spiliakou Byzantine ArtTeaching Resources

The Church of the Parigoritissa in Arta, a masterpiece of late Byzantine architecture, reflects the ambition of the Despotate of Epirus, combining innovative design, rich decoration, and aristocratic grandeur.

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Photo and Artworks by and for Marie Euphrosyne Spartali-Stillman

Marie Euphrosyne Spartali-Stillman

March 8, 2022
by Amalia Spiliakou 19th century ArtTeaching Resources

On International Women’s Day, Marie Spartali Stillman, a Pre-Raphaelite artist and celebrated beauty, stands as a symbol of women’s artistic achievement and cultural presence in 19th-century London.

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The Shropshire Gold “Sun” Bulla-Pendant

March 3, 2022
by Amalia Spiliakou Prehistoric ArtTeaching Resources

Bronze Age brilliance shines in the Shropshire Gold “Sun” Pendant, a masterful object reflecting ancient beliefs, craftsmanship, and the enduring symbolic power of the sun in prehistoric Europe.

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Simon Bening’s March

February 28, 2022
by Amalia Spiliakou Northern Renaissance ArtRenaissance ArtTeaching Resources

Simon Bening’s Golf Book (March, f.20v) presents a refined medieval garden scene where aristocratic authority, labour, and daily life intersect, offering insight into monastic horticulture and medicinal plant traditions.

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