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All posts by : Amalia Spiliakou

Statue Group of Persephone as Isis and Hades as Sarapis, 180-190 AD, Marble, from Gortyn, the island of Grete, Greece

Persephone as Isis and Hades as Sarapis

June 18, 2023
by Amalia Spiliakou Ancient Greek ArtMythologyRoman ArtTeaching Resources

The Gortyn statue group of Persephone–Isis and Hades–Sarapis from Crete reflects Hellenistic religious syncretism, merging Greek and Egyptian divine imagery to express shared ideas of fertility, death, and rebirth.

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Enameled blue beaker with Annunciation, late 15th century, Enamelled Glass, H. 10.2 cm, Musée Jacquemart-André, inv. no. MJAPOA 934, Paris France

The Enameled Murano Beaker at Musée Jacquemart-André

June 13, 2023
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Enameled Murano glass, developed in Venice from the 15th century, transforms vessels through painted vitreous decoration, and the Jacquemart-André beaker reflects this refined tradition of color, imagery, and technical experimentation.

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Leaf of a Diptych with Consul Areobindus, 506 AD, elephant ivory bas-relief, 39x13cm, Musée de Cluny, Paris, France

Consul Areobindus Dagalaifus Areobindus

June 8, 2023
by Amalia Spiliakou Byzantine ArtEarly Christian ArtTeaching Resources

At the Cluny Museum, the ivory diptych of Consul Areobindus captures ceremonial power, intricate artistry, and Byzantine spectacle, linking personal memory with the enduring legacy of late Roman political symbolism.

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Seascape Study with Rain Cloud by John Constable

June 4, 2023
by Amalia Spiliakou 19th century ArtBritish ArtTeaching Resources

Inspired by Lowell’s storm and Constable’s seascape, the painting captures shifting skies, turbulent seas, and fleeting light, transforming nature’s drama into a powerful study of atmosphere, movement, and emotion.

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Leighton’s studio on the eve of the exhibition in 1895

Flaming June

May 31, 2023
by Amalia Spiliakou 19th century ArtBritish ArtTeaching Resources

Frederic Leighton’s Flaming June transforms a resting model into a radiant vision of summer, where colour, light, and form unite to celebrate beauty, harmony, and the ideals of Victorian aestheticism.

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Leon Bakst, Photo and Self-Portrait

Léon Bakst

May 25, 2023
by Amalia Spiliakou 20th century ArtArt DecoTeaching Resources

Léon Bakst revolutionized theatrical design with vibrant colours, exotic motifs, and unified aesthetics, transforming stage productions into harmonious works of art that continue to inspire students and modern designers alike.

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Stavelot Triptych, ca. 1156-1158, Wood; copper-gilt frames, silver pearls and columns, gilt-brass capitals and bases, vernis brun domes, semi-precious stones, intaglio gems, beads, champlevé, and cloisonné enamels, Wings open: height: 484 mm, width: 660 mm, The Morgan Library and Museum, NY, USA

The Stavelot Triptych in the Morgan Library

May 20, 2023
by Amalia Spiliakou Byzantine ArtTeaching Resources

The Stavelot Triptych unites Byzantine and Romanesque traditions, blending Eastern symbolism with Western narrative, while its precious materials and relics embody artistic exchange, spiritual devotion, and the cultural dialogue of the 12th century.

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Bayeux Tapestry, c. 1070, Εmbroidered Wool on Linen, about 68.3 metres long and about 70cm wide , Bayeux Tapestry Museum, France

A Unique Tapestry in Bayeux

May 16, 2023
by Amalia Spiliakou Medieval ArtTeaching Resources

The Bayeux Tapestry intertwines art and conquest, narrating the Norman victory while blending memory, propaganda, and craftsmanship—suggesting that while not all art is conquest, power and history often shape its enduring story.

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Élisabeth Louise Vigée Le Brun, French Artist, 1755–1842, Self-portrait with Her Daughter, Julie, 1786, and Self-Portrait with Her Daughter, Julie (à l’Antique), 1789

Élisabeth Louise Vigée Le Brun with Her Daughter Julie

May 13, 2023
by Amalia Spiliakou 18th century ArtFrench ArtRococo ArtTeaching Resources

Inspired by Augusta Davies Webster, Élisabeth Louise Vigée Le Brun captures tender motherhood in her portraits with Julie, where intimacy, warmth, and emotional truth redefine maternal love in late Rococo art.

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Giorgone’s Madonna Cook

May 8, 2023
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Encountering Giorgione’s elusive Madonna Cook, I was struck by its quiet poetry—where soft light, sparse landscape, and tender intimacy reveal the mystery and innovation of Venetian painting at its finest.

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