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Posts tagged: Labours of the Months

October, ca. 1480, Clear and coloured glass window.

‘October’ Stained Glass Roundel

September 30, 2024
by Amalia Spiliakou British ArtMedieval ArtTeaching Resources

A medieval farmer sowing October seeds, immortalised in radiant stained glass — where rural labour, spiritual devotion, and luminous craftsmanship unite in one breathtaking roundel.

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Colegiata de San Isidoro, León, Spain

Royal Pantheon of San Isidoro

June 30, 2024
by Amalia Spiliakou Medieval ArtTeaching Resources

León’s Royal Pantheon — the Sistine Chapel of Romanesque art — dazzles with 12th-century frescoes where biblical majesty and twelve vivid months of medieval agricultural life beautifully coexist.

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Luca della Robbia, Labours of the Months: June

The Labours of the Months by Luca della Robbia

May 31, 2024
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Luca della Robbia’s twelve glazed terracotta roundels — crafted for Piero de’ Medici’s intimate studietto — celebrate each month’s labour with exquisite Renaissance artistry, now treasured at the V&A.

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Simon Bening’s December

November 30, 2022
by Amalia Spiliakou Northern Renaissance ArtRenaissance ArtTeaching Resources

Simon Bening’s luminous December miniature captures festive anticipation — bread baking, animals slaughtered, hunters departing — a Flemish world poised breathlessly before Christmas celebration begins.

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Simon Bening’s November

October 31, 2022
by Amalia Spiliakou Northern Renaissance ArtRenaissance ArtTeaching Resources

Bening’s luminous November miniature captures aristocratic splendor — a nobleman triumphantly returning, antlered stag in tow, hounds straining — hunting elevated to magnificent courtly theater.

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Simon Bening’s October

September 30, 2022
by Amalia Spiliakou Northern Renaissance ArtRenaissance ArtTeaching Resources

Bening’s intoxicating October miniature — nobles tasting, peasants pressing, barrels groaning — distills Renaissance Flemish winemaking into one luminous, grape-soaked masterpiece of observation.

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Simon Bening’s September

August 31, 2022
by Amalia Spiliakou Northern Renaissance ArtRenaissance ArtTeaching Resources

Simon Bening’s Golf Book depicts a lively September scene of a medieval stick-and-ball game resembling golf, blending courtly leisure, rural setting, and early sport imagery within a richly illuminated calendar page from 16th-century Bruges.

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Simon Bening’s August

July 31, 2022
by Amalia Spiliakou Northern Renaissance ArtRenaissance ArtTeaching Resources

Bening’s Golf Book August scene evokes a poetic harvest landscape of golden wheat, labour, and rest, where Flemish peasants inhabit a richly detailed world of seasonal abundance, luminous colour, and harmonious rural rhythm.

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Simon Bening’s July

June 30, 2022
by Amalia Spiliakou Northern Renaissance ArtRenaissance ArtTeaching Resources

Simon Bening’s July miniature elevates falconry into an emblem of aristocratic refinement and control over nature, while Rilke’s poem reimagines the same practice as a profound, almost spiritual bond between human and bird, united in movement, training, and freedom.

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Simon Bening’s June

May 31, 2022
by Amalia Spiliakou Northern Renaissance ArtRenaissance ArtTeaching Resources

Simon Bening’s June page from the Golf Book vividly depicts a chivalric tournament, where armored knights joust for honor, love, and glory amid a lively Flemish city backdrop.

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