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Leaf of a Diptych with Consul Areobindus, 506 AD, elephant ivory bas-relief, 39x13cm, Musée de Cluny, Paris, France

Consul Areobindus Dagalaifus Areobindus

June 8, 2023
by Amalia Spiliakou Byzantine ArtEarly Christian ArtTeaching Resources

At the Cluny Museum, the ivory diptych of Consul Areobindus captures ceremonial power, intricate artistry, and Byzantine spectacle, linking personal memory with the enduring legacy of late Roman political symbolism.

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Enkolpion of Empress Maria, 398-407, Agate Cameo, Gold, Ruby or Garnet, Emerald, 2.6x1.8x1 cm, the Louvre, Paris, France

The Enkolpion of Empress Maria

February 4, 2023
by Amalia Spiliakou Early Christian ArtTeaching Resources

The Enkolpion of Empress Maria can indeed be read as an object where private devotion and public dynastic messaging converge: a jewel-like reliquary that compresses Theodosian family identity, Christian legitimacy, and political continuity into a portable emblem of Late Antique power and sanctified lineage.

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Chain and Pendant with the Bust of an Empress, 379–395 AD, Gold, garnet, sapphire, glass, 6.4 cm, The J. Paul Getty Museum, CA, USA

Pendant with the Bust of an Empress

January 18, 2023
by Amalia Spiliakou Byzantine ArtEarly Christian ArtTeaching Resources

The pendant in the Getty collection cannot be securely identified as Aelia Flacilla. Although its imperial iconography and late 4th-century date place it within the Theodosian milieu, the lack of inscriptions or provenance makes any specific portrait attribution—however tempting—ultimately speculative rather than demonstrable.

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Flabellum, 565 – 578, silver and gilding, 30.9 x 24.77 x 1.91 cm, Dumbarton Oaks, Washington, DC, USA

Silver Flabellum in the Collection of the Dumbarton Oaks

June 4, 2022
by Amalia Spiliakou Byzantine ArtEarly Christian ArtTeaching Resources

A 6th-century silver flabellum (rhipidion), now at Dumbarton Oaks, exemplifies both liturgical function and artistic refinement, once used to honor the Eucharist and protect sacred elements.

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Dionysos and his entourage standing underneath arcades lavishly decked out in climbing foliage and braided ornaments, Egypt, 4th century, wool tapestry on a linen ground, h. 210 cm, w. ca. 700 cm, Abegg-Stiftung, Canton Bern , Switzerland

The astonishing Tapestry of Dionysus at Abegg-Stiftung

February 11, 2022
by Amalia Spiliakou Byzantine ArtEarly Christian ArtMythologyTeaching Resources

The Abegg-Stiftung’s Dionysus tapestry reveals the god of wine and ecstasy surrounded by lush ornament and mythic figures, reflecting Late Antique beliefs in joy, abundance, and life beyond death.

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Floor Mosaic with Bust of Apolausis/Enjoyment (Baths of Apolausis, Pool Room West of the Frigidarium), late 4th century-early 5th century, Mosaic on Mortar, 98x266 cm, Dumbarton Oaks, Washington, DC, USA

Apolausis the personification of Enjoyment

December 30, 2021
by Amalia Spiliakou Byzantine ArtEarly Christian ArtTeaching Resources

Ancient Antioch, once a major Hellenistic and early Christian metropolis, yielded remarkable Roman mosaics during 1930s excavations, including the Apolausis “Enjoyment” floor mosaic from a luxurious bath complex.

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Hanging Fragment with Bird and Basket, 4th century, Wool, linen; tapestry weave, H. 64 cm, W. 50 cm, the MET, NY, USA

Hanging Fragment with Bird and Basket

November 8, 2021
by Amalia Spiliakou Byzantine ArtEarly Christian ArtTeaching Resources

Late Antique textiles from Egypt and the Eastern Mediterranean, like the Met’s Hanging Fragment with Bird and Basket, reveal how luxury fabrics expressed abundance, status, and the cultural ideal of the “good life.”

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Portrait Medallion of Gennadios, 250–300 AD, made in Alexandria, Egypt. Gold Glass, D. 4.2 cm, the MET, NY, USA

Portrait Medallion of Gennadios

September 3, 2021
by Amalia Spiliakou Byzantine ArtEarly Christian ArtTeaching Resources

Gennadios — a gold-on-sapphire-glass portrait medallion from Alexandria — is an exquisitely engraved masterpiece celebrating a musically accomplished youth, and one of the most captivating Late Antique treasures at the Metropolitan Museum.

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Exhibition of Mosaics from the Ilissos Basilica in Athens, 5th century AD, Byzantine and Christian Museum, Athens, Greece

Mosaics from the Ilissos Basilica in Athens

July 16, 2021
by Amalia Spiliakou Byzantine ArtEarly Christian Art

The Ilissos Basilica, a 5th-century Early Christian monument in Athens, once richly adorned, now lies largely forgotten; its exquisite mosaics survive in the Byzantine and Christian Museum.

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Portrait of the allegorical figure Epinoia (thinking power) holding a Mandragoa in the middle, Dioscurides describing the plant to the right, and a painter creating the image of the plant to the left, Vienna Dioscurides

Dioscurides and Krithamo

November 21, 2020
by Amalia Spiliakou Early Christian Art

The Vienna Dioscurides — a breathtaking 515 AD Byzantine manuscript gifted to Anicia Juliana — preserves Greek botanical wisdom and over a thousand medicinal plants in luminous illuminated splendour.

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