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Left: Glass paste mosaic clypeus showing a frontal portrait bust of Maria Simplicia Rustica, surrounded by concentric borders of coloured tesserae, around 350 AD. Right: Glass paste mosaic clypeus showing a frontal portrait bust of Flavius Iulius Iulianus, surrounded by concentric borders of coloured tesserae, about 350 AD.

Ciriaca’s Mosaics

September 3, 2026 ArchaeologyByzantine ArtEarly Christian ArtTeaching Resources
Left: Japanese lacquer inrō decorated with blooming chrysanthemums and asters in gold and coloured lacquer, Edo period, 18th–19th century. Victoria and Albert Museum, London. Right: Japanese lacquer inrō featuring chrysanthemums and asters in delicate gold lacquer against a dark background, Edo period, 18th–19th century. Victoria and Albert Museum, London.

Autumn in the Palm of Your Hand: Asters, Chrysanthemums and Two Japane...

August 31, 2026 Japanese ArtTeaching Resources
Emperor John II Komnenos in Art

Parallel Stories of Byzantine Imperial Portraits

July 10, 2020
by Amalia Spiliakou Byzantine ArtTeaching Resources

Byzantine imperial portraits project authority through stillness and restraint. Emperors appear fixed, emotionless, and timeless, embodying ideal power, while parallel roundels reveal a shared visual language of majesty and detachment.

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Fresco of Dionysos and Ariadne in the House of Capitelli Colorati, in Pompeii

Ariadne on Naxos

July 7, 2020
by Amalia Spiliakou Roman ArtTeaching Resources

Naxos blends myth and history: where Dionysus finds Ariadne on Palatia, inspiring timeless art—from the Portara to Pompeii frescoes—capturing love, divine intrigue, and enduring beauty.

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The Month of July fresco, possibly by Maestro Venceslao, Torre Aquila, Castello del Buonconsiglio in Trento, Italy

The Month of July

June 30, 2020
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

July at Torre Aquila celebrates idealized summer: nobles enjoy falconry while farmers labor in lush Trentino fields, a vivid, harmonious vision of prosperity crafted to glorify princely rule and order.

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Archaic Black-Figure  Terracotta fragment of a Kantharos (drinking cup) by Nearchos

Nearchos the Potter

June 25, 2020
by Amalia Spiliakou Ancient Greek ArtTeaching Resources

Nearchos, master of Black-Figure pottery, elevates craft to poetic expression—his precise, vivid scenes and refined forms revealing an artist whose work speaks with the depth and imagination of verse.

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Marble Rotunda Ambo from Thessaloniki

The Rotunda Ambo

June 21, 2020
by Amalia Spiliakou Byzantine ArtTeaching Resources

The Rotunda Ambo of Thessaloniki embodies early Byzantine splendor: a sculpted stage for sacred word and ritual, where art, liturgy, and devotion converged to inspire awe in every “traveller.”

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Leonardo da Vinci, Ginevra de' Benci

Bernardo Bembo and La Bencina

June 16, 2020
by Amalia Spiliakou Italian Renaissance ArtNorthern Renaissance ArtRenaissance Art

Renaissance Florence’s courtly love shines in Bembo and Ginevra de’ Benci: poetry and portraiture entwine, where ideal beauty, chastity, and longing inspire verses—and Leonardo’s enigmatic, psychological masterpiece.

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Henri Matisse, the Cut-Outs

Matisse Cut-Outs

June 11, 2020
by Amalia Spiliakou 20th century ArtTeaching Resources

Matisse’s Cut-Outs distill abstraction into joyful essence—scissors, colour, and form uniting in late works that redefine painting as playful composition, inspiring timeless creativity and student engagement.

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Hellenistic Mosaic of a Mischievous Dog

Alexandrian Mischievous Dog

June 9, 2020
by Amalia Spiliakou Ancient Greek ArtTeaching Resources

The Alexandrian “Mischievous Dog” mosaic captures Hellenistic virtuosity at its finest: a tender, humorous moment rendered in Opus Vermiculatum, where light, shadow, and emotion transform a simple dog into living presence.

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Tomb Painting of a Bird (Lark?), Museum for Byzantine Culture, Thessaloniki

Early Christian Funerary Paintings

June 4, 2020
by Amalia Spiliakou Byzantine ArtEarly Christian ArtTeaching Resources

Room 3 of the Museum of Byzantine Culture in Thessaloniki reveals Early Christian funerary paintings where Hellenistic tradition and new faith merge, transforming memory into a luminous vision of afterlife.

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The Month of June, by Maestro Venceslao, Fresco, Torre Aquila, Castello del Buonconsiglio in Trento, Italy

The Month of June

May 31, 2020
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

June at Torre Aquila celebrates the arrival of summer: nobles dance and stroll through lush landscapes while peasants labour in mountain pastures, uniting courtly leisure and rural life in vivid harmony.

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