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Left: Glass paste mosaic clypeus showing a frontal portrait bust of Maria Simplicia Rustica, surrounded by concentric borders of coloured tesserae, around 350 AD. Right: Glass paste mosaic clypeus showing a frontal portrait bust of Flavius Iulius Iulianus, surrounded by concentric borders of coloured tesserae, about 350 AD.

Ciriaca’s Mosaics

September 3, 2026 ArchaeologyByzantine ArtEarly Christian ArtTeaching Resources
Left: Japanese lacquer inrō decorated with blooming chrysanthemums and asters in gold and coloured lacquer, Edo period, 18th–19th century. Victoria and Albert Museum, London. Right: Japanese lacquer inrō featuring chrysanthemums and asters in delicate gold lacquer against a dark background, Edo period, 18th–19th century. Victoria and Albert Museum, London.

Autumn in the Palm of Your Hand: Asters, Chrysanthemums and Two Japane...

August 31, 2026 Japanese ArtTeaching Resources
Aristide Maillol, La Méditerranée

Aristide Maillol and La Méditerranée

August 20, 2020
by Amalia Spiliakou 20th century ArtTeaching Resources

Aristide Maillol transforms the female nude into pure form and balance, seeking timeless beauty rather than character, where sculpture becomes architecture, and La Méditerranée embodies serene, classical simplicity.

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Édouard Manet, Portrait of Émile Zola

Émile Zola by Édouard Manet

August 14, 2020
by Amalia Spiliakou 19th century ArtImpressionismTeaching Resources

Émile Zola defends Édouard Manet against Salon critics, praising his modern vision and securing a lasting friendship, later immortalized in Manet’s portrait of Zola surrounded by symbols of art, literature, and innovation.

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Albenga Baptistery in Albenga, Italy

Albenga Baptistery

August 12, 2020
by Amalia Spiliakou Early Christian ArtTeaching Resources

The Albenga Baptistery, an ambitious 6th-century octagonal structure, reflects the city’s Roman and Early Christian continuity, blending architectural innovation with the layered history of ancient Albium Ingaunum.

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Blue Glass Amphoriskos with cupids gathering grapes from the Villa of the Mosaic Columns in Pompeii

Blue Glass Amphoriskos from Pompeii

August 8, 2020
by Amalia Spiliakou Roman ArtTeaching Resources

The Pompeian Blue Glass Amphoriskos showcases extraordinary Roman luxury, with Dionysiac relief scenes carved in layered glass, blending technical mastery and exuberant decoration in one of antiquity’s rarest surviving treasures.

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Mosaic Columns from The Villa of the Mosaic Columns in Pompeii

Villa of the Mosaic Columns

August 4, 2020
by Amalia Spiliakou Roman ArtTeaching Resources

The Villa of the Mosaic Columns reveals the richness of Roman horti culture, where gardens, mosaics, and architecture merge into a luxurious expression of status, leisure, and everyday life in ancient Pompeii.

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The Month of August, latest 1407, possibly by Maestro Venceslao, Torre Aquila, Castello del Buonconsiglio in Trento, Italy

The Month of August

July 31, 2020
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Jean Toomer’s Harvest Song resonates with the Torre Aquila, where Master Venceslao depicts August’s labor and leisure, binding human toil to a timeless seasonal rhythm.

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Archangel Gabriel, south side of the Bema of the Holy Apse of Hagia Sophia in Constantinople, present day Istanbul, Dumbarton Oaks Fieldwork Records and Papers

The Archangel Gabriel of Hagia Sophia

July 28, 2020
by Amalia Spiliakou Byzantine ArtTeaching Resources

Royall Tyler’s awe at the uncovering of Hagia Sophia mosaics captures the revelation of the Archangel Gabriel, a towering Byzantine vision of light, color, and sacred authority emerging from centuries of concealment.

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Grant Wood, Midnight Ride of Paul Revere

Grant Wood and the Revolutionary Spirit

July 24, 2020
by Amalia Spiliakou 20th century ArtAmerican ArtTeaching Resources

Grant Wood’s Grant Wood transforms American history into a dreamlike vision in The Midnight Ride of Paul Revere, blending folk simplicity and national memory into a poetic, childlike landscape of Revolutionary imagination.

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Piero del Pollaiuolo, Apollo and Daphne

Pollaiuolo’s Apollo and Daphne

July 21, 2020
by Amalia Spiliakou Italian Renaissance ArtMythologyRenaissance Art

Ovid’s Metamorphoses provides the poetic source for Apollo and Daphne, where desire and escape culminate in transformation, as Renaissance Florence reinterprets myth into an idealised vision of unattainable love and beauty.

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Mariano Fortuny y Madrazo

When Fashion becomes Art

July 17, 2020
by Amalia Spiliakou 20th century ArtTeaching Resources

Fortuny’s Delphos Dress, inspired by the Charioteer of Delphi, transforms ancient drapery into luminous modern fashion, blending art, movement, and innovative textile craftsmanship into a timeless, iconic creation.

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