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Left: Glass paste mosaic clypeus showing a frontal portrait bust of Maria Simplicia Rustica, surrounded by concentric borders of coloured tesserae, around 350 AD. Right: Glass paste mosaic clypeus showing a frontal portrait bust of Flavius Iulius Iulianus, surrounded by concentric borders of coloured tesserae, about 350 AD.

Ciriaca’s Mosaics

September 3, 2026 ArchaeologyByzantine ArtEarly Christian ArtTeaching Resources
Left: Japanese lacquer inrō decorated with blooming chrysanthemums and asters in gold and coloured lacquer, Edo period, 18th–19th century. Victoria and Albert Museum, London. Right: Japanese lacquer inrō featuring chrysanthemums and asters in delicate gold lacquer against a dark background, Edo period, 18th–19th century. Victoria and Albert Museum, London.

Autumn in the Palm of Your Hand: Asters, Chrysanthemums and Two Japane...

August 31, 2026 Japanese ArtTeaching Resources
Raphael, La Fornarina, c.1519–20, oil on panel. A half-length portrait of a young woman, nude to the waist, wearing a white arm band inscribed with Raphael's name, a sheer veil, and a richly wrapped turban-like headdress, set against a dark myrtle bush background.

Raphael’s La Fornarina

June 3, 2026
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

Who is the beautiful woman who modestly tries to cover herself? Raphael left clues but no answers. Five centuries on, La Fornarina remains art history’s most captivating unsolved mystery.

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By Rossetti, a pastel and black chalk on tinted paper painting of the Day Dream, presenting Jame Morris in a flowing green dress, among tree branches and leaves, holding a small sprig of honeysuckle, thoughtfully looking downward, surrounded by soft, filtered light.

The Day Dream

May 31, 2026
by Amalia Spiliakou 19th century ArtBritish ArtTeaching Resources

Rossetti’s The Day Dream captures Jane Morris in a moment of stillness—where symbolism, desire, and interiority intertwine within one of the most atmospheric Pre-Raphaelite paintings.

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June 2026 Newsletter Presentation

June 2026 Newsletter

May 26, 2026
by Amalia Spiliakou Newsletter

A midsummer journey through art—love, myth, mystery, and light—inviting you to slow down, look closely, and experience the richness of June’s golden, lingering days.

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Marble Portrait of Constantine the Great at the Metropolitan Museum of Art

Marble Portrait of Constantine the Great

May 20, 2026
by Amalia Spiliakou ArchaeologyEarly Christian ArtRoman Art

A Face Between Two Empires: Constantine in Marble presents the marble portrait of Constantine the Great as a turning point in Roman art, where classical imperial imagery, political messaging, and the rise of Christianity converge in carved stone.

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Carolus-Duran The Letter and the Reveler 1889 oil painting showing exhausted man on sofa beside discarded bouquet and torn letter

Carolus-Duran’s The Letter and The Reveler

May 18, 2026
by Amalia Spiliakou 19th century ArtFrench ArtTeaching Resources

A letter lies torn open on the floor. Beside it, a bouquet, discarded, not placed. On the sofa above them, a young man has collapsed into the cushions, eyes closed, one arm surrendered to gravity. Something has happened in this room. Carolus-Duran’s The Letter (1889) offers two stories and refuses to choose between them.

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Lintel of Temple A at Prinias, Early Archaic Greek stone relief (650–600 BC) with enthroned goddesses and panther frieze, Heraklion Archaeological Museum.

Temple A at Prinias

May 13, 2026
by Amalia Spiliakou Ancient Greek ArtTeaching Resources

Temple A at Prinias (7th century BC) is an early Greek temple combining megaron-style architecture with pioneering Daedalic sculptural decoration, reflecting experimentation in Archaic Greek art and design.

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Portrait by John Singer Sargent of the three elegantly dressed Wyndham sisters posed indoors, one seated at center and two standing on either side—wearing white gowns against a soft, muted background.

The Portrait of the Wyndham Sisters by John Singer Sargent

May 9, 2026
by Amalia Spiliakou 19th century ArtAmerican ArtTeaching Resources

Sargent’s Portrait of the Wyndham Sisters transforms portraiture into a dynamic composition, uniting elegance, movement, and individuality while capturing psychological nuance and the interplay between heritage, identity, and modern femininity.

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Renaissance painting of Perseus rescuing Andromeda, who is chained to rocks by the sea, as he confronts a sea monster; dramatic sky and richly dressed figures emphasize movement and tension.

Bonifazio de’ Pitati’s Perseus Freeing Andromeda

May 6, 2026
by Amalia Spiliakou Italian Renaissance ArtMythologyRenaissance Art

Displayed on a wedding chest, Bonifazio de’ Pitati’s painting of Perseus freeing Andromeda offers a timeless message: that love, like myth, is a journey from danger to harmony.

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Early Christian Ivory Diptych with two carved scenes: episodes from the life of St. Paul and Adam standing in the Earthly Paradise. Small, stylized figures and minimal backgrounds are rendered in fine low relief on a warm, aged ivory surface.

St. Paul and Adam in the Earthly Paradise

May 4, 2026
by Amalia Spiliakou Byzantine ArtEarly Christian ArtTeaching Resources

This ivory diptych pairs Adam’s primordial harmony with Saint Paul’s miraculous acts, presenting a visual argument of restored balance, where faith overcomes disorder, reflecting theological meaning and late Roman cultural tensions.

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A delicate still life by Johan Laurentz Jensen showing pale hawthorn blossoms on a dark background, highlighting their fine detail and soft light.

Still Life with Hawthorn Blossom

April 30, 2026
by Amalia Spiliakou 19th century ArtTeaching Resources

In the quiet refinement of 19th-century Danish painting, Jensen’s Still Life with Hawthorn Blossom celebrates May’s fleeting beauty — where delicate hawthorn blossoms become symbols of renewal, transience, and enduring meaning.

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