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A Roman-period Fayum Mummy portrait of a young woman, painted in encaustic with gilded stucco motifs on linen. She is shown front-facing, with large dark eyes framed by heavy brows, and wears rich gold jewelry including a broad neck torque and rings.

Fayum Mummy Portraits

January 12, 2026
by Amalia Spiliakou Ancient Egyptian ArtArchaeologyRoman Art

Fayum mummy portraits fuse Roman realism with Egyptian funerary tradition, preserving vivid identities through encaustic painting, rich symbolism, and multicultural influences, offering an intimate, enduring connection to individuals of ancient Roman Egypt.

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The Baptism of Christ mosaic at Nea Moni monastery, Chios, 11th century, depicting Christ in the Jordan with John the Forerunner and attendant angels.

Feast Day of Saint John the Forerunner

January 6, 2026
by Amalia Spiliakou Byzantine ArtTeaching Resources

The mosaics of Nea Moni on Chios exemplify Middle Byzantine artistry, blending theological narrative, imperial patronage, and refined technique to create luminous, expressive compositions that embody the spiritual ideals of the Macedonian Renaissance.

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Color lithograph trade card depicting a white snowdrop flower (Galanthus nivalis) with green leaves, from the Flowers series for Old Judge Cigarettes, published by Goodwin & Company in 1890.

The Snowdrop (Galanthus nivalis)

January 1, 2026
by Amalia Spiliakou 19th century ArtAmerican ArtTeaching Resources

The snowdrop, Galanthus nivalis, heralds January with quiet resilience, symbolizing hope and renewal, while the Old Judge cards transform this delicate bloom into art, blending nature, culture, and everyday life.

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Black-background collage titled ‘January 2026’ featuring artworks from different periods of art.

January 2026 Newsletter

December 29, 2025
by Amalia Spiliakou Newsletter

The January 2026 Newsletter invites readers to explore art across time, from snowdrops and Byzantine mosaics to Fayum portraits and Renaissance masterpieces, offering reflection, inspiration, and a creative beginning to the year.

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Mirrored room with countless multicolored LED lights reflecting endlessly, creating the illusion of infinite space by Yayoi Kusama in the Guggenheim, Bilbao.

Yayoi Kusama’s Infinity Mirrored Room

December 26, 2025
by Amalia Spiliakou 20th century ArtTeaching Resources

Yayoi Kusama’s Infinity Mirrored Room transforms light and reflection into a meditative experience, dissolving boundaries between self and space, and offering a poetic vision of hope, connection, and renewal.

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Byzantine fresco of the Nativity in the Perivleptos Monastery Katholikon at Mystra, showing the Virgin Mary reclining and the infant Jesus in a cave-like setting, surrounded by haloed figures and a rocky landscape rendered in rich, earth-toned pigments typical of 14th-century Orthodox iconography.

The Nativity Fresco of Peribleptos Monastery in Mystra

December 22, 2025
by Amalia Spiliakou Byzantine ArtTeaching Resources

The Nativity fresco at Peribleptos Monastery in Mystras embodies late Byzantine artistry, uniting luminous color, graceful figures, and sacred narrative to express the spiritual mystery, tenderness, and hope of Christ’s birth.

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A tired young salesgirl slumps on a stool in a department store on Christmas Eve, surrounded by gift boxes and wrapping paper, conveying holiday exhaustion through Norman Rockwell’s realistic style.

Tired Salesgirl on Christmas Eve

December 19, 2025
by Amalia Spiliakou 20th century ArtAmerican ArtTeaching Resources

Norman Rockwell’s Tired Salesgirl on Christmas Eve reveals the quiet dignity of unseen labor, transforming a moment of exhaustion into a tender meditation on empathy, perseverance, and the human cost behind holiday celebration.

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Etruscan Tomb of the Jugglers fresco with dancers and musicians, 510 BC, Necropoli dei Monterozzi, Tarquinia

Tomb of the Jugglers

December 15, 2025
by Amalia Spiliakou ArchaeologyEtruscan ArtTeaching Resources

The Tomb of the Jugglers in Tarquinia’s Monterozzi Necropolis celebrates Etruscan beliefs in life’s continuity beyond death, depicting dancers, musicians, and performers whose vibrant energy transforms the tomb into a joyful vision of the afterlife.

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Iulia Bella plate, Faenza, end of 15th – beginning of 16th cent., Maiolica, Diameter: 28.2 cm, International Ceramics Museum in Faenza, Italy – Photo Credit: Amalia Spiliakou, April 2025

IVLIA BELLA

December 9, 2025
by Amalia Spiliakou Italian Renaissance ArtRenaissance ArtTeaching Resources

The IVLIA BELLA plate from Faenza exemplifies early Renaissance maiolica, celebrating idealized feminine beauty through refined portraiture, elegant inscription, and humanist aesthetics that reflect the period’s growing fascination with individuality, love, and artistic refinement.

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Wall Paintings from the Mycenaean Palace of Boeotian Orchomenos, Late Bronze Age, 13th century BC, Archaeological Museum of Thebes, Greece

Boat Fresco of Orchomenos

December 3, 2025
by Amalia Spiliakou Ancient Greek ArtArchaeologyMycenaean Art

The Orchomenos Boat Fresco reflects Mycenaean ideals of order and power through its disciplined depiction of a rowing vessel, transforming maritime imagery into a symbol of hierarchy, coordination, and Bronze Age kingship.

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